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Report for Bachelor of Applied Science (Marine Engineering)
Tells how radio and television became an integral part of American life, of how a toy became an industry and a force in politics, business, education, religion, and international affairs.
“Murrow was a cut stone with an astonishing number of facets. He was born in a cabin with an outhouse, and behaved like an English squire, when he was not acting like a lumberjack, or an intellectual gadfly, or a cowboy, or a philosopher, or a daredevil, or a social crusader, or a raconteur, or a hermit. He could be found firing at metal ducks in a Times Square shooting gallery or shooting at grouse on the moors of an English country estate. He could spin dialect stories at a crowded bar or go for twenty-four hours without uttering a word to a house guest. He could send his son to the most prestigious schools, all the while telling the boy that college was not important to a successful life. He was either telling friends how humble his own origins were or insinuating into the conversation that his wife’s ancestors came over on the Mayflower. He was a handsome man and an elegant dresser who bristled at anyone who made mention of his striking appearance. He was impervious, even oblivious, to the charms of most women, yet became involved with an aristocratic beauty and nearly destroyed his marriage. He spent his professional life in world capitals, yet liked to imagine that he would be happier at a small-town college. He made a good deal of money, yet felt guilty about it and was so openhanded that it seemed at times that he was trying to give it all away. His pastimes were those of the he-man, yet he was a favorite of intellectuals. He had everything to live for, but he gambled his life dozens of times flying unnecessary combat missions. He could condemn a war, as he did in Korea, yet find it irresistible. He was modest, even flip, with colleagues about his physical bravery, but wrote letters to his parents presenting an almost maudlinly heroic self-image. He had every reason to be a happy man. He was not. I was drawn to his life because he was the preeminent figure in a profession that he essentially fathered. It is difficult for any thinking person not to be simultaneously mesmerized and repelled by the hold of mass communications over the modern world. Murrow’s story is integral to that phenomenon.” — from Joseph E. Persico’s foreword to Edward R. Murrow: An American Original “If one is curious to find out what makes some people stand out above the rest, what makes a person a hero, the story is in Edward R. Murrow: An American Original. Murrow had talent, drive, intelligence, personality and vision... In comprehensive detail, with dramatic, well-told anecdotes and insight and perceptiveness, Joseph E. Persico describes a man of extraordinary natural gifts, human failings and stunning accomplishments... a well-organized and readable trip through Murrow’s public and personal life... Mr. Persico is a diligent researcher who clearly won the confidence of the people he needed, most especially Murrow’s widow, Janet... [He] is an able reporter and a fine storyteller whose taste, tact and skill have produced an appropriate biography... We should be grateful to this book for reminding us that television once had, and on occasion still has — when someone is willing to put up a fight — the surprising and the exceptional.” — Joan Konner, The New York Times “Persico’s distinguished and compellingly readable biography does not slight the stuff of the Murrow legend — his humble origins as the son of a North Carolina dirt farmer, his work as a lumberjack in the Pacific Northwest, his invention of himself as a dashing and dapper foreign correspondent, his pioneering broadcasts from London during the Blitz, his televised showdown with Joseph McCarthy. But, then, Persico goes far beyond the myth and shows us the real man — to his surprise, and perhaps to our own... the book is rich with intimate anecdotes, recounted by a sympathetic but unadoring biographer, drawing on first-person sources who were close enough to Murrow to detect the cracks in the plaster saint of journalism... Persico brings to Murrow the intellectual discipline of the historian, the polished and memorable prose of the accomplished biographer... a fast but substantial and satisfying read.” — Jonathan Kirsch, Los Angeles Times “[T]he conjunctions of events that propelled [Murrow] into a career that didn’t exist until he created it is an absorbing tale that Persico tells compellingly. He also has a keen eye for some of the other towering egos that came to populate the scene.” — Anne Chamberlin, Washington Post “Persico has produced a work which reveals... Murrow’s spirit and his passion for broadcast journalism... Persico tells us what drove this man to such professional heights. This is the work to read for insights into Murrow’s personality, beliefs, feelings, foibles and frustrations. Persico’s work is likely to become the most popular biography of Murrow. He interviewed the right people and his research was faultless and well-documented in the book... His writing is entertaining, revealing, and alive with characters, stories, suspense and humor... Persico causes the reader to share the emotions, the tensions, and the passions felt by Murrow and those close to him. Persico’s is an excellent book to put on a reading list for students, either graduate or undergraduate, it is an especially appropriate selection for those studying the role of broadcasting in our society and the current debate over the public trusteeship of broadcast licensees.” — Edward Funkhouser, Journalism Quarterly “A plain-spoken, essentially favorable, and near definitive appraisal of the accomplished, angst-ridden man who almost single-handedly made broadcast journalism a respectable profession. Persico secured the cooperation of Murrow’s widow, Janet, and other family members; he also had access to private papers not available to previous biographers... As one result, the author is able to add telling detail to the largely familiar, often romanticized record of Murrow’s career... Persico’s diligent research has enabled him to offer a coherent, revelatory narrative that addresses Murrow’s shortcomings and setbacks as well as his triumphs. His informed, evenhanded text clears the air of myth-makers’ hyperbole without tarnishing in any significant way the achievements of a complex, charismatic broadcast pioneer.” — Kirkus
In 60 essays, this volume profiles American journalists from colonial times to the present--reporters, editors, publishers, photographers, and broadcasters--whose careers reflected major developments in their profession and in the history of the United States. In a speech to Newsweek correspondents in 1963, publisher Philip Graham described journalism as "the first rough draft of history." These journalists confronted and helped to shape the discussion of major issues and events in American history, from the American revolution through abolition, westward expansion, the Civil War, the civil rights movement, immigration, and the women's movement, as well as major constitutional issues involving the First Amendment protection of freedom of the press. Biographies of well-known journalists, from Benjamin Franklin and Thomas Paine to Walter Cronkite and Rupert Murdoch, appear alongside some who may be less familiar, such as Elias Boudinot, founder of the first Cherokee language newspaper; Abraham Cahan, editor of the Jewish Daily Forward; and Daniel Craig, who in the 1830s used carrier pigeons to ferry the news. Other subjects include Margaret Green Draper, the revolutionary printer; Claude Barnett, founder of the Associated Negro Press; photojournalist Margaret Bourke-White; war correspondent Ernie Pyle; and Allen Neuharth, founder of USA Today. Illustrations, fact boxes, and quotations from the subjects themselves make this volume an indispensable reference for students of American history as well as a fascinating read. Journalists profiled include: Horace Greeley Frederick Douglass Mark Twain Thomas Nast Joseph Pulitzer Nellie Bly William Randolph Hearst Ida Wells-Barnett H. L. Mencken Dorothy Thompson Walter Winchell Red Smith Edward R. Murrow Walter Cronkite Bernard Shaw Cokie Roberts Manuel de Dios Unanue and many more
During the iQSo's, in a frontier atmosphere of enterprise and sharp struggle, an American television system took shape. But even as it did so, itspioneers pushed beyond American borders and became programmers to scores of other nations. In its first decade United States television was already a world phenomenon. Since American radio had for some time had international ramifications, American images and sounds were radiatingfrom transmitter towers throughout the globe. They were called entertainment or news or education but were always more. They were a reflection of a growing United States involvement in the lives of other nationsan involvement of imperial scope. The role of broadcasters in this American expansion and in the era that produced it is the subject matter of The Image Empire, the last of three volumes comprising this study.
MediaWriting is an introductory, hands-on textbook for students preparing to write in the current multimedia environment. Rather than just talk about the differences among the styles of print, broadcast, and public relations, MediaWriting sythensizes and integrates them, while weaving in basic principles of Internet writing and social media reporting. Complete with real-world examples, practical writing exercises, and tips and information for entering into the profession, MediaWriting continues to give students the tools they need to become a successful media writer. The new edition has been extensively rewritten to reflect the dynamic nature of the profession, paying significant attention to how the Internet and social media have become essential communication tools for print and broadcast journalists, and public relations professionals. Further updates and features include: Increased attention to computer-assisted reporting, the preparation of online copy, and social media applications Two new chapters on lead writing and new new media A separate chapter focused solely on ethics Explanatory "how to" boxes that help students understand and retain main themes Illustrative "It Happened to Me" vignettes from the authors’ professional experiences Discussion questions and exercises at the end of every chapter Suggested readings that highlight biographies, books, and websites that expand the scope and definition of professionalism In addition to new multimedia elements, the fourth edition’s companion website features enhanced resources for both students and instructors, including chapter overviews, writing tips, a test bank, sample critiques, and a sample syllabus.
As World War II drew to a close and radio news was popularized through overseas broadcasting, journalists and dramatists began to build upon the unprecedented success of war reporting on the radio by creating audio documentaries. Focusing particularly on the work of radio luminaries such as Edward R. Murrow, Fred Friendly, Norman Corwin, and Erik Barnouw, Radio Utopia: Postwar Audio Documentary in the Public Interest traces this crucial phase in American radio history, significant not only for its timing immediately before television, but also because it bridges the gap between the end of the World Wars and the beginning of the Cold War. Matthew C. Ehrlich closely examines the production of audio documentaries disseminated by major American commercial broadcast networks CBS, NBC, and ABC from 1945 to 1951. Audio documentary programs educated Americans about juvenile delinquency, slums, race relations, venereal disease, atomic energy, arms control, and other issues of public interest, but they typically stopped short of calling for radical change. Drawing on rare recordings and scripts, Ehrlich traces a crucial phase in the evolution of news documentary, as docudramas featuring actors were supplanted by reality-based programs that took advantage of new recording technology. Paralleling that shift from drama to realism was a shift in liberal thought from dreams of world peace to uneasy adjustments to a cold war mentality. Influenced by corporate competition and government regulations, radio programming reflected shifts in a range of political thought that included pacifism, liberalism, and McCarthyism. In showing how programming highlighted contradictions within journalism and documentary, Radio Utopia reveals radio's response to the political, economic, and cultural upheaval of the post-war era.
In March 1961 America's most prominent journalist, Edward R. Murrow, ended a quarter-century career with the Columbia Broadcasting System to join the administration of John F. Kennedy as director of the United States Information Agency (USIA). Charged with promoting a positive image abroad, the agency sponsored overseas research programs, produced documentaries, and operated the Voice of America to spread the country's influence throughout the world. As director of the USIA, Murrow hired African Americans for top spots in the agency and leveraged his celebrity status at home to challenge all Americans to correct the scourge of domestic racism that discouraged developing countries, viewed as strategic assets, from aligning with the West. Using both overt and covert propaganda programs, Murrow forged a positive public image for Kennedy administration policies in an unsettled era that included the rise of the Berlin Wall, the Cuban Missile Crisis, and support for Vietnam's Ngo Dinh Diem. Murrow's Cold War tackles an understudied portion of Murrow's life, reveals how one of America's most revered journalists improved the global perception of the United States, and exposes the importance of public diplomacy in the advancement of U.S. foreign policy.