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This book interrogates how districts were used in British North America to inspect, and document indigenous people by the Hudson’s Bay Company (HBC). In particular, it examines how the HBC utilized districts to create a political geography that allowed for closer surveillance of indigenous people and stabilized debt. An initial examination of how the district was used to rework earlier 18th-century conducts of observation into the more ordered and spatially limited regime of inspection is undertaken, followed by an investigation of how the district became central to the HBC’s efforts to limit the movement of indigenous people, individualize hunters, and spur ‘industriousness’. The book points to how districts became key to a number of colonial projects, laying the infrastructure for the modern reserve system in Canada. In this sense, the book provides a critical genealogy of how the command of space and social vision shaped Canada’s colonial geography.
At the height of the Great Depression, two Prairie children struggle with poverty and uncertainty. Surrounded by religion, law, and her authoritarian father, Cora Wagoner daydreams about what it would be like to abandon society altogether and join one of the Indian tribes she's read so much about. Saddened by struggles with Indian Agent restrictions, Hunter George wonders why his father doesn't want him to go to the residential school. As he too faces drastic change, he keeps himself sane with his grandmother's stories of Wisahkecahk. As Cora and Hunter sojourn through a landscape of nuisance grounds and societal refuse, they come to realize that they exist in a land that is simultaneously moving beyond history and drowning in its excess.
In 1670, the ancient homeland of the Cree and Ojibwe people of Hudson Bay became known to the English entrepreneurs of the Hudson’s Bay Company as Rupert’s Land, after the founder and absentee landlord, Prince Rupert. For four decades, Jennifer S. H. Brown has examined the complex relationships that developed among the newcomers and the Algonquian communities—who hosted and tolerated the fur traders—and later, the missionaries, anthropologists, and others who found their way into Indigenous lives and territories. The eighteen essays gathered in this book explore Brown’s investigations into the surprising range of interactions among Indigenous people and newcomers as they met or observed one another from a distance, and as they competed, compromised, and rejected or adapted to change. While diverse in their subject matter, the essays have thematic unity in their focus on the old HBC territory and its peoples from the 1600s to the present. More than an anthology, the chapters of An Ethnohistorian in Rupert’s Land provide examples of Brown’s exceptional skill in the close study of texts, including oral documents, images, artifacts, and other cultural expressions. The volume as a whole represents the scholarly evolution of one of the leading ethnohistorians in Canada and the United States.
James Hargrave left an economically depressed Scotland in 1819, found work as a North West Company wintering clerk, and went on to survive the company's 1821 merger with the rival Hudson's Bay Company and subsequent downsizing to spend most of his forty years in the fur trade at York Factory on the desolate shores of Hudson Bay in the service of Governor George Simpson.
For nearly two centuries, the Company of Adventurers trading into Hudson’s Bay exported from Rupert’s Land hundreds of thousands of pelts, leaving in exchange a wealth of European trade goods. Yet opening the vast northwest had more far-reaching effects than an exchange of beaver and beads. Essays by a dozen scholars explore the cultural tapestry woven by explorers, artists, settlers, traders, missionaries, and map makers. Richard Ruggles traces the mapping of the territory from the mysterious gaps of the 1500s to the grids of the nineteenth century. John L. Allen recounts how fur-trade explorations encouraged Thomas Jefferson to dispatch the Lewis and Clark expedition. Irene Spry retells the gusto with which John Palliser, a half-century later, studied the prairies. Olive Dickason examines the first contacts of Europeans with Inuit and Amerindians, while James G.E. Smith presents the differing views of the land held by Caribou Eater Chipewyan and traders. Robert H. Cockburn, following Oberholtzer in 1912 and Downes in 1939, finds two more recent views of the Caribou Eater Chipewyan. Fred Crabb points out that much of this century’s church work has been carried out by native and mixed-blood residents. Clive Holland outlines Franklin’s first land expedition. Sylvia Van Kirks clerk in the trade finds his opinion of “this rascally and ungrateful country“ gradually changing, while R. Douglas Francis compares the ideal image and reality as the West opened to settlement. Robert Stacey tells how the theories of the picturesque and the sublime influenced artists portrayals of the West and the Arctic; Edward Cavell illustrates how the camera recorded Rupert’‘s Land and changed our perceptions of it as well. Forty-six maps, drawings and paintings, and documentary photographs illustrate the tapestry of the text.
The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.
A story of exploration, family ties, and how the territorial interests of a large corporation enabled scientific study of the natural world, Mapmaker is the first biography of Philip Turnor, the surveyor who traversed and mapped vast areas of northern Canada.
Arctic Artist is the liveliest and most complete account of Sir John Franklin's tragic first expedition to the Arctic. George Back's prose captures the drama of the journey, while his superb watercolour sketches reveal the beauty and wonder of this northern land. Published for the first time, this is the complete text of Back's journal. Arctic Artist completes Stuart Houston's trilogy of the journals of Franklin's officers.
For two centuries (1670-1870), English, Scottish, and Canadian fur traders voyaged the myriad waterways of Rupert's Land, the vast territory charted to the Hudson's Bay Company and later splintered among five Canadian provinces and four American states. The knowledge and support of northern Native peoples were critical to the newcomer's survival and success. With acquaintance and alliance came intermarriage, and the unions of European traders and Native women generated thousands of descendants. Jennifer Brown's Strangers in Blood is the first work to look systematically at these parents and their children. Brown focuses on Hudson's Bay Company officers and North West Company wintering partners and clerks-those whose relationships are best known from post journals, correspondence, accounts, and wills. The durability of such families varied greatly. Settlers, missionaries, European women, and sometimes the courts challenged fur trade marriages. Some officers' Scottish and Canadian relatives dismissed Native wives and "Indian" progeny as illegitimate. Traders who took these ties seriously were obliged to defend them, to leave wills recognizing their wives and children, and to secure their legal and social status-to prove that they were kin, not "strangers in blood." Brown illustrates that the lives and identities of these children were shaped by factors far more complex than "blood." Sons and daughters diverged along paths affected by gender. Some descendants became Métis and espoused Métis nationhood under Louis Riel. Others rejected or were never offered that course-they passed into white or Indian communities or, in some instances, identified themselves (without prejudice) as "half breeds." The fur trade did not coalesce into a single society. Rather, like Rupert's Land, it splintered, and the historical consequences have been with us ever since.
NATIONAL BESTSELLER A thrilling new telling of the story of modern Canada's origins. The story of the Hudson's Bay Company, dramatic and adventurous and complex, is the story of modern Canada's creation. And yet it hasn't been told in a book for over thirty years, and never in such depth and vivid detail as in Stephen R. Bown's exciting new telling. The Company started out small in 1670, trading practical manufactured goods for furs with the Indigenous inhabitants of inland subarctic Canada. Controlled by a handful of English aristocrats, it expanded into a powerful political force that ruled the lives of many thousands of people--from the lowlands south and west of Hudson Bay, to the tundra, the great plains, the Rocky Mountains and the Pacific northwest. It transformed the culture and economy of many Indigenous groups and ended up as the most important political and economic force in northern and western North America. When the Company was faced with competition from French traders in the 1780s, the result was a bloody corporate battle, the coming of Governor George Simpson--one of the greatest villains in Canadian history--and the Company assuming political control and ruthless dominance. By the time its monopoly was rescinded after two hundred years, the Hudson's Bay Company had reworked the entire northern North American world. Stephen R. Bown has a scholar's profound knowledge and understanding of the Company's history, but wears his learning lightly in a narrative as compelling, and rich in well-drawn characters, as a page-turning novel.