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Old Homes of New England paints a stunning portrait of the charming and important old homes of the region, featuring storybook cottages in white clapboard as well ancient mansions in brick and stone. Cherished for its intimate, community-centered spirit, New England lays claim to some of the most wonderful architecture of the country—and, significantly, its buildings are among the nation’s very oldest. Featured here are twenty-five of the most beautiful examples, ranging from the storied House of the Seven Gables of 1668, in its magnificent colonial splendor, to the Corwin House of 1675, nicknamed the "Witch House" for its direct association to the infamous Salem witch trials, to the bucolic Cogswell farmhouse of 1728. Each house exemplifies its style, which range from early colonial Pilgrim, Puritan, and Shaker, to later Georgian, Federal, and Greek Revival. With richly crafted interiors formed from old woods, fine plasterwork, thoughtfully set beams, brick, and stonework, the houses return us to a more gracious time when the simple pleasures of staying at home were paramount, a time to which many of us, even now, long to return.
Detailed, accurate illustrations of 43 homes in wide range of styles: Mark Twain House, House of the Seven Gables, Nathan Hale Homestead, Robert Frost Place, The Breakers, many more. Informative captions.
Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
New England is the oldest and most influential region of America. Although it has changed much through the centuries, it remains a place that even the Colonials may still recognize. Through a collection of photos, illustrations, history, and stories, this book explores the architectural history of New England and how, although it has changed much through the centuries, it remains a place that even the Colonials might still recognize. The book begins with the influence of climate and geography on the architectural choices and follows with the basics of the well-known New England homes––the cape, the saltbox, the colonial––all of which were created to serve the very specific needs of this corner of America, the people, the land and the climate. We look at the earliest settlers, understanding the challenges they faced, and follow their descendants as they convert and adapt the traditional New England home into something still clearly New England but different, newer and, ultimately, even modern. We watch how the people and houses evolve and how they become what are still clearly identifiable as New England––and all over New England, from Connecticut’s Gold Coast to the rocky shores of Maine. Sprinkled throughout the story of this evolution are sidebars such as A New England State of Mind and I Live Here, etc… where we meet the quintessential New England personalities and characters, who speak through letters, epitaphs, remembrances, books, newspapers, and others, and hear and see in their own words and images what they make or made of this place and life in it. People who buy this book will enjoy a very visual sense of what it’s like to be a New Englander and what it’s like to live in New England––whose houses have been copied and adapted in every state, city and neighborhood of America.
The graveyards of old New England hold an incredible range of poetic messages in the epitaphs etched into the gravestones, each a profound expression of emotion, culture, religion, and literature. These epitaphs are old, but their themes are timeless: mourning and faith, grief and hope, loss, and memory. This book tells the story of a years-long walk among gravestones and shares insights gained along the way. It identifies the source texts and authors chosen for these stones; interprets something of the tastes and beliefs of the people who did the choosing; offers some hypotheses on the various ways these texts were accessible to readers in remote towns and villages; gives a brief summary of the religious context of the times; and reflects on how the language and literature chosen for these epitaphs express these peoples' conflicted and evolving attitudes towards life, death, and eternity.