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The book you are about to read seeks to make the unfamiliar familiar and to make the foreign seem like home. At the same time, it seeks to make your world a little less comfortable by showing you a cultural way of life based not on objects, but on human respect for a harsh and even otherworldly environment.
A history of pastoral nomads in the Islamic Middle East from the rise of Islam, through the middle periods when Mongols and Turks ruled most of the region, to the decline of nomadism in the twentieth century. Offering a vivid insight into the impact of nomads on the politics, culture, and ideology of the region, Beatrice Forbes Manz examines and challenges existing perceptions of these nomads, including the popular cyclical model of nomad-settled interaction developed by Ibn Khaldun. Looking at both the Arab Bedouin and the nomads from the Eurasian steppe, Manz demonstrates the significance of Bedouin and Turco-Mongolian contributions to cultural production and political ideology in the Middle East, and shows the central role played by pastoral nomads in war, trade, and state-building throughout history. Nomads provided horses and soldiers for war, the livestock and guidance which made long-distance trade possible, and animal products to provision the region's growing cities.
A celebration of free speech and democracy and a rousing call to action from the widely acclaimed author of Infidel, this #1 national bestseller is now available in trade paperback from Vintage Canada. In Nomad, Ayaan Hirsi Ali tells her story of her emotional journey to freedom to build a new life following her flight from a tribal world that limits women's every thought and action. After breaking with her family, she struggled to throw off restrictive superstitions and misconceptions--sometimes with very funny results--in order to assimilate into Western society. She has endured death threats and the horrendous murder of her collaborator and friend by an Islamic fanatic, but has not ceased to call on women and key institutions of the West to enact innovative remedies that could help Muslim immigrants everywhere overcome similar challenges--and resist the fatal allure of fundamentalism and terrorism.
The notebooks of A. D. Hope are a portrait of the contradictory essence of the poet's intellect and character. Shot through with threads of self-awareness and revelation, Hope imbued his notebooks with irony and humour, forming them as a celebration of the joy and terror of human existence. Stripped of intimate revelation, the entries give witness to Hope's view that art is a superior force in the creation of new being and values, and a guide for the conduct of our lives. Seeking to find pathways through the maze of an intellectual life, this is a profound and timely contribution to Australia's literary scholarship. Ann McCulloch's analysis of this thematic selection of Hope's notebooks reveals him to be relentless in his experimentation with ideas. Revealing the originality of his thinking and the astonishing range of his reading and interests, this edition is a testament to the intellect of one of Australia's towering literary figures.
In times of heightened national security, scholars and activists from the communities under suspicion often attempt to alert the public to the more complex stories behind the headlines. But when they raise questions about the government, military and police policy, these individuals are routinely shut down and accused of being terrorist sympathisers or apologists for gang culture. In such environments, there is immense pressure to condemn what society at large fears. This collection explains how the expectation to condemn has emerged, tracking it against the normalisation of racism, and explores how writers manage to subvert expectations as part of their commitment to anti-racism.
This book is both a study of the work of the Scottish writer, Kenneth White, in thought, travel writing and poetry, and an application of one of White’s main concepts, geopoetics, to Charles Doughty’ Arabia Deserta. It is a largely forgotten fact that Doughty considered all his travels to be leading up to an ars poetica. Omar Bsaïthi’s thesis is that Arabia Deserta is a superb example of geopoetics in action The result of the meeting of White and Doughty orchestrated by Bsaïthi is not only the reinterpretation of an English classic and perhaps a renewal of Arab studies, it is an introduction, via the writings of Kenneth White, to a regrounded field of culture. “In his presentation of geopoetics and intellectual nomadism, Bsaithi draws attention both to the nature of discontent felt in the Western culture and civilization in the postmodern era, and to the possible forms of encounter between figures highly representative of the Western mind, searching for the “ways out”, and other cultural spaces.” —Khalid Hajji, Professor at Mohamed 1rst University, Oujda, Morocoo “It is the merit of Mr Omar Bsaithi’s book to focus on a Franco-Scottish poet to establish an unprecedented correlation with Charles Doughty, author of Travels in Arabia Deserta. By so doing, he applies a method which belongs to Kenneth White’s own geopoetic practice: in a different and a priori foreign cultural context, he reveals similitudes and links through the study of a deeper and more poetic relation to terrestrial space.” —Laurent Margantin, Université de La Réunion
How much do you need to be happy? 'You'll be pregnant and drinking cider outside Tesco by the age of 16.' By age 17, Charlotte Bradman was pregnant. By 30, with a dysfunctional relationship falling apart, her house was repossessed. Shedding her possessions and stripping back life to the basics, Charlotte used the last of her savings to buy a campervan... a creaky, old van with no loo or onboard water. It was the best thing she ever did. Come along on this moving ride as Charlotte finds true stability and security, learning that all she needs is a recharging van battery, a dry bed, and an unspoilt sea view. Self-confessional, observational and darkly humorous, this is an engrossing and inspirational story of resilience and fortitude. If you're dreaming of a simpler life, you need to read The Happy Nomad.
In these wide-ranging essays, Erik Davis explores the codes—spiritual, cultural, and embodied—that people use to escape the limitation of their lives and enrich their experience of the world. These include Asian religious traditions and West African trickster gods, Western occult and esoteric lore, postmodern theory and psychedelic science, as well as festival scenes such as Burning Man (of which Davis is the best-known chronicler). Articles on media technology further explore themes Davis took up in his acclaimed book Techgnosis, while his profiles of West Coast poets, musicians, and mystics extend the California terrain he previously mapped in The Visionary State. Whether his subject is collage art or the “magickal realism” of horror writer H.P. Lovecraft, transvestite Burmese spirit mediums or Ufology, tripster king Terence McKenna or dub maestro Lee Perry, Davis writes with keen yet skeptical sympathy, intellectual subtlety and wit, and unbridled curiosity. The common thread running through all these pieces is what Davis calls “modern esoterica,” which he describes in his preface as a ‘no-man’s-land located somewhere between anthropology and mystical pulp, between the zendo and the metal club, between cultural criticism and extraordinary experience, whether psychedelic, or yogic, or technological.” Such an ambiguous and startling landscape demands that the intrepid adventurer shed any territorial claims and go nomad. Davis wanders with sharp eyes and an open mind, which is why Peter Lamborn Wilson calls him “the best of all guides to modern American spirituality.”