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In 1811, twelve young men were chosen among the families in the Emperors personal service to serve as ushers in his apartments. My mother, attached to the household of the King of Rome as first nurse to the prince, requested this favour for me from the grand chamberlain, the Count de Montesquiou, and it was granted.Louis-Joseph Marchands intimate memoir of his time as Napoleons valet is the last of the significant Napoleonic manuscripts to be translated into English and a unique and precious insight into the last days of Napoleons Imperial project.Serving alongside the Emperor from the apex of his reign and through his eventual demise, Marchand depicts, in remarkable detail, the Russian campaign, the campaigns of Germany and France, Napoleons exile to Elba and subsequent escape, his defeat at Waterloo.Friend and confidante to the leader, Marchand was beside him at the Tuileries during the Hundred Days, and he was present to hear Napoleons last words, France my son the army on the island of St Helena.This sincere and authentic testimony from a man with nothing to hide, nothing to apologise for is both a meticulous historical record and a fresh personal perspective on Napoleon.In this work, Tulard remarks in his preface, the Emperor speaks freely. Listen..Marchand presents the somewhat familiar history of the Emperor's decline as completely new territory through conversations, fond stories and personal encounters'.'Marchand's memoirs, republished in English for the first time in two decades, represent a truly irreplaceable contribution to Napoleonic scholarship. Beyond the Emperor as commander and conqueror, Marchand, from his privileged vantage point, illuminates Napoleon the man in rich and absorbing detail.' - John H Gill
In this vivid and timely history, Juan Cole tells the story of Napoleon's invasion of Egypt. Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism.
Prince Louis Napoleon was born with a compelling sense of destiny. The eldest nephew of Bonaparte, he came from exile and ignominy to rule France, first as President then as Emperor for 22 years, from 1848 to 1870. Under his benevolent dictatorship, the nation grew in artistic fulfilment, industrial wealth and international influence - until catastrophic defeat at the hands of Bismarck in the Franco-Prussian War of 1870-71 cast her back into the shadows.
Marking the 200th anniversary of his death, Napoleon is an unprecedented portrait of the emperor told through his engagement with the natural world. “How should one envisage this subject? With a great pomp of words, or with simplicity?” —Charlotte Brontë, “The Death of Napoleon” The most celebrated general in history, Napoleon Bonaparte (1769–1821) has for centuries attracted eminent male writers. Since Thomas Carlyle first christened him “our last Great Man,” regiments of biographers have marched across the same territory, weighing campaigns and conflicts, military tactics and power politics. Yet in all this time, no definitive portrait of Napoleon has endured, and a mere handful of women have written his biography—a fact that surely would have pleased him. With Napoleon, Ruth Scurr, one of our most eloquent and original historians, emphatically rejects the shibboleth of the “Great Man” theory of history, instead following the dramatic trajectory of Napoleon’s life through gardens, parks, and forests. As Scurr reveals, gardening was the first and last love of Napoleon, offering him a retreat from the manifold frustrations of war and politics. Gardens were, at the same time, a mirror image to the battlefields on which he fought, discrete settings in which terrain and weather were as important as they were in combat, but for creative rather than destructive purposes. Drawing on a wealth of contemporary and historical scholarship, and taking us from his early days at the military school in Brienne-le-Château through his canny seizure of power and eventual exile, Napoleon frames the general’s story through the green spaces he cultivated. Amid Corsican olive groves, ornate menageries in Paris, and lone garden plots on the island of Saint Helena, Scurr introduces a diverse cast of scientists, architects, family members, and gardeners, all of whom stood in the shadows of Napoleon’s meteoric rise and fall. Building a cumulative panorama, she offers indelible portraits of Augustin Bon Joseph de Robespierre, the younger brother of Maximilien Robespierre, who used his position to advance Napoleon’s career; Marianne Peusol, the fourteen-year-old girl manipulated into a Christmas-Eve assassination attempt on Napoleon that resulted in her death; and Emmanuel, comte de Las Cases, the atlas maker to whom Napoleon dictated his memoirs. As Scurr contends, Napoleon’s dealings with these people offer unusual and unguarded opportunities to see how he grafted a new empire onto the remnants of the ancien régime and the French Revolution. Epic in scale and novelistic in its detail, Napoleon, with stunning illustrations, is a work of revelatory range and depth, revealing the contours of the general’s personality and power as no conventional biography can.
A highly illustrated account of the battle of Borodino, the most crucial action in Napoleon's 1812 campaign in Russia. The battle of Borodino was one of the greatest encounters in European history, and one of the largest and most sanguinary in the Napoleonic Wars. Following the breakdown of relations between Russia and France, Napoleon assembled a vast Grande Armée drawn from the many states within the French sphere of influence. They crossed the river Neimen and entered Russian territory in June 1812 with the aim of inflicting a sharp defeat on the Tsar's forces and bringing the Russians back into line. In a bloody battle of head-on attacks and desperate counter-attacks in the village of Borodino on 7 September 1812, both sides lost about a third of their men, with the Russians forced to withdraw and abandon Moscow to the French. However, the Grande Armée was harassed by Russian troops all the way back and was destroyed by the retreat. The greatest army Napoleon had ever commanded was reduced to a shadow of frozen, starving fugitives. This title covers the events of Napoleon's disastrous Russian campaign of 1812 in its entirety, with the set-piece battle of Borodino proving the focal point of the book.
The year is 1806, and a new French Empire is rising from the shadow of the Reign of Terror. The citizens who shouted “Death to Kings” now chant “Vive l’Empereur!” for Napoleon, who is seeking to consolidate his power. While the peace and prosperity he promised is decadently enjoyed in Paris, fear spreads across Europe, and a new coalition has united against him. In Poland, Andre Valiere’s efforts to serve out his conscription and return home to his family are complicated when he finds himself lured into a plot to seize a hidden fortune. Containing enough riches to bestow glory and wealth upon whoever delivers it to Napoleon, this elusive cache soon draws other, more powerful forces, wishing to claim it. In Normandy, Sophie Valiere strives to manage the family estate in Andre’s absence, but her efforts are imperiled by an influx of refugees and their growing friction with the local farmers. Amidst the infighting that threatens to unleash chaos on the entire province, she is visited by an intriguing Count returning from exile. It isn’t long before this mysterious nobleman has his sights on a new prize. In Paris, retired republican lawyer and former revolutionary, Jean-luc St. Clair, finds himself returning to politics. As his fortunes grow so does his list of enemies, and the opulent streets prove just as dangerous as Napoleon’s battlefields. Inspired by the mysterious origins of the famed Rothschild’s fortune, the bloody battles of the Napoleonic wars, the notorious gangs of nineteenth century Naples, and the real-life mistress who charmed Napoleon into granting Poland a nation-state, Searchers in Winter sets a cast of unforgettable characters—against epic historical events—into thrilling motion from the opening pages. “Armchair time travelers who’ve wondered what it’s like to be embedded in Napoleon's Grande Armée will devour Owen Pataki’s Searchers in Winter.” —Juliet Grey: Author of the Marie Antoinette trilogy “From the very first page of Searchers in Winter, you know you're in the hands of a master storyteller. Owen Pataki brings Napoleon's era to such vivid life you will think you spent time with the people themselves. An utterly absorbing and completely fantastic read!” —Michelle Moran, international bestselling author of Madame Tussaud “Pataki’s keen attention to historical detail and devotion to his subject matter bring readers directly into the heart and grit of the Napoleonic wars. Searchers in Winter boldly plants two feet in the past and never flinches.” —Sarah McCoy, New York Times and international bestselling author of The Baker’s Daughter
A beautifully observed history of the British home front during the Napoleonic Wars by a celebrated historian We know the thrilling, terrible stories of the battles of the Napoleonic Wars—but what of those left behind? The people on a Norfolk farm, in a Yorkshire mill, a Welsh iron foundry, an Irish village, a London bank, a Scottish mountain? The aristocrats and paupers, old and young, butchers and bakers and candlestick makers—how did the war touch their lives? Jenny Uglow, the prizewinning author of The Lunar Men and Nature's Engraver, follows the gripping back-and-forth of the first global war but turns the news upside down, seeing how it reached the people. Illustrated by the satires of Gillray and Rowlandson and the paintings of Turner and Constable, and combining the familiar voices of Austen, Wordsworth, Scott, and Byron with others lost in the crowd, In These Times delves into the archives to tell the moving story of how people lived and loved and sang and wrote, struggling through hard times and opening new horizons that would change their country for a century.
With a penetrating eye and a deep and spiritual intelligence, Betty Adcock writes poems that range from elegy to dark humor as they confront both loss and possibility. Intervale, selections from her first four books plus a new collection, traces the continuity of her vision and shows that lyric intensity can bring light to even the most obdurate darkness. Moving from the original loss of a world at her mother's death during the poet's sixth year to the world's loss of the arboreal leopards of Cambodia and Vietnam; from vanishing farmland to the endangered Sacred Harp music that once flourished in backwoods churches; from the difficult history of a little-known rural place to the weighted ruins of Greece -- these poems frame lessenings, divestations, and devastations in the midst of plenty. A wilderness disappears into cozy myth, farming into industry, tiger and elephant into zoos; the very ground underfoot, with its attendant necessities and contingencies, can seem to fade into fabrications we take for reality. The seam where such themes touch Adcock's personal history is the path these poems travel toward a harsh but luminous transcendence.