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Translation of: Mayn otaotn's beas-din-shotub.
"In this autobiographical work, specifically mentioned in Issac Bashevis Singer's Nobel Prize citation, Singer remembers his childhood in Warsaw, and especially the bet din, or Jewish Court, in his father's home on working-class Krochmalna Street. Advice seekers and petitioners making wills or seeking marriage settlements daily visit the rabbi in his study. In a world on the brink of modernity, Singer's gentle, learned father and his mother, equally pious but eminently practical, maintain a stubbornly traditional existence. In My Father's Court is a tribute to their efforts, and a fine evocation of life in early-twentieth century Warsaw."
A delightful sequel to a cherished autobiographical collection by the Nobel Laureate In My Father's Court is one of Isaac Bashevis Singer's most affecting autobiographical works. The stories in it, published serially in the Jewish Daily Forward, depict the beth din in his father's home on Krochmalna Street in Warsaw. A unique institution, the beth din was a combined court of law, synagogue, scholarly institution, and psychologist's office where people sought out the advice and counsel of a neighborhood rabbi. The thirty-one stories gathered here, none previously published in English, show this world as it appeared to a young boy: In "A Guest in the Prayerhouse," a man who has converted to Judaism embarrasses the community with his extreme piety; in "She Will Surely Be Ashamed," a couple come for a divorce after forty years of marriage even though they are still in love; in the extraordinary "He Begs Forgiveness," a jeweler apologizes to his former fiancée for abandoning her twelve years before, igniting the imagination of the young Singer, who dreams of writing stories about dark, eternal love. From the earthy to the ethereal, these stories provide an intimate and powerful evocation of a world.
Translated from the original Yiddish, this follow-up to Singer's acclaimed "In My Father's Court", which contains 28 stories, shows the world as it appeared to a young boy, depicting the "beth din" in his father's home in Warsaw, where people sought advice and counsel.
In a remote corner of the world, forgotten for nearly three thousand years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born. Yona's son Ariel grew up in Los Angeles, where Yona had become an esteemed professor, dedicating his career to preserving his people’s traditions. Ariel wanted nothing to do with his father’s strange immigrant heritage—until he had a son of his own. Ariel Sabar brings to life the ancient town of Zakho, discovering his family’s place in the sweeping saga of Middle-Eastern history. This powerful book is an improbable story of tolerance and hope set in what today is the very center of the world’s attention.
From the Pulitzer Prize-winning New York Times journalist: a pathbreaking examination of our huge crime and incarceration problem that looks at the influence of the family--specifically one Oregon family with a generations-long legacy of lawlessness. The United States currently holds the distinction of housing nearly one-quarter of the world's prison population. But our reliance on mass incarceration, Fox Butterfield argues, misses the intractable reality: As few as 5 percent of families account for half of all crime, and only 10 percent account for two-thirds. In introducing us to the Bogle family, the author invites us to understand crime in this eye-opening new light. He chronicles the malignant legacy of criminality passed from parents to children, grandchildren, and even great-grandchildren. Examining the long history of the Bogles, a white family, Butterfield offers a revelatory look at criminality that forces us to disentangle race from our ideas about crime and, in doing so, strikes at the heart of our deepest stereotypes. And he makes clear how these new insights are leading to fundamentally different efforts at reform. With his empathic insight and profound knowledge of criminology, Butterfield offers us both the indelible tale of one family's transgressions and tribulations, and an entirely new way to understand crime in America.
"Reading My Father" is an intimate, moving, and beautifully written portrait of the novelist William Styron by his daughter, Alexandra.
To his friends, Seymour Langer was one of the brightest kids to emerge from Chicago’s Depression-era Jewish West Side. To his family, he was a driven and dedicated physician, a devoted father and husband. But to his Adam, youngest son, Seymour was also an enigma: a somewhat distant figure to whom Adam could never quite measure up, a worldly man who never left the city of Chicago during the last third of his life, a would-be author who spoke for years of writing a history of the Bonus March of 1932, when twenty thousand World War I veterans descended on the nation’s capital to demand compensation. Using this dramatic but overlooked event in U.S. history as a means of understanding his relationship with his father, Adam Langer sets out to uncover why the Bonus March intrigued Seymour Langer, whose personal history seemed to be artfully obscured by a mix of evasiveness and exaggeration. The author interweaves the story of the Bonus March and interviews with such individuals as history aficionado Senator John Kerry and the writer and critic Norman Podhoretz with his own reminiscences and those of his father’s relatives, colleagues, and contemporaries. In the process, he explores the nature of memory while creating a moving, multilayered portrait of both his father and his father’s generation.
Like Isaac Bashevis Singer's fiction, this poignant memoir of his childhood in the household and rabbinical court of his father is full of spirits and demons, washerwomen and rabbis, beggars and rich men. This rememberance of Singer's pious father, his rational yet adoring mother, and the never-ending parade of humanity that marched through their home is a portrait of a magnificent writer's childhood self and of the world, now gone, that formed him.
For two sisters growing up surrounded by the Civil War, there is conflict both outside and inside their house.