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This publication by De Vleeshal and MER. Paper Kunsthalle is realised in the framework of the past exhibition "Published by MER. Paper Kunsthalle" held at De Kabinetten van de Vleeshal, the Netherlands (October - December 2013). It features talks between Lorenzo Benedetti (then curator of De Vleeshal) and Luc Derycke (publisher) about art, books and artists' books.0.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
The European Union maintains a special position in the world of translation: while the United Nations make do with six working languages, the EU uses 23 languages. This book thematizes the subject of European translation booths in a photographic way. Attention is given to the crossover between documentary and fiction, the relationship between representation and abstraction, and images and research results.
"That Person's Work" has developed out of Matt Mullican's hypnosis performances and photography, drawing and object making that he has created during a trance state. This is an idea book made by 'that person' and contains over 700 pages of drawings and collages. It also contains an interview between Matt Mullican and a practitioner of hypnosis.
"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.