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Reprint of the original, first published in 1882.
With stunning illustrations and color photographs, this expanded edition of In Maremma recounts the restoration of a dilapidated 1950s farmhouse in southern Tuscany. Beautifully written, witty, and concise, it recounts the process by which they became initiated into a part of Italian life foreigners rarely see. The pleasures of the olive harvest and picking wild asparagus are juxtaposed with the vagaries of political corruption and self–perpetuating bureaucracy. Landscape and weather provide the stuff of reverie, as do the benefits of boredom and the longing for peanut butter. A celebration and exploration of a little–known part of Italy, In Maremma is a fond if sometimes critical corrective to other more rapturous portrayals of Tuscany.
Reprint of the original, first published in 1875.
"This first full-length study of the works of best-selling Victorian novelist Ouida (pen name for Marie Louise Rame) examines the evolution of social, political, and gender issues in Ouida's fiction from her "high society" romances of the 1860s to her satirical exposes of contemporary society in the 1880s and 1890s." "This study places Ouida in the context of nineteenth-century debates over gender by exploring the contradictions between the vehement critiques of marriage in her fiction and the equally vehement anti-feminist sentiments of her journalism. Examining Ouida's revision of gender stereotypes such as the domestic angel, the adventuress, and the dandy, Schroeder and Holt establish Ouida as a significant predecessor of the 1890s New Woman."--BOOK JACKET.