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A perfect day turned into a disaster for Shayla and Kierra. Shocked at what she just discovered, Shayla can’t bring it to herself to forgive Kierra for lying to her all this time, and to put her and Aaron in harm's way at that! Everything Kierra’s life is taking a drastic turn, but can she get it together before it’s too late? Find out what happens in part seven of In Love With Danger! keywords: side chick, side chick romance,african american romance, urban books, urban books free, urban, urban fiction, urban street fiction, urban african american, free book, freebie, free book, free ebook, free, urban books black authors free, african american books free, black women books free, african american romance free
“Chad Ford reminds us that humanity lies within all of us, and although conflict is everywhere in today's world, we have the tools we need to overcome obstacles and to thrive. This is a fantastic, timely book that I highly recommend." —Steve Kerr, Head Coach, Golden State Warriors Knowing how to transform conflict is critical in both our personal and professional lives. Yet, by and large, we are terrible at it. The reason, says longtime mediator Chad Ford, is fear. When conflict comes, our instincts are to run or fight. To transform conflict, Ford says we need to turn toward the people we are in conflict with, put down our physical and emotional weapons, and really love them with the kind of love that leads us to treat others as fellow human beings, not as objects in our way. We have to open ourselves up with no guarantee that anyone on the other side will do the same. While this can feel even more dangerous than conflict itself, it allows us to see the humanity of others so clearly that their needs and desires matter to us as much as our own. Ford shows dangerous love in action through examples ranging from his work in the Middle East to a deeply moving story about reconciling with his father. He explains why we disconnect from people at the very time we need to be most connected and the predictable patterns of justification and escalation that ensue. Most importantly, he gives us a path to practice dangerous love in the conflicts that matter most to us.
One night. No names. Two hearts forever changed. There wasn't a lot that surprised me. My years in the Navy taught me a lot, my years hunting human traffickers taught me the rest. Meeting a beautiful woman in a bar and spending the night with her should've been a blip on my radar. Instead, I spent years trying to forget her. In the middle of a rescue operation, fate dropped her back into my life, but there was a twist--she wasn't alone. I lived and breathed romance. I was a true believer in love-at-first-sight-happily-ever-afters. Then I found myself staring at a sexy stranger across a crowded bar, fell in love, and spent six hours living out my wildest fantasies. But I ran when I learned love at first sight stole your breath and left you afraid of a broken heart. Brooklyn Saunders has a secret to tell. One that will change everything for Rhode. One that will bind them together or separate them forever. Rhode Daley has one shot at building the family he always wanted. That is, until his life implodes and his worst nightmare comes true. Can he repair what time has broken and save their futures?
Her choice is arranged marriage?or death?Kira al-Attiyah's hope for a bright future in the U.S. died along with her father. Now, royal family tradition demands she marry. Refusing? Not an option. Especially since honor killing isn't just urban legend. She knew what she had to do. She just never expected her intended to be a terrorist?Delta Force operator Ty Newcomb's mission was clear. He needed to make Kira fall for him, then secure an invite to meet her fiancé. From there, taking down the man who has been on the CIA high-value target list for over a decade would be easy. The hard part would be not developing real feelings for his beautiful target.With lives-and love-on the line, can Ty find a way to get the bad guy and keep the girl? Or will the price of completing the mission be his happily ever after with Kira? Danger Signs is the first novel of Quinn's newest series, Delta Force Echo, part of the World of Iniquus.
A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.
Beth Henley was awarded the Pulitzer Prize in Drama and the New York Drama Critics Circle Award for Best American Play for her first full-length play, Crimes of the Heart, yet there has been no book-length consideration of her body of work until now. This volume includes original essays that contextualize and analyze her works from a variety of perspectives, focusing on her vexed status as a southern writer, her use of the comic grotesque, and her alleged feminist critiques of modern society. Receiving special attention are lesser-known plays which are crucial to understanding Henley's development as a playwright and postmodern thinker.
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
Blake Tarbell has a town to save. Rich, carefree, and used to the Vegas party lifestyle, Blake is thrown for a curve when his former cocktail-waitress mother pleads he go back to her roots to save the town she grew up in. Blake's used to using money to solve his problems, but when he arrives in Sweetheart, North Dakota, this city boy has to trade in his high-priced shoes for a pair of cowboy boots...and he's about to get a little help from the loveliest lady in town... Natalie Lane's got no time for newbies. The prettiest gal to ever put on a pair of work gloves, there's nothing she can't do to keep a farm up and running. But when a handsome city-slicker rolls into town with nothing but bad farmer's instincts and good intentions, Natalie's heartstrings are pulled. She's about to teach him a thing or two about how to survive in Sweetheart. And he's about to teach her a thing or two about love...in MaryJanice Davidson's Danger, Sweetheart.
Body of Writing focuses on the traces that an author’s “body” leaves on a work of fiction. Drawing on the work of six important Spanish American writers of the twentieth century, René Prieto examines narratives that reflect—in differing yet ultimately complementary ways—the imprint of the author’s body, thereby disclosing insights about power, aggression, transgression, and eroticism. Healthy, invalid, lustful, and confined bodies—as portrayed by Julio Cortázar, Guillermo Cabrera Infante, Gabriel García Márquez, Severo Sarduy, Rosario Castellanos, and Tununa Mercado—become evidence for Roland Barthes’s contention that works of fiction are “anagrams of the body.” Claiming that an author’s intentions can be uncovered by analyzing “the topography of a text,” Prieto pays particular attention not to the actions or plots of these writers’ fiction but rather to their settings and characterizations. In the belief that bodily traces left on the page reveal the motivating force behind a writer’s creative act, he explores such fictional themes as camouflage, deterioration, defilement, entrapment, and subordination. Along the way, Prieto reaches unexpected conclusions regarding topics that include the relationship of the female body to power, male and female transgressive impulses, and the connection between aggression, the idealization of women, and anal eroticism in men. This study of how authors’ longings and fears become embodied in literature will interest students and scholars of literary and psychoanalytic criticism, gender studies, and twentieth-century and Latin American literature.