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“Chad Ford reminds us that humanity lies within all of us, and although conflict is everywhere in today's world, we have the tools we need to overcome obstacles and to thrive. This is a fantastic, timely book that I highly recommend." —Steve Kerr, Head Coach, Golden State Warriors Knowing how to transform conflict is critical in both our personal and professional lives. Yet, by and large, we are terrible at it. The reason, says longtime mediator Chad Ford, is fear. When conflict comes, our instincts are to run or fight. To transform conflict, Ford says we need to turn toward the people we are in conflict with, put down our physical and emotional weapons, and really love them with the kind of love that leads us to treat others as fellow human beings, not as objects in our way. We have to open ourselves up with no guarantee that anyone on the other side will do the same. While this can feel even more dangerous than conflict itself, it allows us to see the humanity of others so clearly that their needs and desires matter to us as much as our own. Ford shows dangerous love in action through examples ranging from his work in the Middle East to a deeply moving story about reconciling with his father. He explains why we disconnect from people at the very time we need to be most connected and the predictable patterns of justification and escalation that ensue. Most importantly, he gives us a path to practice dangerous love in the conflicts that matter most to us.
Using the murder of Andrea O'Donnell, who was killed by her boyfriend, and her own experiences as a launch pad, the author examines the dichotomy between love and power. The text looks at the unreasonable choices women feel they have to make between care for themselves and care for another.
This accessible book shows teens how to identify abusive relationships--emotional, physical, and sexual--and how to leave them. Levy provides facts about dating violence, the differences between healthy and addictive love, resources for help, and more.
"As gripping and twisted as a James Ellroy novel." - Ian Rankin "A masterpiece of literary biography." - David Peace The first critical biography of a titan of American crime fiction. Love Me Fierce In Danger is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential. Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.
Hannah is trying to get on with her life, but unexpected obstacles - a hot cop and a dead body are making it a challenge! With her short and regrettable marriage over, she is thrilled to enter her very own cafe each morning, and determined to keep men on the sideline for a while. Business is good, and her customers need her for their morning jolt of caffeine as well as her vivacious personality. Those who call the streets their home also depend on her kindness and compassion for an occasional warm drink or bite to eat. But for some of those unfortunate souls, Hannah’s cafe is turning out to be the wrong place to be found! One by one, three men have been found dead in the alley behind her bistro. The causes of death are different, but the scenes are spookily similar. And to her, they all mean one thing: a murderer is in her midst. Enter a handsome alpha male - Chicago Police Detective Sam Jeffers. His charm and undeniable physical appeal awaken desires in Hannah that she thought she had put on hold. And the persistence and determination that make him an effective homicide detective are wearing down her resolve... Will their feelings for each other have a chance to grow before the murderer gets even closer? Enjoy Intimate Desires - book one in The Love and Danger Series!
Her choice is arranged marriage?or death?Kira al-Attiyah's hope for a bright future in the U.S. died along with her father. Now, royal family tradition demands she marry. Refusing? Not an option. Especially since honor killing isn't just urban legend. She knew what she had to do. She just never expected her intended to be a terrorist?Delta Force operator Ty Newcomb's mission was clear. He needed to make Kira fall for him, then secure an invite to meet her fiancé. From there, taking down the man who has been on the CIA high-value target list for over a decade would be easy. The hard part would be not developing real feelings for his beautiful target.With lives-and love-on the line, can Ty find a way to get the bad guy and keep the girl? Or will the price of completing the mission be his happily ever after with Kira? Danger Signs is the first novel of Quinn's newest series, Delta Force Echo, part of the World of Iniquus.
"Inspirational romantic suspense"--Spine.
The renowned French philosopher’s “ode to love’s power to unite in the face of eternity, and its optimism in the face of pain” (Publishers Weekly). In a world rife with consumerism, where online dating promises risk-free romance and love is all too often seen as a mere variant of desire and hedonism, Alain Badiou believes that love is under threat. Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love is an existential project, a constantly unfolding quest for truth. This quest begins with the chance encounter, an event that forever changes two individuals, challenging them “to see the world from the point of view of two rather than one.” This, Badiou believes, is love’s most essential transforming power. Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity. Moving, zealous, and wise, Badiou’s “paean to the anticapitalist, antiessentialist, unifying power of love” urges us not to fear it but to see it as a magnificent undertaking that compels us to explore others and to move away from an obsession with ourselves (Publishers Weekly). “Finally, the cure for the pornographic, utilitarian exchange of favors to which love has been reduced in America. Alain Badiou is our philosopher of love.” —Simon Critchley, author of The Faith of the Faithless
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.