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For years now, unionization has been under vigorous attack. Membership has been steadily declining, and with it union bargaining power. As a result, unions may soon lose their ability to protect workers from economic and personal abuse, as well as their significance as a political force. In the Name of Liberty responds to this worrying state of affairs by presenting a new argument for unionization, one that derives an argument for universal unionization in both the private and public sector from concepts of liberty that we already accept. In short, In the Name of Liberty reclaims the argument for liberty from the political right, and shows how liberty not only requires the unionization of every workplace as a matter of background justice, but also supports a wide variety of other progressive policies.
In parallel stories, a Ukrainian Jewish family prepares to emigrate to the United States in the late 1800s, and Frédéric Auguste Bartholdi designs, raises funds for, and builds the Statue of Liberty in honor of the U.S. centennial.
"In the Name of Liberty" by Owen Johnson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
I am not a writer or an author of novels or essays. It always discourages me to see so many authors or writers, some established, others just attempting to make a name for themselves every time I enter a bookstore and see thousands and thousands of titles of novels or books or whatever the writer thinks it is worth writing about. Some are new editions, others neatly arranged in that heap called bargain purchases. It immediately put a stop to my idea of putting what I think is a subject that must be indelible, of everyday events that people talk about after seeing it on TV or coming across it on a page of a local or national newspaper. Something like Charles Krauthammer’s seminal essays in Things That Matter, Andy Rooney’s astute observations in Common Sense, or the provocative articles in humorist Dave Barry’s I Am Not Making This Up. But growing older in age and with the remaining future not so distant anymore, the impulse and the courage to tell anyone who is interested in what you have to say becomes compulsive as magma wanting to erupt from the bowels of the earth’s core. That is why these essays compiled and culled from the files of what I have kept these years writing editorials in magazines, from applications to a graduate school I never finished and received a diploma, and from other sources the names I can’t recall, from recent and contemporaneous events onerously repeated by pundits and so-called experts, became bound in a form you are holding today. The ideas may be past but still relevant. They might be current and dissecting them with the pros and cons of opinions providing the diversity we strive for. I do not claim originality in the subjects I write about. They might not be original, but I have burnished them with a different patina the reader never thought of colorizing. The research of some of the data was done via websites, different articles read, speeches made, my notes and recollections, and some older versions of articles I have written in some newsmagazines. For privacy reasons, I have changed the names in one essay in particular, as I was not successful in communicating with the persons despite attempts at doing so. I have also, to the best of my ability, adhered to the fair use doctrine using some data or quotations in some of my essays. In any case, I hope it is while your time, effort, and your trip to the bookstore to come up and peruse what is in your hands.
"Focusing on Liberty Road, a Black middle-class suburb of Randallstown, Maryland, Smithsimon tells the remarkable story of how residents broke the color barrier, against all odds, in the face of racial discrimination, tensions with suburban Whites and urban Blacks, and economic crises like the mortgage meltdown of 2008. Drawing on interviews, census data, and archival research he shows us the unique strategies that suburban Black residents in Liberty Road employed, creating a blueprint for other Black middle-class suburbs"--
The Statue of Liberty has become one of the most recognizable monuments in the world: a symbol of freedom and the American Dream. But the story of the creation of the statue has been obscured by myth. In reality, it was the inspiration of one quixotic French sculptor hungry for fame and adoration: Frederic Auguste Bartholdi. Bartholdi showed himself to be a talented sculptor at the tender age of twenty-one when a statue he created won third prize at the 1855 Paris Exhibition. His equally prodigious talent for entrepreneurship came to light soon afterwards. Following a trip to Egypt where he was inspired by the pyramids and the Sphinx, and with France in turmoil following the Franco-Prussian war, Bartholdi made for America, carrying with him the idea of a colossal statue of a woman in his mind. With no help coming from the French and American governments, he enlisted the help of a number of notable men and women of the age, including Joseph Pulitzer, Victor Hugo, Gustave Eiffel, and Emma Lazarus, and through a variety of money-making schemes and some very modern-seeming fundraising campaigns, collected almost all of the money required to build the statue himself.