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What happens when you marry into a family that includes a Nobel Prize winner who is arguably the finest American writer of the twentieth century? Lawrence Wells, author of In Faulkner’s Shadow: A Memoir, fills this lively tale with stories that answer just that. In 1972, Wells married Dean Faulkner, the only niece of William Faulkner, and slowly found himself lost in the Faulkner mystique. While attempting to rebel against the overwhelming influence of his in-laws, Wells had a front-row seat to the various rivalries that sprouted between his wife and the members of her family, each of whom dealt in different ways with the challenges and expectations of carrying on a literary tradition. Beyond the family stories, Wells recounts the blossoming of a literary renaissance in Oxford, Mississippi, after William Faulkner’s death. Both the town of Oxford and the larger literary world were at a loss as to who would be Faulkner’s successor. During these uncertain times, Wells and his wife established Yoknapatawpha Press and the quarterly literary journal the Faulkner Newsletter and Yoknapatawpha Review. In his dual role as publisher and author, Wells encountered and befriended Larry Brown, Barry Hannah, Willie Morris, and many other writers. He became both participant and observer to the deeds and misdeeds of a rowdy collection of talented authors living in Faulkner’s shadow. Full of personal insights, this memoir features unforgettable characters and exciting behind-the-scene moments that reveal much about modern American letters and the southern literary tradition. It is also a love story about a courtship and marriage, and an ode to Dean Faulkner Wells and her family.
In Glory's Shadow explores the history of The Citadel, an institution set on preserving tradition in the face of profound change. Established as protection against slave insurrections feared by the white minority of Charleston, South Carolina, a generation later The Citadel was a school of privilege for young white men. Through two world wars it grew in size and reputation, proudly providing the United States with (male) military leaders, paying little heed to what was happening in the country around it. In 1993, when the school rescinded Shannon Faulkner's admission because of her gender, a landmark legal battle ensued. Faulkner won, and although she faced vicious harassment and left after a week, The Citadel was forced to reform: nearly 30 women have graduated since her brief time at The Citadel. In Glory's Shadow is an engrossing and illuminating look at this pivotal event in military history and the history of women.
This approach to Faulkner's canon examines his fiction in relation to other writers of the South whose works echo but also supplement, revise, respond to, and even correct his depictions of the South.
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The period from the late 1920s to the early 1940s was in Faulkner's career one of prodigious fertility, and the creative outburst on which it opens—from The Sound and the Fury (1929) through As I Lay Dying (1930) and Sanctuary (1931) to Light in August (1932)—touches indeed on the miraculous. It is the four children of this miracle that André Bleikasten re-examines and re-evaluates in his substantial new book on Faulkner. But rather than approach Faulkner's fiction from a priori theoretical assumptions and process it through some prefabricated grid, he has concentrated on the text themselves: on the motivations and circumstances of their composition, on the rich array of their themes, structures, textures, on their various narrative protocols and the endless interplay of their tropes and codes, on their points of emphasis and repetition as well as their rifts and gaps. Brilliant in its thought and argument, drawing eclectically on the resources of philosophy, psychoanalysis, anthropology, and other disciplines, and using modern critical theory without ever being arcane or trendy, Bleikasten's book is a highly personal performance and one of the most insightful and stimulating studies that Faulkner has received.