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-- The Women's Review of Books
An appealing and intelligent eighteen-year-old girl to whom Freud gives the pseudonym "Dora" is the subject of a case history that has all the intrigue and unexpected twists of a first-rate detective novel. Freud pursues the secrets of Dora's psyche by using as clues her nervous mannerisms, her own reports on the peculiarities of her family, and the content of her dreams. The personalities involved in Dora's disturbed emotional life were, in their own ways, as complex as she: an obsessive mother, an adulterous father, her father's mistress, Frau K., and Frau K.'s husband, who had made amorous advances toward Dora. Faced with the odd behavior of her family and friends, and unable to confront her own forbidden sexual desires, Dora falls into the destructive pattern of a powerful hysteria. in this influential and provocative case history, Freud uses all his analytic genius and literary skill to reveal Dora's inner life and explain the motives behind her fixation on her father's mistress. -- from back cover.
The psychoanalytic encounter of Sigmund Freud, at mid-life, and Dora, an emotionally troubled adolescent suffering from hysteria, provides a glimpse into the private lives of upper-middle-class Jews in fin-de-siecle Vienna - their professional concerns, familial relations, sexual undercurrents, and responses to the social forces of anti-semitism and the derogation of women. Decker places the treatment of Dora in a larger social and historical context and pursues the lives of the two protagonists before and after their meeting.
Dora: A Headcase is a contemporary coming-of-age story based on Freud’s famous case study—retold and revamped through Dora's point of view, with shotgun blasts of dark humor and sexual play. Ida needs a shrink . . . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in "art attacks." Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment—at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father and greatest actor of his generation Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he's still alive. And if, in truth, Melchior is their real father after all... Wise Children is adapted for the stage from Angela Carter's last novel about a theatrical family living in South London. It centres around twin chorus girls, Nora and Dora Chance, whose lives are brimming with mystery, illegitimacy and scandal. Dora narrates the story as her older self, looking back on a tumultuous life, throughout which she and her sister have loved to sing and dance. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity – and butterflies by the thousand.
“An interesting story set in interesting times, a powerful combination.” Julian Fellowes This is an extraordinary account of a young Jewish girl whose childhood was torn apart by the Nazis, who made her way as a dancer, as an actress, as a designer, from Sofia to Vienna to London to Hollywood. Dora Reisser was highly successful in her three careers, and here she tells her heartrending, exciting story with humour and honesty – the little-known story of how Bulgaria’s Jews survived the Holocaust, her life in post-war Vienna, and her rise to become one of the leading dancers in the Vienna Opera. A refugee from the Nazi regime as a child, Dora trained and danced with the Vienna Opera as their youngest solo dancer until an accidental fall in her late teens ended her dancing career. She then moved to London and studied theatre at the Royal Academy of Dramatic Art in London. After a career on British television, in a few Hollywood films and on the stage, she gave up her acting career to raise a family and, beginning in the 1980s, she became one of Britain’s leading fashion designers. Dora went from wealth to poverty, heartbreak and danger, and bounced back again and again, with all the vigour and determination of a Jewish Scarlett O’Hara. She knew the world of Harry Lime and Bernie Cornfeld, the KGB and the early days of Israel, and had lovers along the way. She uniquely describes the hard and painful world of ballet, the exaltation of success, and the despair of a career tragically curtailed. We sometimes forget about the generation whose parents’ lives were destroyed by Hitler and who had to reconstruct their souls amid the rubble and ruins that were all that was left of Old Europe. Dora’s Story is a tale of triumph over every possible adversity, a story of terror and hunger and persistence. Above all, it is the tale of a survivor. “The most moving and straightforward self-appraisal I have ever read.” Robert Hardy “A marvellous book.” Michael Billington, The Guardian
Dora and her best friend, Boots, go on more adventures than you can count. Now Dora fans can enjoy many of their favorite Dora stories all in one book! This best-selling collection includes: Dora's Backpack Little Star Happy Birthday, Mami! Meet Diego! Dora Saves the Prince Dora's Treasure Hunt Good Night, Dora!
A brilliantly original exploration of the interface between feminism, psychoanalysis, semiotics and film theory.
Although their styles appear remarkably different, Flaubert and Kafka share a common identification with the writing process itself. "I am a human pen," wrote Flaubert; "I am nothing but literature," declared Kafka. This stimulating book is the first to explore the link between these writers. Introducing his conception of psychopoetics, Charles Bernheimer brings new clarity to many controversial issues in psychoanalysis, rhetoric, and critical theory. In chapters on Flaubert and Kafka he probes the desires and fears motivating each writer's search for a fully satisfying literary style. His interpretation of the strategies the authors adopt to harness the negativity of writing reveals the creative function of such psychological phenomena as narcissism, fetishism, and sadomasochism. The major works, Bernheimer argues, dramatize the conflict between the structures of Eros and Thanatos, metonymy and metaphor, through which they are constituted. From this illuminating perspective he traces the genesis of each writer's mature style, analyzes two early works, La Tentation de saint Antoine and "The Judgment," and examines two late masterpieces, Bouvard et Pécuchet and The Castle, applying to the latter Walter Benjamin's description of the allegorical mode. This highly original work of theoretical criticism will interest not only readers of Flaubert and Kafka but all students of literary theory and the creative process.