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A story of love and grief. ‘I became a widower and a father on the same day’ says Joseph Luzzi. His book tells how Dante’s ‘The Divine Comedy’ helped him to endure his grief, raise their infant daughter, and rediscover love.
This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.
A child of Italian immigrants and scholar of Italian literature paints an intimate portrait that blends together history and the unusual to show how his 'two Italies' join and clash in unexpected ways.
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
The true story behind the classic TV show: A father’s delightful account of raising eight free-spirited children in 1970s America. Tom Braden had a colorful career: He parachuted into Nazi-occupied France, directed the CIA’s covert operations program during the early years of the Cold War, ran for public office, owned a newspaper, served as executive secretary for the Museum of Modern Art, and cohosted the CNN show Crossfire. He counted among his friends David Brinkley, Robert Frost, Kirk Douglas, and Nelson Rockefeller. But Braden considered fatherhood both his most important job and his biggest adventure. No wonder; he and his wife, Joan, a State Department official and Washington society hostess, raised eight children during one of the most tumultuous periods in American history. In this diverting family memoir, Braden shares a treasure trove of amusing anecdotes—from the time his youngest daughter’s pet sheep interrupted a dinner party with a Supreme Court justice to the telegram US Attorney General Robert F. Kennedy sent after the birth of the Bradens’ eighth child: “Congratulations. I surrender.” (The Kennedys had seven children at the time). With wit and wisdom, Braden also addresses some of the most serious issues, including drugs, alcohol, and premarital sex, faced by parents in an era of deep distrust between generations. When ABC proposed adapting Eight Is Enough for television, Braden found the idea so preposterous he sold the rights for one dollar. The award-winning series starring Dick Van Patten and Betty Buckley ran for five seasons and launched the Hollywood careers of many young actors, including Willie Aames and Ralph Macchio. A celebration of the joys and tribulations of fatherhood, Eight Is Enough speaks with warmth, humor, and compassion to parents and children everywhere.
When you lose your whole world in a moment, where do you turn? On a cold November morning, Joseph Luzzi, a Dante scholar and professor at Bard College, found himself racing to the hospital—his wife, Katherine, eight-and-a-half months pregnant, had been in a horrible car accident. In one terrible instant, Luzzi became both a widower and a first-time father. In the aftermath of unthinkable tragedy, Luzzi relied on the support of his Italian immigrant family, returning to his childhood home to grieve and care for his infant daughter. But it wasn't until he turned to The Divine Comedy—a poem he had devoted his life to studying and teaching—that he learned how to resurrect his life. Following the same structure as Dante's epic poem, Luzzi is shepherded out of his own "dark wood," passing through the grief-stricken Inferno, the Purgatory of healing, and ultimately stepping into the Paradise of rediscovered love. Beautifully written, poignant, insightful, and unflinchingly honest, In a Dark Wood is a hybrid of heartrending memoir and a meditation on the power of great art to give us strength in our darkest moments. Drawing us into hell and back, it is Dante's journey, Joseph Luzzi's, and our very own.
Dante's Divine Comedy can compel and shock readers: it combines intense emotion and psychological insight with medieval theology and philosophy. This volume will help instructors lead their students through the many dimensions--historical, literary, religious, and ethical--that make the work so rewarding and enduringly relevant yet so difficult. Part 1, "Materials," gives instructors an overview of the important scholarship on the Divine Comedy. The essays of part 2, "Approaches," describe ways to teach the work in the light of its contemporary culture and ours. Various teaching situations (a first-year seminar, a creative writing class, high school, a prison) are considered, and the many available translations are discussed.
Dante, Mercy, and the Beauty of the Human Person is a pilgrimage to rediscover the spiritual and humanizing benefit of the Commedia. Treating each cantica of the poem, this volume offers profound meditations on the intertwined themes of memory, prayer, sainthood, the irony of sin, theological and literary aesthetics, and desire, all while consistently reflecting upon the key themes of mercy and beauty in the revelation of the human person within the drama of divine love.
The life and times of Dante’s soaring poetic allegory of the soul’s redemptive journey toward God Written during his exile from Florence in the early 1300s, Dante Alighieri’s Divine Comedy describes the poet’s travels through hell, purgatory, and paradise, exploring the state of the human soul after death. His poema sacro, sacred poem, profoundly influenced Renaissance writers and artists such as Giovanni Boccaccio and Sandro Botticelli and was venerated by modern critics including Erich Auerbach and Harold Bloom. Dante’s “Divine Comedy” narrates the remarkable reception of Dante’s masterpiece, one of the most consequential religious books ever written. Tracing the many afterlives of Dante’s epic poem, Joseph Luzzi shows how it left its mark on the work of such legendary authors as John Milton, Mary Shelley, and James Joyce while serving as a source of inspiration for writers like Primo Levi and Antonio Gramsci as they faced the most extreme forms of political oppression. He charts how the dialogue between religious and secular ideas in The Divine Comedy has shaped issues ranging from changing conceptions of women’s identity and debates about censorship to the role of canonical literature in popular culture. An intimate portrait of a work that has challenged and inspired generations of readers, Dante’s “Divine Comedy” reveals how Dante’s strikingly original and controversial vision of the afterlife can help us define our spiritual beliefs, better understand ourselves, and navigate the complexities of modern life.
These essays consider the three traditional theological virtues—faith, hope, and love—alongside their opposites—doubt, despair, and hate, from a scholarly perspective. The volume includes contributions not just from philosophers of religion, but also from psychologists, sociologists, and film and literature scholars, to paint a complex and nuanced picture of these virtues, both of how we might understand them, and how we can hope to embody them ourselves. While these virtues make up a core part of the Christian tradition, the chapters here go far and wide in search of different cultural conceptions of these universal human concerns. Inquiries are made into these virtues within Hindu, Buddhist, Jewish, and Islamic thought, alongside philosophers including Aristotle, Hegel, Kierkegaard, Nietzsche, Levinas, and Murdoch. The resulting tapestry is often beautiful, sometimes horrific, but always thoroughly human. This text appeals to students and researchers working in these fields. Chapter [9] is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.