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'If this is the best of all possible worlds, then what must the others be like?' Young Candide is tossed on a hilarious tide of misfortune, experiencing the full horror and injustice of this 'best of all possible worlds' - the Old and the New - before finally accepting that his old philosophy tutor Dr Pangloss has got it all wrong. There are no grounds for his daft theory of Optimism. Yet life goes on. We must cultivate our garden, for there is certainly room for improvement. Candide is the most famous of Voltaire's 'philosophical tales', in which he combined witty improbabilities with the sanest of good sense. First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection - Micromegas, Zadig, The Ingenu, and The White Bull - do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. This new edition also includes a verse tale based on Chaucer's The Wife of Bath's Tale, in which we discover that most elusive of secrets: What Pleases the Ladies. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Josef Fritzl was a 73-year-old retired engineer in Austria. He seemed to be living a normal life with his wife, Rosemarie, and their family—though one daughter, Elisabeth, had decades earlier been "lost" to a religious cult. Throughout the years, three of Elisabeth's children mysteriously appeared on the Fritzls' doorstep; Josef and Rosemarie raised them as their own. But only Josef knew the truth about Elisabeth's disappearance... For twenty-seven years, Josef had imprisoned and molested Elisabeth in his man-made basement dungeon, complete with sound-proof paneling and code-protected electric locks. There, she would eventually give birth to a total of seven of Josef's children. One died in infancy—and the other three were raised alongside Elisabeth, never to see the light of day. Then, in 2008, one of Elisabeth's children became seriously ill, and was taken to the hospital. It was the first time the nineteen-year-old girl had ever gone outside—and soon, the truth about her background, her family's captivity, and Josef's unspeakable crimes would come to light. John Glatt's Secrets in the Cellar is the true story of a crime that shocked the world.
"Lily?" My stomach dropped as a tall, dark-haired man stepped into view. Had he been hiding between the trees? "No. Sorry." Gulping, I took a step back. "I'm not Lily." He shook his head, a satisfied grin on his face. "No. You are Lily." "I'm Summer. You have the wrong person." You utter freak! I could hear my pulse crashing in my ears. How stupid to give him my real name. He continued to stare at me, smiling. It made me feel sick. "You are Lily," he repeated. Before I could blink, he threw his arms forward and grabbed me. I tried to shout, but he clasped his hand over my mouth, muffling my screams. My heart raced. I'm going to die. For months Summer is trapped in a cellar with the man who took her—and three other girls: Rose, Poppy, and Violet. His perfect, pure flowers. His family. But flowers can't survive long cut off from the sun, and time is running out...
A terrifying tale from a Bram Stoker Award–nominated author who “has consistently created some of the best horror ever set to print” (Cemetery Dance). Foster care is like Russian roulette, says fifteen-year-old Ryan Kettering, who’s spent most of his young life in largely abusive homes. Sometimes the hammer clicks and you’re fine. Sometimes it’s a bullet to the brain. This time it seems the hammer has clicked. Living with the Prestons in a rambling two-story house in Shasta County, the chores are split between Ryan and five other foster kids. Not counting nine-year-old Maddy. Not much is expected of her. She stays in the basement. The other children don’t know much about Maddy. But what they do know, they don’t like. She’s just not right. She speaks in a strange, gravelly adult voice. Maybe Ryan can make a difference. Spend time with her. Get acquainted. He understands what it means to be lonely. That’s when he decides to do what no other child in the house dares: Ryan’s going down to the basement. From the author of Live Girls and The Loveliest Dead, a recipient of the World Horror Convention’s Grand Master Award, this is a chilling story of supernatural terror.
Two essays and eleven short stories from a 1930s novelist who wrote on a variety of subjects, from war to the lot of the black man. In An American Citizen, a black man leaves America for another country to escape the humiliation he suffers, Through Pity and Terror is a war story set in France on a woman whose home is invaded by German soldiers, and in the title story the protagonist finally wins recognition as an artist.
Exploring widely diverse settings-from the wilds of the Australian Outback to urban adventures to biblical lands-this collection of short stories, poems, and other writings celebrates what it is to be Australian. It encompasses love, revenge, debauchery, wonder, loss, and uncertainty, but a common thread of hope emerges from the colourful and eccentric writings of bush author Fairbanks. An elder Aboriginal storyteller regales a group of eager tourists with an ancient story of betrayal, loss, and clever deception by "The Old Man in the Mountain." In "Tjamiti Ngunytji," an American youth is rescued by a character living in a remote outback Aboriginal community. After the devastating Black Saturday Bushfire destroyed his Victoria home and manuscripts, Fairbanks was inspired to capture the fleeting reflections of such an experience in "The Smouldering Stump." Life is, has always been, and will continue to be a complex thing, shaped by friendship and love bonds, ugliness and conflict, anticipation and uncertainty, comedy and joy, tragedy, mystery, and more. Above all, there is hope and beauty for those who look for it. The Old Man in the Mountain and Other Stories celebrates the many threads in the colourful tapestry of life with the quirky, sometimes irreverent Aussie sense of humour.
Immerse yourself in the subtle complexities of Anton Chekhov’s "The Horse-Stealers and Other Stories." This collection reveals Chekhov’s masterful storytelling and keen observations of human nature through a series of poignant narratives. What makes Chekhov's portrayal of everyday life so compelling? In stories like those in this collection, the seemingly mundane becomes a canvas for exploring deeper truths and personal conflicts. Chekhov’s characters navigate a world full of ordinary yet profound experiences. The excerpt about Yergunov’s recollection of Andrey Tchirikov’s tavern and the subsequent reflections on life’s uncertainties exemplify Chekhov’s ability to capture the essence of human interactions and societal nuances. Each story in "The Horse-Stealers and Other Stories" is a window into the human condition, offering insight and empathy for characters caught in the complexities of their lives. Chekhov’s delicate balance of humor and pathos ensures that his stories resonate deeply with readers. Curious about the intricate world Chekhov weaves in these tales? Discover the depth and subtlety of his storytelling in "The Horse-Stealers and Other Stories." Experience the richness of Chekhov’s narratives. Purchase "The Horse-Stealers and Other Stories" today and delve into the compelling stories that have captivated readers for generations.
In a “lively, sparkling, and sharp-edged” (Arthur Goldhammer) new translation, Guy de Maupassant’s most beloved works are reintroduced to twenty-first-century readers. A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style. In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard). In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class. The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif." The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft. The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.
"White Nights" is a short story by Fyodor Dostoyevsky, originally published in 1848.