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"This catalogue is published in conjunction with "The Roof Garden Commission: Imran Qureshi" on view at The Metropolitan Museum of Art, New York, from May 14 through November 3, 2013."
A superb art book of one of the most arresting art movements in the world today Pakistan’s contemporary art scene is arguably the most exciting in South Asia. Wellknown curator, artist and teacher Salima Hashmi gives us a superb overview in this lavishly designed book, which includes interviews with artists such as Rashid Rana and pieces by writers like Kamila Shamsie and Mohsin Hamid.
An introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Featuring lavish illustrations, this is the perfect gift for art history fans and anyone looking for a more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.
"As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.
Contributed articles presented at a conference.
Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawing - whether on papyrus, parchment or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists' shoulders - from Michelangelo, Rembrandt and Hokusai to Van Gogh, Käthe Kollwitz and Yayoi Kusama - as they work, think and innovate, as they scrutinise the world around them or escape into their imaginations. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilarating and altogether less familiar territory.
Tenth Anniversary Expanded Edition Ten years on, Jasbir K. Puar’s pathbreaking Terrorist Assemblages remains one of the most influential queer theory texts and continues to reverberate across multiple political landscapes, activist projects, and scholarly pursuits. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, shifting queers from their construction as figures of death to subjects tied to ideas of life and productivity. This tenuous inclusion of some queer subjects depends, however, on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by what Puar calls homonationalism—a fusing of homosexuality to U.S. pro-war, pro-imperialist agendas. As a concept and tool of biopolitical management, homonationalism is here to stay. Puar’s incisive analyses of feminist and queer responses to the Abu Ghraib photographs, the decriminalization of sodomy in the wake of the Patriot Act, and the profiling of Sikh Americans and South Asian diasporic queers are not instances of a particular historical moment; rather, they are reflective of the dynamics saturating power, sexuality, race, and politics today. This Tenth Anniversary Expanded Edition features a new foreword by Tavia Nyong’o and a postscript by Puar entitled “Homonationalism in Trump Times.” Nyong’o and Puar recontextualize the book in light of the current political moment while reposing its original questions to illuminate how Puar’s interventions are even more vital and necessary than ever.