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This book provides a study of women, men, and sexual crime in rural and northern Ontario, expanding the terms of current debates about sexuality and sexual violence. Karen Dublinsky relies on criminal case files, a revealing but largely untapped source for social historians, to retell individual stories of sexual danger - crimes such as rape, abortion, seduction, murder and infanticide. Her research supports many feminist analyses of sexual violence: that crimes are expressions of power, that courts are prejudiced by the victim's background, and that most assaults occur within the victim's homes and communities. But she refuses to view women solely as victims and sex as a tool of oppression, demonstrating that these women actively distinguished between wanted and unwanted sexual encounters, and that they attempted to punish coercive sex despite obstacles in the court system and the community.
Darius Corlett assumes stunning widow Oriana Julian is a scheming adventuress after his fortune. But the mysterious beauty stirs up an undeniable passion that he is powerless to resist. Suddenly, he's pursuing this creature who is hiding under an assumed name. Ana St. Alban's has come to this secluded hamlet to escape the scandal that plagues her life in London.
Edgar Award finalist, Best Fact Crime American Masters (PBS), “1 of 5 Essential Culture Reads” One of CrimeReads’ “Best True Crime Books of the Year” “A fast–paced, meticulously researched, thoroughly engaging (and often infuriating) look–see into the systematic criminalization of gay men and widespread condemnation of homosexuality post–World War I.” —Alexis Burling, San Francisco Chronicle Stories of murder have never been just about killers and victims. Instead, crime stories take the shape of their times and reflect cultural notions and prejudices. In this Edgar Award–finalist for Best Fact Crime, James Polchin recovers and recounts queer stories from the crime pages―often lurid and euphemistic―that reveal the hidden history of violence against gay men. But what was left unsaid in these crime pages provides insight into the figure of the queer man as both criminal and victim, offering readers tales of vice and violence that aligned gender and sexual deviance with tragic, gruesome endings. Victims were often reported as having made “indecent advances,” forcing the accused's hands in self–defense and reducing murder charges to manslaughter. As noted by Caleb Cain in The New Yorker review of Indecent Advances, “it’s impossible to understand gay life in twentieth–century America without reckoning with the dark stories. Gay men were unable to shake free of them until they figured out how to tell the stories themselves, in a new way.” Indecent Advances is the first book to fully investigate these stories of how queer men navigated a society that criminalized them and displayed little compassion for the violence they endured. Polchin shows, with masterful insight, how this discrimination was ultimately transformed by activists to help shape the burgeoning gay rights movement in the years leading up to Stonewall.
Vols. 65-96 include "Central law journal's international law list."
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