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Today, writing by hand seems a nearly archaic process. Nearly all of our written communication is digital—our letters are via email or text message, our manuscripts are composed using word processors, our journals are blogs, and we sign checks to pay bills with the push of a button. Sonja Neef believes that what we have lost in our modern technological conversation is the ductus—the physical and material act of handwriting. In Imprint and Trace Neef argues, however, that handwriting throughout its history has always been threatened with erasure. It exists in a dual state: able to be standardized, repeated, copied—much like an imprint—and yet persistently singular, original, and authentic as a trace or line. Throughout its history, from the first prehistoric handprint, through the innovations of stylus, quill, and printing press, handwriting has revealed an interweaving, ever-changing relationship between imprint and trace. Even today, in the age of the digital revolution, the trace of handwriting is still an integral part of communication, whether etched, photographed, pixelated, or scanned. Imprint and Trace presents an essential re-evaluation of the relationships between handwriting and technology, and between the various imprints and traces that define communication.
This book serves as an up-to-date introduction, as well as overview to modern trace fossil research and covers nearly all of the essential aspects of modern ichnology. Divided into three section, Trace Fossils covers the historical background and concepts of ichnology, on-going research problems, and indications about the possible future growth of the discipline and potential connections to other fields. This work is intended for a broad audience of geological and biological scientists. Workers new to the field could get a sense of the main concepts of ichnology and a clear idea of how trace fossil research is conducted. Scientists in related disciplines could find potential uses for trace fossils in their fields. And, established workers could use the book to check on the progress of their particular brand of ichnology. By design, there is something here for novice and veteran, insider and outsider, and for the biologically-oriented workers and for the sedimentary geologists.* Presents a review of the state of ichnology at the beginning of the 21st Century* Summarizes the basic concepts and methods of modern trace fossil research* Discusses crucial background information about the history of trace fossil research, the main concepts of ichnology, examples of current problems and future directions, and the potential connections to other disciplines within both biology and geology
Introduction: The Maternal Imprint -- Sex Equality in Heredity -- Prenatal Culture -- Germ Plasm Hygiene -- Maternal Effects -- Race, Birth Weight, and the Biosocial Body -- Fetal Programming -- It's the Mother! -- Epilogue: Gender and Heredity in the Postgenomic Moment.
Discusses types of fossils and what scientists can learn from them: also gives information on fossil fuels.
Help your child learn the alphabet with this unique early learning book from Roger Priddy, Alphaprints: Trace, Write, and Learn ABC. A highly effective book that can be used time and time again on many levels to make learning letters fun. Inside, each left-hand page has grooved letter shapes for children to follow with their fingertips—a tactile, sensory way to learn each letter that creates a memory trace. They can put this memory trace into practice by picking up the wipe-clean pen that comes with the book, and using it to trace over and copy the letter outlines on the right-hand, wipe-clean pages. Roger Priddy's Alphaprints are perfect read-aloud books for parents to share with their children and a fun way to help them learn.
Published by the American Geophysical Union as part of the Geophysical Monograph Series, Volume 95. Publication of this monograph will coincide, to a precision of a few per mil, with the centenary of Henri Becquerel's discovery of "radiations actives" (C. R. Acad. Sci., Feb. 24, 1896). In 1896 the Earth was only 40 million years old according to Lord Kelvin. Eleven years later, Boltwood had pushed the Earth's age past 2000 million years, based on the first U/Pb chemical dating results. In exciting progression came discovery of isotopes by J. J. Thomson in 1912, invention of the mass spectrometer by Dempster (1918) and Aston (1919), the first measurement of the isotopic composition of Pb (Aston, 1927) and the final approach, using Pb-Pb isotopic dating, to the correct age of the Earth: close-2.9 Ga (Gerling, 1942), closer-3.0 Ga (Holmes, 1949) and closest-4.50 Ga (Patterson, Tilton and Inghram, 1953).
This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Enlightening Encounters traces the impact of photography on Italian literature from the medium’s invention in 1839 to the present day. Investigating the ways in which Italian literature has responded to photographic practice and aesthetics, the contributors use a wide range of theoretical perspectives to examine a variety of canonical and non-canonical authors and a broad selection of literary genres, including fiction, autobiography, photo-texts, and migration literature. The first collection in English to focus on photography’s reciprocal relationship to Italian literature, Enlightening Encounters represents an important resource for a number of fields, including Italian studies, literary studies, visual studies, and cultural studies.
This book provides readers with a well-balanced blend of high-quality photographs, figures and accompanying texts on the identification of trace fossils, both in core and in outcrop. Ichnological data has become increasingly important in sedimentological and paleoenvironmental interpretations, not only in the exploration and exploitation of hydrocarbons but also in the characterization of aquifers and in scientific drilling. Following an introduction to the study of trace fossils in core and an outline of ichnological basics, principles and concepts, the book provides detailed descriptions and interpretations of 39 trace fossils (ichnogenera) and associated features (such as bioturbate texture, plant roots and their traces, borings and pseudo-trace fossils) commonly encountered in well cores and in outcrop. The trace fossils are highlighted by their expression in well cores and illustrated with carefully prepared, eye-catching core photographs. This unique information is complemented by examples of trace fossils in outcrop, as well as relevant key figures from the literature. Each description is presented in a consistent manner, stating the ichnogenus name and author in the title, followed by sections on the morphology and size, ichnotaxonomy, substrate, appearance in core, similar trace fossils, producers, ethology, depositional environment, ichnofacies, age, and reservoir quality. An extensive list of references per chapter for further reading rounds out the book, which is based on the author’s continuous work with trace fossils in core over the past two decades.