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Introduction to Paint It Simply Casual Flowers
The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.
Published by London's D. Giles Limited, the lavishly illustrated volume examines Walter Gay's life and work and features all 69 paintings in the exhibition. Main author Isabel L. Taube writes on Walter Gay's Poetic Rooms, and also wrote the catalogue portion of the exhibition, which organizes Walter Gay's work by residence;including sections on each of the Gay's own residences, as well as other homes Walter Gay was commissioned to paint in Europe and America. Other contributors are Priscilla Vail Caldwell, who writes on the enduring appeal of Walter Gay; arts expert Nina Gray, who focuses on interior decoration and the Rococo revival in America: and Frick Director of Curatorial Affairs Sarah Hall, who wrote essays about the three paintings in our collection.
First impressions are everything. They dictate whether something stands out, how we engage with it, whether we buy it, and how strongly we feel. In Judge This, the reader travels through a day in the life of renowned designer Chip Kidd as he takes in first impressions of all kinds. We follow this visual journey with Kidd as he encounters and engages with everyday design, breaking down the good, the bad, the absurd and the brilliant as only a designer can. From the design of the paper you read in the morning to the subway ticket machine to the books you browse to the smartphone you use to the packaging for the chocolate bar you buy as an afternoon treat, Kidd will reveal the hidden secrets behind each of the design choices, with a healthy dose of humour, expertise and judgment
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.
In April 1874, thirty artists, among them Monet, Renoir, Pissarro, Cezanne and Degas, participated in an exhibition held in a Paris studio. A scathing review in the newspaper 'Le Charivari' appeared under the title 'The Exhibition of the Impressionists', a derisive play on the title of one of the paintings by Monet on show, 'Impression, soleil levant' (Impression, Sunrise), thus giving this group of artists the name by which they would henceforth be known. This intriguing and colourful biography of Monet's world-famous painting accompanies an exhibition celebrating the 140th anniversary of the First Impressionist Exhibition. Author Biography: Marianne Mathieu is Deputy Director, Head of Collections and Communication of the Musee Marmottan Monet, Paris. Dominique Loebstein is the former head of documentary studies in the painting department of the Musee d'Orsay, Paris. Exhibition: Musée Monet Marottan, Paris, France (18.9.-18.1.2015).
This book is a summary of the fundamental ideas of representational painting that artists use to help them paint in a realistic manner. These concepts have been passed down from artist to student for generations. The author lists them in order of importance to help the working painter logically solve problems. He has added an "Index of Ideas" to help the artist commit them to memory. The first two sections of the book contain principles of composition and drawing. The main section deals with the impressionistic approach to painting nature in a broad manner with simplicity of detail. The author has included a section on helpful advice to students and an extensive reading list for further research. He also discusses how the artist can train his visual memory. Anyone with an interest in art can read this book and greatly increase their appreciation of classical painting.
Essay by Wendy Weitman.