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Over 130 illustrations. Together with Renoir and Degas, Claude Monet was one of the organizers of the first Impressionist exhibition of 1874. Considering Impressionism a national French style, Monet painted such diverse subjects as urban scenes, still life's, landscapes, seascapes, and nature studies, including his famed gardens of Giverny. By the time of his death in 1926, Monet's works were famous throughout the world, and their influence helped shape the direction of painting in the twentieth century. The full range of the artist's work is showcased in this volume, illustrated with 136 full-color reproductions.
It takes a broad view, yet never loses sight of the intricacy and variation that make the landscape so endlessly appealing."--BOOK JACKET.
The guitar is more than a musical instrument. It is an archetype. In homage, Light Strings brings together two masters of their craft: photographer Ralph Gibson and former guitarist for the Police, Andy Summers. Gibson's enigmatic and sensuously elegant photographs are the visual counterpart to Summers' lyrical history and thoughtful exploration of the instrument's features. Together they create a unique poetic meditation on the guitar. Both artists pay attention to the form of the guitar and its relationship to the body; its curves echo the human figure, not only requiring it to be cradled to play it, but inviting a study of its own sumptuous anatomy. With over one hundred alluring images that capture the graceful details of the instrument, Light Strings is the book for every guitar player.
Beautiful and original, this book brings together all Monet's paintings of his beloved river Seine and sets them in biographical context using a wealth of photographs. 50 black-and-white and 50 color photographs.
Together with Renoir and Degas, Claude Monet was one of the organizers of the first Impressionist exhibition of 1874. Considering Impressionism a national French style, Monet painted such diverse subjects as urban scenes, still life's, landscapes, seascapes, and nature studies, including his famed gardens of Giverny. By the time of his death in 1926, Monet's works were famous throughout the world, and their influence helped shape the direction of painting in the twentieth century. The full range of the artist's work is showcased in this volume, illustrated with 136 full-color reproductions.
The former director of the Metropolitan Museum of Art examines the world of art forgery, from ancient times to the present, sharing anecdotes about some of the costliest, most embarrassing forgeries ever, as well as the motives of the fakers.
First impressions are everything. They dictate whether something stands out, how we engage with it, whether we buy it, and how strongly we feel. In Judge This, the reader travels through a day in the life of renowned designer Chip Kidd as he takes in first impressions of all kinds. We follow this visual journey with Kidd as he encounters and engages with everyday design, breaking down the good, the bad, the absurd and the brilliant as only a designer can. From the design of the paper you read in the morning to the subway ticket machine to the books you browse to the smartphone you use to the packaging for the chocolate bar you buy as an afternoon treat, Kidd will reveal the hidden secrets behind each of the design choices, with a healthy dose of humour, expertise and judgment
Introduction to Paint It Simply Casual Flowers
Published by London's D. Giles Limited, the lavishly illustrated volume examines Walter Gay's life and work and features all 69 paintings in the exhibition. Main author Isabel L. Taube writes on Walter Gay's Poetic Rooms, and also wrote the catalogue portion of the exhibition, which organizes Walter Gay's work by residence;including sections on each of the Gay's own residences, as well as other homes Walter Gay was commissioned to paint in Europe and America. Other contributors are Priscilla Vail Caldwell, who writes on the enduring appeal of Walter Gay; arts expert Nina Gray, who focuses on interior decoration and the Rococo revival in America: and Frick Director of Curatorial Affairs Sarah Hall, who wrote essays about the three paintings in our collection.