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Excerpt from Catalogue des Importantes Tapisseries d'poque Louis XII, Renaissance, Xviie Et Xviiie Si'cles: Tableaux Anciens, Aquarelles, Gravures; Faiences Anciennes, Porcelaines; ventails, Objets de Vitrine, Glaces; Bronzes d'Ameublement Les adjudicataires paieront di.r pour cent en sus des ench'res. L'exposition mettant le public m'me de se rendre compte de l''tat et de la nature des objets, il ne sera admis aucune r'clamation, une fois l'adjudication prononc'e. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"With the original text of Sion, Bibliotheque cantonale du Valais, MS Supersaxo 103."
Intentions By Oscar Wilde was published in 1891 when Wilde was at the height of his form, these brilliant essays on art, literature, criticism, and society display the flamboyant poseur's famous wit and wide learning. A leading spokesman for the English Aesthetic movement, Wilde promoted art for art's sake against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power, but also that criticism itself can be raised to an art form possessing these very qualities. In the opening essay, Wilde laments the decay of Lying as an art, a science, and a social pleasure. He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is absolutely indifferent to fact, invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment.