Download Free Important Pre Columbian Art Book in PDF and EPUB Free Download. You can read online Important Pre Columbian Art and write the review.

The final installment in the series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive collection of jade and gold objects from Costa Rica, Panama, and Colombia. Full color photographs illustrate the breathtaking works of Indigenous artists and artisans.
Introduction -- Pre-Columbian peoples of the Caribbean -- Ceramics of the eastern Caribbean -- Ceramics of the Greater Antilles -- Rock art -- Sculpture -- Personal adornment -- Epilogue: Living legacies
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.
Offers an in-depth look at pre-Columbian sources of modern art.
This introduction to Maya art is based on study of one of the most important collections in the United States, assembled by Robert Woods Bliss between 1935 and 1962. The catalogue, written by leading Maya scholars, contains detailed analyses of specific works of art along with thematic essays situating them within the context of Maya culture.
This book will explore past, current, and future policies and trends concerning the sale of antiquities from Mesoamerica. Having outlined gaps in our knowledge, this book seeks to identify the substantive steps that the academic community can take toward affecting transparency, accountability, and ethical practice within the Pre-Columbian antiquities market.
Organized by El Museo del Barrio in New York to coincide with a major exhibition, this is the first comprehensive English-language publication on the fascinating legacy of Taiacute;no art and culture. Showcasing over one hundred rare and beautiful ceremonial and domestic artworks and individual masterpieces of this ancient culture -- produced in Puerto Rico, the Dominican Republic, Cuba, Haiti, and the Bahamas between A.D. 1200 and 1500 --Taiacute;noincludes examples of finely detailed and polished sculptures carved in wood, precious ornaments of shell and bone, and ceramics decorated with animals, birds, and intricate geometric motifs. The contributors include ten of the foremost scholars of pre-Columbian culture and art, and an appendix features writings from Spanish explorers who had contact with the Taiacute;no. Of Arawak descent, the Taiacute;no -- whose ancestors migrated to the Caribbean from the Amazon Basin in South America during the sixth century -- were the first people encountered by Christopher Columbus. Although they ceased to exist as an autonomous society within sixty years of the arrival of Spanish colonizers, the Taiacute;no -- skilled agriculturists and navigators and accomplished weavers, potters, and carvers -- developed a complex political, religious, and social system, and made a substantial contribution to the biological, cultural, and linguistic makeup of large areas of the Caribbean. To this date, Caribbean communities in the Antilles and in New York and other large American cities exhibit the survival of Taiacute;no practices in their worldviews, religious beliefs, language, music, and food.