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For more than 30 years, Dr. Anneliese and Dr. Wulf Crueger--guided by Saeko It�--have devoted themselves to studying, understanding, and collecting Japanese ceramics. Today, they share the rich fruits of their knowledge with this lavishly illustrated volume based on their own collection. The equivalent of Roberts Museum Guide, devotees of beautiful ceramics can pick it up and use it to select and visit potters as they undertake an artistic tour of the country. Organized geographically, it goes from kiln to kiln--which in Japan may refer to a lone site or an entire ceramics region that contains hundreds of workshops. Along the way, they outline the history, development, and unique stylistic characteristics of each area’s work, and the traditions that inspired it.
"The publication of Fired with Passion: Contemporary Japanese Ceramics is that rare event when important, beautiful art is first introduced. Although Japanese woodblock prints, flower arrangements, some films, cartoons, fashion and industrial design are well known, its remarkable achievements in post-1945 ceramic sculpture are virtually unknown outside Japan." "The privilege of participating in making this great art better known in the West has been undertaken by the co-authors who bring wide multicultural art backgrounds as experienced connoisseurs: a major collector and the leading dealer. They have selected over 230 images from noted Western collections and premier Japanese museums. All are strikingly photographed in full color, and represent some of the greatest masterpieces of Japanese ceramic art." "This groundbreaking, lavish, oversized volume has been written in a style directed toward enhancing aesthetic appreciation by a close, non-academic analysis of the exciting works. The authors discuss, in plain English, with no artspeak jargon, specifically what they believe is artistically meritorious in each piece."--BOOK JACKET.
Surimono are Japanese woodblock prints issued in very limited editions for special occasions. Many served as elegant New Year greeting, and these prints combine embossing, gauffrage, hand-rubbed metallic pigments and materials such as lacquer and mother-of-pearl. Most surimono were commissioned by poetry clubs and are inscribed in calligraphy with whimsical or humorous poems composed by the club members. The Frank Lloyd Wright collection of surimono was recently discovered in the vaults of Taliesen West, and this book, in conjunction with a touring exhibition of Wright's surimono, presents the prints. It contains a catalogue of the prints in the collection, an essay on poetry found on the surimono and an index of poets.
Ogata Kenzan (1663-1743) is Japan's most famous ceramic artist, and his work has had a far-reaching influence on the art of pottery, not only in Japan but, through Bernard Leach and his followers, the West as well. With his brother, the painter Korin, Kenzan was a member of the cultivated elite circle that transformed the world of Japanese design from the taste of a courtly few to a popular movement embracing every social class and encompassing all of the arts and crafts. Richard Wilson illuminates Kenzan's life and work simultaneously, tracing the phases of Kenzan's artistic and commercial development, their relationship to Japanese culture, and their bearing on the issues of authenticity and connoisseurship in Japanese art.
This volume presents the ceramic oeuvre of Isamu Noguchi and includes other major ceramic artists from postwar Japan, analyzing the conflict between modernity and tradition and the search for cultural identity.
Popular Japanese porcelain of the 19th and 20th centuries, including Kakiemon, Nabeshima, Arita, Hirado, Fukagawa, Imari, Kutani, Satsuma, and individual craftsmen's works. The European-influenced styles of the 20th century, such as Nippon, Noritake, and Occupied Japan, are also presented. Over 500 color photos and well researched text provide the basic reference in this field.
This Elibron Classics title is a reprint of the original edition published by Henry Sotheran & Co. in London, 1881. This book contains color illustrations.
A major publication on Hokusai's remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life
Presents an historical survey of Japan's decorative arts through a series of full-color reproductions of carefully selected masterpieces.