Download Free Important Eighteenth Century French English Furniture Book in PDF and EPUB Free Download. You can read online Important Eighteenth Century French English Furniture and write the review.

The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
Anna Thomson Dodge, heiress to the automotive fortune, built a great home and decorated it with one of the finest groups of 18th-century French decorative arts in America. Here are more than 130 pieces of furniture, sculpture, metalwork, tapestries, Sevres porcelain, and paintings, many from royal collections.
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
The eighteenth century has been seen as a Golden Age of design and craftsmanship. This book goes well beyond these ideas and investigates the various developments in the infrastructure of the eighteenth-century furniture world.
The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
An alluring look at the relationship of clothing and interior design in 18th-century France
Enter the private world of four New England bachelors, men who transformed their homes - now all public museums - into personal artistic statements. Exploring the lives of four bachelor designers, The Importance of Being Furnished: Four Bachelors at Home invites readers into the private worlds they created. Spanning the Gilded to the Jazz Age, these fascinating interiors not only reflect the intimate lives of their owners – men whose personal stories have, until now, remained in the shadows – but they serve as monuments to the Queer shaping of the American home as we know it today. Meet Charles Leonard Pendleton, (1846-1904), the reclusive gambler who built one of the greatest furniture collections of his age, all for a house ultimately built on sand. Explore the aristocratic interiors of renowned interior decorator Ogden Codman, Jr. (1863-1951), whose ancestral home served as a laboratory for his enormously successful 1897 manifesto, The Decoration of Houses, even as it transmitted his forebears’ vices. Join the literary salon of writer Charles H. Gibson, Jr. (1874-1954), who made his Boston home a monument to personal ambition and his own, once heralded beauty – all while transforming himself into a campy caricature of his own “Boston Brahmin” class. And last, fall under the spell of Henry Davis Sleeper (1878-1934), the nationally recognized decorator who created his fifty-room seaside masterpiece, Beauport, for the love of the man next door. Fully illustrated with color plates and period photographs, this book pays tribute to Oscar Wilde’s “gospel of beauty,” a cause these men promoted in a dazzling range of styles. By turns poignant, outrageous, and inspiring, the stories of these “surprisingly domestic bachelors” (as the press dubbed them) reveal the complicated depths beneath their homes’ brilliant surfaces.