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On May 8, 1945, Victory in Europe Day-shortened to "V.E. Day"-brought with it the demise of Nazi Germany. But for the Allies, the war was only half-won. Exhausted but exuberant American soldiers, ready to return home, were sent to join the fighting in the Pacific, which by the spring and summer of 1945 had turned into a gruelling campaign of bloody attrition against an enemy determined to fight to the last man. Germany had surrendered unconditionally. The Japanese would clearly make the conditions of victory extraordinarily high. In the United States, Americans clamored for their troops to come home and for a return to a peacetime economy. Politics intruded upon military policy while a new and untested president struggled to strategize among a military command that was often mired in rivalry. The task of defeating the Japanese seemed nearly unsurmountable, even while plans to invade the home islands were being drawn. Army Chief of Staff General George C. Marshall warned of the toll that "the agony of enduring battle" would likely take. General Douglas MacArthur clashed with Marshall and Admiral Nimitz over the most effective way to defeat the increasingly resilient Japanese combatants. In the midst of this division, the Army began a program of partial demobilization of troops in Europe, which depleted units at a time when they most needed experienced soldiers. In this context of military emergency, the fearsome projections of the human cost of invading the Japanese homeland, and weakening social and political will, victory was salvaged by means of a horrific new weapon. As one Army staff officer admitted, "The capitulation of Hirohito saved our necks." In Implacable Foes, award-winning historians Waldo Heinrichs (a veteran of both theatres of war in World War II) and Marc Gallicchio bring to life the final year of World War Two in the Pacific right up to the dropping of the atomic bombs over Hiroshima and Nagasaki, evoking not only Japanese policies of desperate defense, but the sometimes rancorous debates on the home front. They deliver a gripping and provocative narrative that challenges the decision-making of U.S. leaders and delineates the consequences of prioritizing the European front. The result is a masterly work of military history that evaluates the nearly insurmountable trials associated with waging global war and the sacrifices necessary to succeed.
During a lengthy incarceration spent mostly in solitary confinement, Russell Maroon Shoatz has developed into a prolific writer and powerful voice for the disenfranchised. This first published collection of his accumulated works showcases his sharp and profound understanding of the current historical moment, with clear proposals for how to move forward embracing new political concepts and practices. Informed by Shoatz's experience as a leader in the Black Liberation Movement in Philadelphia, the pieces in this book put forth his fresh and self-critical retelling of the black liberation struggle in the United States and provide cutting-edge analysis of the prison-industrial complex. Innovative and revolutionary on multiple levels, the essays also discuss such varied topics as eco-socialism, matriarchy and eco-feminism, food security, prefiguration and the Occupy Wall Street movement. Including new essays written expressly for this volume, Shoatz's unique perspective offers many practical and theoretical insights for today's movements for social change.
Winner of the José Saramago Literary Award In an unnamed Portuguese village, against a backdrop of severe rural poverty, two generations of men and women struggle with love, violence, death, and—perhaps worst of all—the inescapability of fate. A pair of twins conjoined at the pinky, a 120-year-old wise man, a shepherd turned cuckold by a giant, and even the Devil himself make up the unforgettably oddball cast of The Implacable Order of Things. As these lost souls come together and drift apart, José Luís Peixoto masterfully reveals the absurd, heartbreaking, and ultimately bewitching aspects of human nature in a literary performance that heralds the arrival of an astoundingly gifted and poetic writer.
Implacable Art presents a collection of poetry by Anna Mendelssohn, with complementary line drawings also by the author.
The cruelty of an all-consuming grudge is enough to drive a nine-year-old Elizabeth Bennet from her family home to spend the rest of her childhood with the Gardiners. When she is nineteen, her family calls her home, and she heeds the summons with her head held high, only to discover that the prejudice against her has not abated with time. She meets a variety of people previously unknown to her, including the pleasant Mr. Darcy and the odious Mr. Collins, and she is allowed to feel as if love is within her grasp. But first she must defeat the machinations of her father, who has her future planned out for her . . . .
From the 1870s to the 1930s, American cartoonists devoted much of their ink to outlandish caricatures of immigrants and minority groups, making explicit the derogatory stereotypes that circulated at the time. Members of ethnic groups were depicted as fools, connivers, thieves, and individuals hardly fit for American citizenship, but Jews were especially singled out with visual and verbal abuse. In The Implacable Urge to Defame, Baigell examines more than sixty published cartoons from humor magazines such as Judge, Puck, and Life and considers the climate of opinion that allowed such cartoons to be published. In doing so, he traces their impact on the emergence of anti-Semitism in the American Scene movement in the 1920s and 1930s.
Traces the making of the influential 1950s film inspired by the story of Cynthia Ann Parker, sharing details of Parker's 1836 abduction by the Comanche and her return to white culture twenty-four years later.
The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
'[This] is the story of the beginning and the end of St Paul, that most complicated and worrying of all the saints. The narrator is Diomed, a colonial officer stationed at Tarsus, enlightened, intelligent, a great fraterniser with the patrician natives, [who] sends the strange young Jew to persecute the Nazarenes... [Kersh brings] a highly concentrated area of Roman colonial history to very real life - the ornate wine-cup, the crapulous cold fruit-juice at dawn, dust on a sandal... King Jesus is here, all the time... the fly-itch nuisance to the Empire that wakes its prefects up in nightmare... This is a masterly book, full of live people and a live age, live language, too... We may adjudge Mr Kersh, after reading The Implaccable Hunter, to be now at the height of his powers.' Anthony Burgess, Yorkshire Post, 1961
A bold, provocative "pioneering novel" (Los Angeles Times) about family, womanhood, and growing up Set on Manhattan's Upper East Side, Enchantment is narrated by Hannah Lehmann, the wry survivor of a troubled childhood. Hannah's perceptions of her Orthodox German Jewish heritage—her five brothers and sisters, the complicated power of families, the madness of money, the obsessive workings of memory itself—are as disquieting in their sharpness as they are lucid in their irony. The world, she finds, is a treacherous place where love is closely knit with pain, but even the limitations of her own point of view are not lost on Hannah. She is all too aware that her perspective is fixed in the vise of her childhood: “My mother,” she says, “is the source of my unease in the world and thus the only person who can make me feel at home in the world.” This is a novel about what people say when they are talking to themselves; what families look like when they are not observed by others. Provocative, hawkishly observed, and devastating in its reliability, Daphne Merkin's Enchantment is a searing and unforgettable exploration of family and self.