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Lucinda Cole’s Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of “vermin” as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole’s argument engages a wide historical swath of canonical early modern literary texts—William Shakespeare’s Macbeth, Christopher Marlowe’s The Jew of Malta, Abraham Cowley’s The Plagues of Egypt, Thomas Shadwell’s The Virtuoso, the Earl of Rochester’s “A Ramble in St. James’s Park,” and Daniel Defoe’s Robinson Crusoe and Journal of the Plague Year—alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems—notably those of feeding populations periodically stricken by hunger, disease, and famine—were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind’s claim to dominion over the animal kingdom. In this context, Cole’s study indicates, so-called “vermin” occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease—even reason and madness. This verminous discourse formed a foundational category used to carve out humankind’s relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic—humans, animals, and even thoughts.
Lucinda Cole’s Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of “vermin” as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole’s argument engages a wide historical swath of canonical early modern literary texts—William Shakespeare’s Macbeth, Christopher Marlowe’s The Jew of Malta, Abraham Cowley’s The Plagues of Egypt, Thomas Shadwell’s The Virtuoso, the Earl of Rochester’s “A Ramble in St. James’s Park,” and Daniel Defoe’s Robinson Crusoe and Journal of the Plague Year—alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems—notably those of feeding populations periodically stricken by hunger, disease, and famine—were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind’s claim to dominion over the animal kingdom. In this context, Cole’s study indicates, so-called “vermin” occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease—even reason and madness. This verminous discourse formed a foundational category used to carve out humankind’s relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic—humans, animals, and even thoughts.
Spontaneous generation in Aristotle -- Observation claims and epistemic confidence in Aristotle -- A blossoming of creatures -- Inheritance and innovation -- Interlude: Is life special? -- Towards a showdown
Written at the turn of the 14th century, Giles of Rome's De ecclesiastica potestate is a papal tract written at the height of Pope Boniface VIII's conflict with King Philip IV of France.
The ಜNew Atheistsಝ are pulling no punches. If the world of nature needs a designer, they ask, then why wouldn't the designer itself need a designer, too? Or if it can exist without any designer behind it, then why can't we just say the same for the universe and wash our hands of a designer altogether? Interweaving its pursuit of the First Cause with personal stories and humor, this ground-breaking book takes a fresh approach to ultimate questions. While attentive to empirical science, it builds its case not on authoritative pronouncements of experts that readers must take on faith, but instead on a nuanced understanding of universal principles implicit in everyone's experience. Here is essential reading for all people who care about contemplating God, not exclusively as a best-explanation for the findings of science, but also as the surprising-yet-inevitable implication of our commonsense contact with reality. Augros harnesses such intellects as Plato, Aristotle, and Aquinas, ushering into the light a wealth of powerful inferences that have hitherto received little or no public exposure. The result is an easygoing yet extraordinary journey, beginning from the world as we all encounter it and ending in the divine mind.
Animal Satire presents a cultural history of animal satire, a critically neglected but persistent presence in the history of cultural production, in which animals expose human folly while the strategies of satire expose the folly of human-animal relations. Highlighting the teeming animal presences across the history of satirical expression from Aristophanes to Twitter, with chapters on key works of literature, drama, film, and a plethora of satirical media, Animal Satire reveals the rich rhetorical significance of animality in powering the politics of satire from ancient and medieval through modern and contemporary times. More pressingly, the book makes the case for the significance of satire for understanding the real-world implications of rhetoric about animals in ongoing struggles for justice. By gathering both critical and creative examples from representative media forms, historical periods, and continents, this volume aims to enrich scholarship on the history of satire as well as empower creative practitioners with ideas about its practical applications today.
A theory of divine ideas was the standard Scholastic response to the question how does God know and produce the world? A theory was deemed to be successful only if it simultaneously upheld that God has perfect knowledge and that he is supremely simple and one. In articulating a theory of divine ideas, Carl Vater answers two sorts of questions. First, what is an idea? Does God have ideas? Are there many divine ideas? What sort of existence does an idea enjoy? Second, he answers questions about the scope of divine ideas: does God have ideas of individuals, species, genera, accidents, matter, evil, etc.? How many divine ideas are there? These questions cause the Scholastic authors to articulate clearly, among other things, their positions on the nature of knowledge, relation, exemplar causality, participation, infinity, and possibility. An author's theory of divine ideas, then, is the locus for him to test the coherence of his metaphysical, epistemological, and logical principles. Many of the debates over divine ideas have their roots in disagreements over whether a given theory adequately articulates one of the underlying positions or the overall coherence of those positions. Peter John Olivi, for example, argues that his predecessors' theories of knowledge and theories of relations are at odds, and this critique results in a major shift in theories of divine ideas. God's Knowledge of the World examines theories of divine ideas from approximately 1250?1325 AD (St. Bonaventure through Ockham). It will be the only work dedicated to categorizing and comparing the major theories of divine ideas in the Scholastic period.
The first complete introduction to the subject ever published, A History of Irish Thought presents an inclusive survey of Irish thought and the history of Irish ideas against the backdrop of current political and social change in Ireland. Clearly written and engaging, the survey introduces an array of philosophers, polemicists, ideologists, satirists, scientists, poets and political and social reformers, from the anonymous seventh-century monk, the Irish Augustine, and John Scottus Eriugena, to the twentieth century and W.B. Yeats and Iris Murdoch. Thomas Duddy rediscovers the liveliest and most contested issues in the Irish past, and brings the history of Irish thought up to date. This volume will be of great value to anyone interested in Irish culture and its intellectual history.
Die Reihe bietet ein Publikationsforum für innovative Arbeiten zu allen Themengebieten der analytischen Philosophie. Der Schwerpunkt liegt auf den Disziplinen der theoretischen Philosophie: Metaphysik, Ontologie, Erkenntnistheorie, Sprachphilosophie, Logik. Willkommen sind auch Beiträge zur Geschichte der Philosophie, wenn die systematische Durchdringung der gewählten Themen im Vordergrund steht. In Philosophical Analysis werden Monographien und Sammelbände mit hohem wissenschaftlichem Anspruch publiziert.
Most of us wonder how to make sense of the apparent moral excellences or virtues of those who have different visions of the good life or different religious commitments than our own. Rather than flattening or ignoring the deep difference between various visions of the good life, as is so often done, this book turns to the medieval Christian theologian Thomas Aquinas to find a better way. Thomas, it argues, shows us how to welcome the outsider and her virtue as an expression rather than a betrayal of one's own distinctive vision. It shows how Thomas, driven by a Christian commitment to charity and especially informed by Augustine, synthesized Augustinian and Aristotelian elements to construct an ethics that does justice—in love—to insiders and outsiders alike. Decosimo offers the first analysis of Thomas on pagan virtue and a reinterpretation of Thomas's ethics while providing a model for our own efforts to articulate a truthful hospitality and do ethics in our pluralist, globalized world.