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Unlike conventional legal research books that limit their focus to teaching students how to find and use the various sources of law, this book stresses a systematic, practice-oriented approach to acquiring legal-research skills. It presents a simple yet highly effective research strategy that helps students efficiently solve the types of complex legal-research problems they can expect to encounter in the workplace. In addition, the book includes a section on the various primary and secondary sources of law, and how best to find and use them, as well as a section containing tips for summer interns and associates, and a Trouble-Shooting Guide to help students overcome the occasional obstacles that may crop up in their research projects. The book also includes a detailed Research Checklist for students to use before turning in their work. For these reasons, the book makes an ideal stand-alone text for the first-year legal-research class, as well as an excellent supplementary text for advanced legal-research classes.
City of Toronto Book Award finalist Scarborough is a low-income, culturally diverse neighborhood east of Toronto, the fourth largest city in North America; like many inner city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education. And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father. Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone. Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.
In question-and-answer form, Ms. Mentor advises academic women about issues they daren't discuss openly, such as: How does one really clamber onto the tenure track when the job market is so nasty, brutish, and small? Is there such a thing as the perfectly marketable dissertation topic? How does a meek young woman become a tiger of an authority figure in the classroom-and get stupendous teaching evaluations? How does one cope with sexual harassment, grandiosity, and bizarre behavior from entrenched colleagues? Ms. Mentor's readers will find answers to the secret queries they were afraid to ask anyone else. They'll discover what it really takes to get tenure; what to wear to academic occasions; when to snicker, when to hide, what to eat, and when to sue. They'll find out how to get firmly planted in the rich red earth of tenure. They'll learn why lunch is the most important meal of the day.
SHORTLISTED FOR THE PUSHKIN HOUSE PRIZE 'The most formidable spy in history' IAN FLEMING 'His work was impeccable' KIM PHILBY 'The spy to end spies' JOHN LE CARRÉ Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist – and the Soviet Union's most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.
Right to life. Right to choice. Masectomy, lumpectomy. Vitamin therapy, hormone therapy, aromatherapy. Tabloids, op-eds, Phil, Sally, Oprah. Yesterday, women confided in their doctors about health problems and received private, albeit sometimes paternalistic, attention. Today, women's health issues are headline material. Topics that once raised a blush now raise a blare of conflicting medical news and political advocacy. Women welcome the new recognition of their health concerns. Now women are less often treated, as the old saw goes, as "a uterus with a person attached." At the same time, they need help in sorting through the flood of reports on scientific studies, claims of success for new treatments, and just plain myths. The Institute of Medicine (IOM) has responded to this need with In Her Own Right. Throughout its 25-year history, the IOM has provided authoritative views on fast-moving developments in medicineâ€"bringing accuracy, objectivity, and balance to the hottest controversies. Talented science writer Beryl Lieff Benderly synthesizes this expertise into a readable overview of women's health. Why do women live longer than men? Why do more women than men suffer vertebral fractures? Benderly highlights what we know about the health differences between men and women and the mysteries that remain to be solved. With a frank, conversational approach, Benderly examines women's health across the life span: Issues of female childhood, adolescence, and sexual maturity, including smoking, eating behavior, teen pregnancy, and more. The host of issues surrounding the reproductive years; contraception, infertility, abortion, pregnancy and birth, AIDS, and mental health. Postmenopausal life and issues of aging, as health choices made decades earlier come home to roost. Benderly addresses women's experience with the nation's health care establishment and the controversy over the lack of female representation in the world of scientific research. Much more than a how-to guide, In Her Own Right translates the finest scholarship on topics of women's health into terms that will help any woman ask the right questions and make the right choices. Covering the spectrum from traditional beliefs to cutting-edge research, this book presents the personal insights of leading investigators, along with clear explanations of breakthrough studies written in plain English.
Recounts the events surrounding the murders of nine Buddhist temple members near Phoenix, Arizona, and the arrest of four men known as "The Tucson Four" who were coerced into confessing and held despite there being no physical evidence to connect them tothe crime, and discusses how the suspects were treated by the media, even after the real killers were discovered.
Choices contains three themes; The first: Earth can be a Paradise if we sculpt it to be; it can be Perdition if we allow it to be. The second is that we are our own self-authors and we can author a world Paradise. The third statement: Of course we are at peace, do you think we are stupid? Choices ably connects the three dots! Enjoy discovering a path to world peace, easing bigotry and fixing education. "Choices is sound, easy to follow, inventive, exciting and well reasoned." -Marylou Hughes, L.C.S.W., D.P.A., counselor, author "Robinson has used his practical experience and a lifetime of research to present and deliver a comprehensive series of logical conclusions. In Choices, he looks at the human condition not [only] from a new point of view, but from the mind of a man who has lived it." -Jim Ernst, author, player of bridge and deliverer of judgment
From a contributor to The Cut, one of Vogue's most anticipated books "bravely and honestly" (Busy Philipps) talks about weight loss and sheds a light on Weight Watchers founder Jean Nidetch: "a triumphant chronicle" (New York Times). Marisa Meltzer began her first diet at the age of five. Growing up an indoors-loving child in Northern California, she learned from an early age that weight was the one part of her life she could neither change nor even really understand. Fast forward nearly four decades. Marisa, also a contributor to the New Yorker and the New York Times, comes across an obituary for Jean Nidetch, the Queens, New York housewife who founded Weight Watchers in 1963. Weaving Jean's incredible story as weight loss maven and pathbreaking entrepreneur with Marisa's own journey through Weight Watchers, she chronicles the deep parallels, and enduring frustrations, in each woman's decades-long efforts to lose weight and keep it off. The result is funny, unexpected, and unforgettable: a testament to how transformation goes far beyond a number on the scale.
Abstract: A model of firm innovation illustrates the effects of the threat of imitation and product varieties on a representative firm's decision to invest in research and development to produce new product varieties. The model motivates two empirical questions: (1) Is research and development partially correlated with firms' propensity to introduce new products or product innovation in developing countries? (2) Do trade policies and the national investment climate affect firms' propensity for product innovation? The econometric evidence suggests that the answers are yes and yes, but the investment climate affects product innovation in a manner that is consistent with the presence of market failures and state capture. National trade-policy distortions appear to reduce the probability of product innovation, and the density of exporting firms at the national level also seems to positively affect the propensity to introduce new products by individual firms. The paper discusses some policy implications.
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.