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Immortal Sisters presents life stories and teachings of distinguished female Taoist adepts who lived from the third to twelfth centuries. Among them is the poet and mystic Sun Bu-er, who passed into folklore as one of the famous Seven Immortals and appears as a character in countless popular novels of China. These accomplished women, renowned in their own day and in history, represent a uniquely female heritage of spiritual mastery. Through poems, stories, teachings, and commentaries, Immortal Sisters sheds light on the spiritual methods taught and practiced by these women and illustrates the importance of the feminine in Taoism.
This volume is the most extensive social and cultural history of twentiethcentury Huangmei Opera to date. A regional Chinese theater originating in the Anqing countryside, Huangmei Opera gained popularity with the success of the 1950s play and movie, Tianxian pei 天仙配 (Married to a Heavenly Immortal). Through a case study of this work, the author juxtaposes the complex process of rewriting and revising the play and movie against the rapidly changing cultural and ideological climate of the Communist theater reform movement. As a result, the traditional theme of filial piety becomes a struggle over class and free love. This volume features a full translation of the original play and its revision in the 1950s, as well as selected articles by scriptwriters, directors, performers, and critics. These primary sources allow readers to gain access to inside views of the contemporaries and their political and artistic concerns. "Wilt Idema is one of the most important scholars in Chinese literary and cultural studies. Few in the academia can emulate him in both the spectrum of specializations and the depth of scholarship. From Yuan drama to Ming fiction, and traditional folk culture to modern performing arts, Idema’s work demonstrates a Sinologist's dedication, erudition, and originality at its best. Tianxian pei is arguably the most popular play in midtwentieth century China. In his book, Idema discusses the play’s roots and ramifications, its incarnations in multiple genes and medial forms, and its significance in modern Chinese cultural politics. His critical insight is illuminating and his translational expertise impeccable. The Metamorphosis of Tianxian pei is a major contribution to the studies of Chinese folklore, literature, theatre, and media." by David Derwei Wang, Harvard University
Shakespeare’s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries.
Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.
"Lolly Salt's three sisters are sirens--young women who lure ships to their doom--and as Lolly's 13th birthday approaches she's about to become one too. But when it becomes clear that someone in town knows the Salt girls secret, Lolly sets out to learn how this happened to her family and if she can prevent it"--
A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks’ contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. Features essays from a prestigious international team of literary experts Includes coverage of Greek myth’s intersection with history, philosophy and religion Introduces readers to topics in mythology that are often inaccessible to non-specialists Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece
The late-imperial legend of Liang Shanbo and Zhu Yingtai, the Butterfly Lovers--a story as central to Chinese culture as Shakespeare's Romeo and Juliet is to Western culture--also relates a tale of two lovers help apart by social strictures. To audiences of the many Chinese ballads, plays, and films based on the story, the tragic ending offers proof that equality and happiness can only be achieved in a China freed from the traditional family system. This volume offers translations of the earliest versions of the popular ballad along with later literary reinventions of the tale; a variety of related documents reveal the historical and cultural origins of the legend. In his Introduction, Wilt L. Idema provides essential contextual information and discusses how the story of the Butterfly Lovers fits into modern Chinese concepts of gender roles and sexual freedom.
A vixen who had practiced immortal arts for more than nine thousand years came across a young and handsome gentleman in Tomb Sweeping Day, due to the burgeoning lascivious desire in spring, she changed into a beautiful girl, seduced him, slept with him as a couple by visiting his mansion late in night and leaving before daybreak to draw away his innate and acquired positive energy. After more than half a year, the gentleman became quite emaciated and powerless as they did the thing thrice every night. The butler who had served the mansion for two generations found the problem and his only son had been gulped down by the vixen, he tried to catch the vixen with the tenants in the village, by seeking help from a monk of Taoist, prayed to Heaven. Heaven sent King with Tower and his soldiers to catch the vixen with other foxes, the vixen owned powerful arts and skills due to her practice, she fought fiercely with the heavenly soldiers, could she win the fight? What happened in the fighting process? Could she get married with the gentleman?...