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It started when I stole a secret I was never meant to keep.Then, "I dare you," was whispered in the dark of night.Three simple words that changed everything.I became the one thing that Rhys Blackwood hated more than he hated himself.St. Augustine's very own fallen angel had me in his hold and he wasn't giving up until I was ruined.I was a snitch. A liar. A pawn.He was cruel. Merciless. The King.Together, we were fated for destruction.And where there are secrets and untruths... there are demons lurking beyond the shadows
'Under Palombo’s skillful hand, the entangled world of the Borgias comes vividly to life, exposing the dark facets of class structure and the all-consuming greed that comes with ambition--and love." - Heather Webb, internationally bestselling author of Last Christmas in Paris and Meet Me in Monaco During the sweltering Roman summer of 1492, Rodrigo Borgia has risen to power as pope. Rodrigo’s eldest son Cesare, forced to follow his father into the church and newly made the Archbishop of Valencia, chafes at his ecclesiastical role and fumes with jealousy and resentment at the way that his foolish brother has been chosen for the military greatness he desired. Maddalena Moretti comes from the countryside, where she has seen how the whims of powerful men wreak havoc on the lives of ordinary people. But now, employed as a servant in the Vatican Palace, she cannot help but be entranced by Cesare Borgia’s handsome face and manner and finds her faith and conviction crumbling in her want of him. As war rages and shifting alliances challenge the pope’s authority, Maddalena and Cesare's lives grow inexplicably entwined. Maddalena becomes a keeper of dangerous Borgia secrets, and must decide if she is willing to be a pawn in the power games of the man she loves. And as jealousy and betrayal threaten to tear apart the Borgia family from within, Cesare is forced to reckon with his seemingly limitless ambition. Alyssa Palombo's captivating new novel, The Borgia Confessions, is a story of passion, politics, and class, set against the rise and fall of one of Italy's most infamous families--the Borgias.
How did the United States, a nation known for protecting the “right to remain silent” become notorious for condoning and using controversial tactics like water boarding and extraordinary rendition to extract information? What forces determine the laws that define acceptable interrogation techniques and how do they shift so quickly from one extreme to another? In Confessions of Guilt, esteemed scholars George C. Thomas III and Richard A. Leo tell the story of how, over the centuries, the law of interrogation has moved from indifference about extreme force to concern over the slightest pressure, and back again. The history of interrogation in the Anglo-American world, they reveal, has been a swinging pendulum rather than a gradual continuum of violence. Exploring a realist explanation of this pattern, Thomas and Leo demonstrate that the law of interrogation and the process of its enforcement are both inherently unstable and highly dependent on the perceived levels of threat felt by a society. Laws react to fear, they argue, and none more so than those that govern the treatment of suspected criminals. From England of the late eighteenth century to America at the dawn of the twenty-first, Confessions of Guilt traces the disturbing yet fascinating history of interrogation practices, new and old, and the laws that govern them. Thomas and Leo expertly explain the social dynamics that underpin the continual transformation of interrogation law and practice and look critically forward to what their future might hold.
Male Confessions examines how men open their intimate lives and thoughts to the public through confessional writing. This book examines writings—by St. Augustine, a Jewish ghetto policeman, an imprisoned Nazi perpetrator, and a gay American theologian—that reflect sincere attempts at introspective and retrospective self-investigation, often triggered by some wounding or rupture and followed by a transformative experience. Krondorfer takes seriously the vulnerability exposed in male self-disclosure while offering a critique of the religious and gendered rhetoric employed in such discourse. The religious imagination, he argues, allows men to talk about their intimate, flawed, and sinful selves without having to condemn themselves or to fear self-erasure. Herein lies the greatest promise of these confessions: by baring their souls to judgment, these writers may also transcend their self-imprisonment.
A Confession Leo Tolstoy - This short work was originally titled An Introduction to a Criticism of Dogmatic Theology. It is a brief autobiographical story of the author's struggle with a mid-life existential crisis, and describes his search for the answer to the ultimate philosophical question: If God does not exist, since death is inevitable, what is the meaning of life?
The Priest, the Woman, & the Confessional is a look at women's role in confessionals. It takes a look at different ideas within the church, served by a former Roman Catholic priest.