Download Free Immediacy And Its Limits Routledge Revivals Book in PDF and EPUB Free Download. You can read online Immediacy And Its Limits Routledge Revivals and write the review.

Originally published in 1991, this book focuses on a major problem in the philosophy of Martin Buber. This is the topic of immediacy which is presented in terms of the contact between human beings on the one hand, and man and God on the other. The basic theme throughout is whether the I-Thou relation refers to immediate contact between human beings, as Buber saw it, or whether that relation is something established or aspired to. This is an important study which should be consulted in any future discussion of Martin Buber’s thought. At the same time, it raises critical issues for recent European philosophy. Students of philosophy, and religious and social thought will find its critical exposition extremely helpful.
Originally published in 1991, this book focuses on a major problem in the philosophy of Martin Buber. This is the topic of immediacy which is presented in terms of the contact between human beings on the one hand, and man and God on the other. The basic theme throughout is whether the I-Thou relation refers to immediate contact between human beings, as Buber saw it, or whether that relation is something established or aspired to. This is an important study which should be consulted in any future discussion of Martin Buberâe(tm)s thought. At the same time, it raises critical issues for recent European philosophy. Students of philosophy, and religious and social thought will find its critical exposition extremely helpful.
First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.
First published in 1977, this book was the first to map extensively the ideological typography of the Anglo-American tradition of literary theory. It interrogates, comprehensively and in detail, the assumptions and categorical development within critical ideas from I. A. Richards and T. S. Eliot, through John Crowe Ransom and the New Criticism, to Northrop Frye and Marshall NcLuhan. This analysis reveals the Anglo-American tradition of literary-cultural theory is most properly intelligible within the overall field of social consciousness as an ideology of progressive cultural rationalization. Against a background of ideological development since nineteenth-century Romanticism, John Fekete illuminates the boundaries of literary ideology in relation to the shapes and changes of modern culture and society.
First published in 1973, this book is about Shakespeare, language and drama. The first part introduces some common ideas of anthropology and linguistics into an area where they serve as a base for the discussion of usually literary matters. It attempts to link language to our experience of speech — examining its range, texture, and social functions. In part two, the author argues that in Elizabethan culture there was a greater investment in the complexities and demands of speech due to the widespread illiteracy of the time. It examines eight of Shakespeare’s plays, together with one of Ben Jonson’s, in light of their concern with various aspects of the role of spoken language in society.
First published in 1989, this title explores the relationship between theater and power in the English Renaissance. Shakespeare’s Henry V, Richard II, and Macbeth are examined alongside a range of cultural materials, including philosophical and historical accounts of sovereignty, royal portraiture and representations of treason and punishment. Renaissance theater was far more than a vehicle for the expression of a political content: it played a constitutive role in forming the distinctive theory of sovereignty and the distinctive political subjectivity of the era. By reading Shakespeare’s plays in conjunction with other, ideologically charged forms of representation, the book continues new-historicist efforts to uncover the complex relations between literary texts and cultural contexts. Providing an interesting and detailed analysis, this reissue will be of value to students of Shakespeare and the English Renaissance, and those concerned with exploring the intersection between cultural analysis, post-structuralism, and psychoanalytic interpretation.
First published in 1989, this book considers Bertrand Russell’s philosophy through his correspondence with others. Indeed, his exchanges with his elders in philosophy, with his contemporaries, and with one of his most outstanding pupils are brought to life in this judicious exposition: meticulously documented before being judged with insight and sympathy, as well as impartiality. Elizabeth Ramsden Eames here explores the issues that emerged from Russell’s exchanges with certain other philosophers, and interprets the resulting reciprocal influences and reactions. The conversations presented cover subjects such as: the nature of relations; pluralism versus monism; the relation of the subject and object in knowledge; the analysis of experience; the definition of truth; the analysis of belief; and the theory of meaning. These have been in the forefront of philosophical discussion in our time, and Russell’s dialogue with his contemporaries promises to illumine them.
Edmund Spenser’s The Faerie Queene is among the most important literary products of the Elizabethan age, and the vast sweep of its moral, political and social concerns tells us more about the age than any other work. This volume, first published in 1989, offers detailed readings of each of the poem’s seven books, along with introductory chapters on Spenser’s career, and the roots of the poem in the English and continental traditions. Humphrey Tonkin pays particular attention to the work’s political and cultural role and its contribution to the development of Elizabethan ideology. A comprehensive analysis, this reissue will be of particular value to literature students and academics alike.
First published in 1985, this reissue indicates the extent to which our basic perceptual structure is bound to and limited by a particular underlying perceptual patterning. Fiona Mackie reaches deeper even than the Habermasian approach to rationality by tracing an underlying structuring of perception not addressed by psychoanalysis. She moves beyond phenomenology by reactivating what she terms 'memory glows', which encapsulates a primordial mode of experiencing, and shows how the form of language and thinking changes to express that reversal which she sees as crucial in our contemporary crisis.
First published in 1987, the Dictionary of Jargon expands on its predecessor Newspeak (Routledge Revivals, 2014) as an authoritative reference guide to specialist occupational slang, or jargon. Containing around 21, 000 entries, the dictionary encompasses a truly eclectic range of fields and includes extensive coverage of both British and U.S. jargon. Areas dealt with range from marketing to medicine, from advertising to artificial intelligence and from skiing to sociology. This is a fascinating resource for students of lexicography and professional lexicographers, as well as the general inquisitive reader.