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Overthe last twenty years materialist thinkers in the continental tradition haveincreasingly emphasized the category of immanence. Yet the turn toimmanence has not meant the wholesale rejection of the concept oftranscendence, but rather its reconfiguration in immanent or materialist terms:an immanent transcendence. Through an engagement with the work ofDeleuze, Irigaray and Adorno, Patrice Haynes examines how the notion ofimmanent transcendence can help articulate a non-reductive materialism by whichto rethink politics, ethics and theology in exciting new ways. However,she argues that contrary to what some might expect, immanent accounts of matterand transcendence are ultimately unable to do justice to materialfinitude. Indeed, Haynes concludes by suggesting that a theisticunderstanding of divine transcendence offers ways to affirm fully materialimmanence, thus pointing towards the idea of a theological materialism.
Over the last twenty years materialist thinkers in the continental tradition have increasingly emphasized the category of immanence. Yet the turn to immanence has not meant the wholesale rejection of the concept of transcendence, but rather its reconfiguration in immanent or materialist terms: an immanent transcendence. Through an engagement with the work of Deleuze, Irigaray and Adorno, Patrice Haynes examines how the notion of immanent transcendence can help articulate a non-reductive materialism by which to rethink politics, ethics and theology in exciting new ways. However, she argues that contrary to what some might expect, immanent accounts of matter and transcendence are ultimately unable to do justice to material finitude. Indeed, Haynes concludes by suggesting that a theistic understanding of divine transcendence offers ways to affirm fully material immanence, thus pointing towards the idea of a theological materialism.
Long considered one of late scholasticism’s most important thinkers, Francisco Suárez has, paradoxically enough, often been treated only in relation to other medieval authors or as a transitional figure in the shift from medieval to early modern philosophy. As such, his thought has often been obscured and framed in terms of an alien paradigm. This book seeks to correct such approaches and examines Suárez's metaphysical thinking as it stands on its own. Suárez is shown to be much more in line with his medieval predecessors who developed their accounts of being to express the theological commitments they had made. Central to Suárez’s account is a fundamental existential orientation, one that many interpreters have overlooked in favour of an understanding of being as reduced to essence or to the thinkable.
The question of the transcendence of God has traditionally been thought in terms of the difference between pantheism, which affirms that God is wholly "within" the world, and theism, which affirms that God is both "within" and "outside" the world, both immanent and transcendent. Against Heidegger's critique of onto-theology and the general postmodern concern for respecting and preserving the difference of the other, Merold Westphal seeks to rethink divine transcendence in relation to modes of human self-transcendence. Touching upon Spinoza, Hegel, Augustine, Pseudo-Dionysius, Aquinas, Barth, Kierkegaard, Levinas, Derrida, and Marion, Westphal's work centers around a critique of onto-theology, the importance of alterity, the decentered self, and the autonomous transcendental ego. Westphal's phenomenology of faith sets this book into the main currents of Continental philosophy of religion today.
This Handbook considers Christian thought in the long nineteenth century (from the French Revolution to the First World War), encompassing not only doctrine and theology, but also Christianity's mutual influence on literature and the arts, political and economic thought, and the natural and social sciences.
This book presents detailed discussions from leading intercultural philosophers, arguing for and against the priority of immanence in Chinese thought and the validity of Western interpretations that attempt to import conceptions of transcendence. The authors pay close attention to contemporary debates generated from critical analysis of transcendence and immanence, including discussions of apophasis, critical theory, post-secular conceptions of society, phenomenological approaches to transcendence, possible-world models, and questions of practice and application. This book aims to explore alternative conceptions of transcendence that either call the tradition in the West into question, or discover from within Western metaphysics a thoroughly dialectical way of thinking about immanence and transcendence.
In this final volume of Robert Denoon Cumming's four-volume history of the phenomenological movement, Cumming examines the bearing of Heidegger's philosophy on his original commitment to Nazism and on his later inability to face up to the implication of that allegiance. Cumming continues his focus, as in previous volumes, on Heidegger's connection with other philosophers. Here, Cumming looks first at Heidegger's relation to Karl Jaspers, an old friend on whom Heidegger turned his back when Hitler consolidated power, and who discredited Heidegger in the denazification that followed World War II. The issues at stake are not merely personal, Cumming argues, but regard the philosophical relevance of the personal.
Since Augustine many philosophers and theologians have discussed the relation of God to time, whereas the relation between God and space has been rarely discussed. This book deals with the relationship of God to space. Divine transcendence is one important aspect of the Christian God. However, God is also immanent in the world of space and time. The author investigates the concept of divine spatiality and presents case studies of three modern theologians: Torrance, Pannenberg and Moltmann. He also analyses divine spatiality by using Dyrness's three categories: relationship, agency and embodiment.
Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.