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Here, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material.
Dieser Band versammelt Beiträge von namhaften europäischen und amerikanischenAltertumswissenschaftlern und Religionswissenschaftlern, die einen repräsentativen Querschnitt der zeitgenössischen Erforschung des Mythos, seiner Erscheinungsformen und seiner Transformationen in unterschiedlichen Bereichen und Epochen darbieten.
Jon Stone rounds off the 'Latin for the Illiterati' trilogy with a comprehensive treasury of classic Latin quotations, mottoes, proverbs, and maxims collected from the worlds of philosophy, rhetoric, politics, science, religion, literature, drama, poetics, and war.
The past is narrated in retrospect. Historians can either capitalize on the benefit of hindsight and give their narratives a strongly teleological design or they may try to render the past as it was experienced by historical agents and contemporaries. This book explores the fundamental tension between experience and teleology in major works of Greek and Roman historiography, biography and autobiography. The combination of theoretical reflections with close readings yields a new, often surprising assessment of the history of ancient historiography as well as a deeper understanding of such authors as Thucydides, Tacitus and Augustine. While much recent work has focused on how ancient historians use emplotment to generate historical meaning, Experience and Teleology in Ancient Historiography offers a new approach to narrative form as a mode of coming to grips with time.
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
What is political modernity? And how much of its concepts and structures has changed or remained the same with the advent of the so-called globalization? What does it mean, from a political perspective, that we live in a postmodern era? This book discusses these issues in light of the key authors and texts of the continental philosophical tradition: from Carl Schmitt to Giorgio Agamben, from Thomas Hobbes to Michel Foucault. Looking at the roots of the current historical crisis that characterizes Western political regimes, this book gazes into the past in order to trace the possible development of our current global era, in which all the classical concepts and our symbolic resources seem to be called into question, leaving a vacuum of meaning for political action as much as for political theory.