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Reading portraiture as a national rhetoric during the romantic period, Imagining the Gallery reveals a pervasive cultural discourse that reflects and propels sociopolitical shifts taking place in late eighteenth- and early nineteenth-century Britain.
IN/Search RE/Search' offers a unique insight into the wide range of appearances of the intersection between art, design and research. The book is organized into twelve substantive chapters: The Anthropocene Epoch; The Climate Crisis; The Coexerced Existence, The Limitations of Language; Facts and Fictions; The Fragile Human; The Instrumentalised Identity; Gender and Violence; The Question of Race; Politics of Public Space; Naked Capitalism; The Morality of a Cyborg. These themes are analysed through art and design projects. The projects are further contextualised by journalistic explorations and academic reflections on similar matters, grappled by varied research outlooks. 00By bringing together various practices (arts, design and writing practices and academic research), 'IN/Search RE/Search' shows how artistic research processes are designed and performed. The kaleidoscopic convergence of the featured approaches promises an exciting shift in thinking about how knowledge within the arts comes about, and how this knowledge nurtures daily practice, and vice versa. In this way, this publication discloses methods of thinking and working through which a new generation of artists/designers/researchers is shaping scenarios for the near future.00The core of this publication is formed by various art and design projects by students of the Rietveld Academie and the Sandberg Instituut. Many of these projects confuse, blur and confront what is traditionally relevant in research practices. These young artists demonstrate what happens when ideas and practices that seem to be miles apart within the traditional domain of research, are suddenly allowed touch upon and influence each other.
An ALA Notable Book A New York Public Library Best Book for Kids A Bookpage Best Book “This fine book provides not only exposure to art…but also an example of a boy—a boy of color, a boy in America—with a passion for fine art.” —The New York Times “The prosaic world of the city boy we meet…is transformed into a realm of wonder not by a quirk of quantum physics but by exposure to fine art.” —The Wall Street Journal “A joyful, wordless exploration of artistic discovery.” —Shelf Awareness (starred review) “Colon’s latest again challenges readers to discover inspiration through ingenious means…beautifully euphoric.” —Kirkus Reviews (starred review) “Captures the drama of a personal artistic experience and the lasting impact it can have…compelling…an irresistible invitation to creativity.” —School Library Journal (starred review) “A delightful wordless tribute to the arts with a magical touch.” —Booklist (starred review) “Colón’s vibrant scenes make it clear that visiting works of art can breathe magic into the everyday and inspire further creativity afterward.” —Publishers Weekly (starred review) Six starred reviews for New York Times bestselling artist Raúl Colón’s wordless picture book about a visit to the museum and the power of art and imagination, which “hums with and jubilation” (The Horn Book, starred review). After passing a city museum many times, a boy finally decides to go in. He passes wall after wall of artwork until he sees a painting that makes him stop and ponder. Before long the painting comes to life and an afternoon of adventure and discovery unfolds, changing how he sees the world ever after.
Rudger is Amanda's best friend. He doesn't exist, but nobody's perfect. Only Amanda can see her imaginary friend – until the sinister Mr Bunting arrives at Amanda's door. Mr Bunting hunts imaginaries. Rumour says that he eats them. And he's sniffed out Rudger. Soon Rudger is alone, and running for his imaginary life. But can a boy who isn't there survive without a friend to dream him up? A brilliantly funny, scary and moving read from the unique imagination of A.F. Harrold, this beautiful book is astoundingly illustrated with integrated art and colour spreads by the award-winning Emily Gravett.
In 1726, an illiterate woman from Surrey named Mary Toft announced that she had given birth to 17 rabbits. This study recreates the story of this incident and shows how it illuminates 18th-century beliefs about the power of imagination and the problems of personal identity.
Seize the day in the name of art. This creative call to arms from the mind of Neil Gaiman combines his extraordinary words with deft and striking illustrations by Chris Riddell. 'Like a bedtime story for the rest of your life, this is a book to live by. At its core, it's about freeing ideas, shedding fear of failure, and learning that "things can be different" ' INSTITUTE OF IMAGINATION Be bold. Be rebellious. Choose art. It matters. Neil Gaiman once said that 'the world always seems brighter when you've just made something that wasn't there before'. This little book is the embodiment of that vision. Drawn together from speeches, poems and creative manifestos, Art Matters explores how reading, imagining and creating can change the world, and will be inspirational to young and old. THIS PAPERBACK EDITION INCLUDES BEAUTIFUL NEW ILLUSTRATIONS OF 'GOING WODWO'. What readers are saying about ART MATTERS 'A rallying cry for all artists and creators' 'Just the injection of positive thinking I needed' 'What a gorgeous, sweet and very, very wise little book' 'You don't know it yet, but it's likely you need this book' 'I feel artistically charged up for the first time in ages'
With this influential book of essays, Jonathan Z. Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review
Imagining Science brings together internationally recognized artists, scientists, and social commentators to feature a body of original artwork and essays which explores the complex legal, ethical, and social concerns about advances in biotechnology, such as stem cell research, cloning, and genetic testing. Many important questions and themes emerge from this exchange, highlighting the linkages between scientific and creative research. This collaboration also stresses the vital role art can play in critiquing these biomedical technologies, particularly as advancements in science begin to challenge our ethical boundaries.
A 28-year-old astronomer named Molly ponders an uncertain future after suddenly losing her job, and finding her confidence shaken for the first time in her life. Meanwhile Molly's husband, friends, family, neighbors, and one unusually perceptive Halloween trick-or-treater all weigh in with their opinions on just how she should handle the precarious situation. ~ Jason Buchanan, Rovi
Edited by John Elderfield. Introduction by Glenn D. Lowry.