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While place-based pilgrimage is an embodied practice, can it be experienced in its fullness through built environments, assemblages of souvenirs, and music? Imaging Pilgrimage explores contemporary art that is created after a pilgrimage and intended to act as a catalyst for the embodied experience of others. Each chapter focuses on a contemporary artwork that links one landscape to another-from the Spanish Camino to a backyard in the Pacific Northwest, from Lourdes to South Africa, from Jerusalem to England, and from Ecuador to California. The close attention to context and experience allows for popular practices like the making of third-class or "contact" relics to augment conversations about the authenticity or perceived power of a replica or copy; it also challenges the tendency to think of the “original” in hierarchic terms. The book brings various fields into conversation by offering a number of lenses and theoretical approaches (materialist, kinesthetic, haptic, synesthetic) that engage objects as radical sites of encounter, activated through religious and ritual praxis, and negotiated with not just the eyes, but a multiplicity of senses. The first full-length study to engage contemporary art that has emerged out of the embodied experience of pilgrimage, Imaging Pilgrimage is an important and timely addition to the field of material and visual culture of religion. It is essential reading for anyone interested in pilgrimage studies, material culture, and the place of religion within contemporary art.
Winner of the American Academy of Religion's Borsch-Rast Prize. An Oxford Alumni Book of the Month pick While place-based pilgrimage is an embodied practice, can it be experienced in its fullness through built environments, assemblages of souvenirs, and music? Imaging Pilgrimage explores contemporary art that is created after a pilgrimage and intended to act as a catalyst for the embodied experience of others. Each chapter focuses on a contemporary artwork that links one landscape to another-from the Spanish Camino to a backyard in the Pacific Northwest, from Lourdes to South Africa, from Jerusalem to England, and from Ecuador to California. The close attention to context and experience allows for popular practices like the making of third-class or "contact" relics to augment conversations about the authenticity or perceived power of a replica or copy; it also challenges the tendency to think of the “original” in hierarchical terms. The book brings various fields into conversation by offering a number of lenses and theoretical approaches (materialist, kinesthetic, haptic, synesthetic) that engage objects as radical sites of encounter, activated through religious and ritual praxis, and negotiated with not just the eyes, but a multiplicity of senses. The first full-length study to engage contemporary art that has emerged out of the embodied experience of pilgrimage, Imaging Pilgrimage is an important and timely addition to the field of material and visual culture of religion. It is essential reading for anyone interested in pilgrimage studies, material culture, and the place of religion within contemporary art.
Originally published: 1978, in series: Lectures on the history of religions; new ser., no. 11. With new introd.
A case study of the meaning and purpose of pilgrimage, based on the image of the 'scarred Virgin', Our Lady of Czestochowa. The tradition of pilgrimage to an image is so well-established as to be taken for granted. Throughout Christian history large numbers of people have made journeys to images associated with miracles, yet the phenomenon has never been a subject of detailed scholarly scrutiny. This book explores the issue through a case study of the origins of pilgrimage to one such image, Our Lady of Czestochowa in Poland. The shrine remains one of the most prominent pilgrimage destinations in the Catholic world: the striking focal panel painting shows the Virgin Mary with an apparently scarred face, and the legend of the picture's origin claims that it was painted by St Luke and desecrated by iconoclasts. The author assesses the significance of the stories attached to the shrine, and goes beyond them to consider the practices and responses of the pilgrims. Drawing on the earliest surviving miracle collections, he also explores the interaction between the pilgrims and the image of the 'scarred' Virgin. ROBERT MANIURA is Lecturer in the History of Renaissance Art, Birkbeck College, University of London.
First published in 1978, Image and Pilgrimage in Christian Culture is a classic work examining the theological doctrines, popular notions, and corresponding symbols and images promoting and sustaining Christian pilgrimage. The book examines two major aspects of pilgrimage practice: the significance of context, or the theological conditions giving rise to pilgrimage and the folk traditions enabling worshippers to absorb the meaning of the event; and the images and symbols embodying the experience of pilgrimage and transmitting its visions in varying ways. Retelling its own tales of "mere mortals" confronted by potent visions, such as the man Juan Diego who found redemption with the Lady of Guadalupe and the poor French shepherdess Bernadette whose encounter with the Lady at Lourdes inspired Christians across the globe, this text treats religious visions as both paradox and empowering phenomena, tying them explicitly to the times in which they occurred. Offering vivid vignettes of social history, it extends their importance beyond the realm of the religious to our own conceptions of reality. Extensively revised throughout, this edition includes a new introduction by the theologian Deborah Ross situating the book within the work of Victor and Edith Turner and among the movements of contemporary culture. She addresses the study's legacy within the discipline, especially its hermeneutical framework, which introduced a novel method of describing and interpreting pilgrimage. She also credits the Turners with cementing the link between mysticism, popular devotion, and Christian culture, as well as their recognition of the relationship between pilgrimage and the deep spiritual needs of human beings. She concludes with various critiques of the Turners' work and suggests future directions for research.
Join 14 very special artists on a Creative Pilgrimage as they share exciting projects that they teach through the various art retreat venues from across the nation. As they teach their special projects, we experience what it's like to learn from this celebrated cohort of talented artists. Hear their unique perspectives about the importance of teaching—a process where through sharing knowledge, they also gain knowledge and develop community. Featured artists include: —Alisa Burke —Julie Haymaker Thompson —Lisa Kaus —Mary Beth Shaw —Maya Donenfeld —Roxanne Padgett —Sarah Ahearn Bellemare —Stephanie Jones Rubiano —Tracie Lyn Huskamp —Heather Smith Jones —Carla Sonheim —Mati Rose McDonough —Alma Stoller —Flora Bowley Peppered throughout the book are snapshots that give us a glimpse of some of the most amazing art retreats from across the nation. They are: —Squam Art Workshops —The Makerie —Artfest —An Artful Journey —Artistic Bliss —Valley Ridge Art Studio —Art & Soul —Silver Bella You'll get a special behind-the-scenes look at these special gatherings from the unique points of view of the coordinators, students, and instructors alike. Take a leap of faith into your quest to learn, teach, grow, and create with Creative Pilgrimage!
The ancient practice of pilgrimage has become increasingly popular in recent decades, in both traditional and new forms. Pilgrimage also provides fertile space for teaching. Especially with this latter development in mind, Pilgrimage as Spiritual Practice brings together original essays that offer useful resources for teachers and guides who lead groups in both academic and non-academic settings. The central aim of this volume is to provide a curated handbook of resources to aid the study and practice of pilgrimage for pilgrimage leaders and pilgrims. Contributions to the volume were created based on the premise that pilgrimage is a spiritual practice and that those who engage in pilgrimage do so as whole persons and thus will be challenged physically, emotionally, intellectually, and spiritually. The volume has two parts with six chapters each. The first part examines methods, key texts, and concepts. These chapters provide various entry points into the pilgrimage phenomenon: philosophy, theology, anthropology, psychology, medieval literature, art history. Though these chapters will focus on method and concept, they will make use of examples taken from concrete experience. The second part of the volume addresses specific practices, contexts, and phenomena: the Camino de Santiago, pilgrimage in Islam and Christianity, pilgrimage in India, pilgrimage in East Asia (Shikoku), pilgrimage in the wilderness, and urban pilgrimage.
'Walking in Christ's footsteps' was a devotional ideal in the late Middle Ages. However, few nuns and religious women had the freedom or the funding to take the journey in the flesh. Instead they invented and adjusted devotional exercises to visit the sites virtually. These exercises, largely based on real pilgrims' accounts, made use of images and objects that helped the beholder to imagine walking alongside Christ during his torturous march to Calvary. Some provided scripts whereby votaries could animate paintings and sculptures. Others required the nun to imagine her convent as a miniature model of Jerusalem. This volume is grounded in more than a dozen texts from manuscripts written by medieval nuns and religious women, which appear here transcribed and translated for the first time, and a multiplicity of (occasionally three-dimensional) images. They attest to the ubiquity and variety of virtual pilgrimages among religious women and help to reveal the functions of certain late medieval devotional images.
A striking collection by the eminent photographer encompasses her visual translations of how people live and do their work, showcasing her images of historically and culturally relevant homes belonging to such famous figures as Sigmund Freud, Charles Darwin and Louisa May Alcott.
This book provides valuable new insights into the public debate over educational travel in early modern England, and examines the seven major images of the educational traveller and the fears and insecurities within English society that engendered them.