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Use your imagination to create a world in polymer clay! With her trademark charm and easy-to-follow instruction, best-selling artist Maureen Carlson opens her bag of tricks to create an entire world in clay! Children 6-12, or anyone with an interest in polymer clay, will discover tips, techniques and secrets for sculpting anything they can see in the world in around them. In this book, you'll discover: Projects for creating characters in clay, with sections on creating the face, hands, ears, eyes and more! A special section on using photographs to create figures that look like friends and family. Simple step-by-step projects for making objects such as tables, chairs, cars and sports equipment. Inspiration and ideas to spark your own imagination. Explore an entire world made of clay and your imagination!
A culmination of the Guides' teachings to date, offering transformational wisdom of what our world could look like. In this powerful completion to the Manifestation trilogy, renowned channel Paul Selig offers an exciting vision of what a world could look like. Channeling the otherworldly Guides, A WORLD MADE NEW offers a hopeful glimpse into a possible future. This book marks the natural conclusion of Selig’s four trilogies to date, and can be considered a companion to Selig’s bestseller, I Am the Word. Bringing together the wisdom of these twelve books, A WORLD MADE NEW bookends the Guides’ current teachings. Filled with transformational wisdom, A WORLD MADE NEW is a challenging and deeply insightful book perfect for readers who still hope to find fulfillment and possibility in a world of their own making.
Want to create a fantasy landscape that feels real and immersive? Need help drafting a map that enriches the experience of your world? How to Map Your World breaks the process down into easy-to-follow steps. By completing a series of creative prompts, this book will show you how to map out an engaging world full of stories and adventure. This workbook will help you to: - Lay out your world in a way that complements your story - Use hints and plot hooks in your map to entice your readers - Find surprise stories and inspiration in your landscape - Draw an attractive world map that reinforces your worldbuilding Work your way through the creation of a map that hooks and intrigues your readers, leading them deep into the world of your story. Learn simple methods for drawing landscape details from mountains to coastlines, and how to put them together in a finished world map. Get How to Map Your World today, and become the cartographer of your own world.
Shows how to use sand, mud, and clay to create decorative art.
The Newbery Medal–winning author of Good Masters! Sweet Ladies! gives readers a virtuoso performance in verse in this profoundly original epic pitched just right for fans of poetry, history, mythology, and fantasy. Welcome to ancient Greece as only genius storyteller Laura Amy Schlitz can conjure it. In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less a horse. Wrenched from his mother at a tender age, he nurtures in secret, aided by Socrates, his passions for art and philosophy. Melisto is a spoiled aristocrat, a girl as precious as amber but willful and wild. She’ll marry and be tamed—the curse of all highborn girls—but risk her life for a season first to serve Artemis, goddess of the hunt. Bound by destiny, Melisto and Rhaskos—Amber and Clay—never meet in the flesh. By the time they do, one of them is a ghost. But the thin line between life and death is just one boundary their unlikely friendship crosses. It takes an army of snarky gods and fearsome goddesses, slaves and masters, mothers and philosophers to help shape their story into a gorgeously distilled, symphonic tour de force. Blending verse, prose, and illustrated archeological “artifacts,” this is a tale that vividly transcends time, an indelible reminder of the power of language to illuminate the over- and underworlds of human history.
In Thong Tran’s Vietnam, everyone is at war and no one is who they seem. But even a conflicted heart needs a home. Yearning for a true father and a cause to give himself to, Thong chooses independence, liberty and happiness –his tutor and the Viet Cong. It is a choice with karmic consequences he will spend the next half century criss-crossing the Pacific to outrun.Can Thong set down the bones rankling in his heart? And at what cost? A searing story about a Vietnamese man’s struggle to balance the many faces of belong and loyalty in a Vietnamese family torn asunder
A beautiful picture book for children 4+ taking the reader on a journey through Laura Carlin’s own colorful and imaginative visual world.
A fresh new approach to tapping into our own creativity, using the images and artifacts of our dreams. Getting inspired is one of the toughest parts of being an artist, whether we're a beginner or a seasoned professional. But as Tom Crockett shows us in this new book, finding ideas for our artwork is easier than we think. By simply exploring the images of our sleeping and waking dream states, we can discover a wealth of ideas and inspiration that are more authentic and powerful because they reveal our underlying spiritual self. Recognizing the importance of allowing our spiritual side to infuse our art and the fulfillment this can bring, Tom Crockett has created a program to teach us all, no matter what level of artistic experience we have, how to bring art and spirit into one. The four different types of creative expression Crockett has identified--Finding, Arranging, Altering, and Making--open up artistic options for everyone, even for those of us who cannot yet imagine that we have the ability to create art. Filled with personal anecdotes from the author's creativity workshops and practical, easy-to-implement advice for tapping into our hidden creativity, The Artist Inside teaches us: how to access the dreaming world to heighten creativity that we can create in each piece of artwork a temporary home for the spirit how creating a spiritual path can energize us and increase our intuitive capacity When the process of making art is guided by the inner vision of our sleeping and waking dream states, we connect with something larger than ourselves and rediscover that creativity can be both a spiritual path and an important life tool.
This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilisation accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years.
Romantic Sustainability is a collection of sixteen essays that examine the British Romantic era in ecocritical terms. Written by scholars from five continents, this international collection addresses the works of traditional Romantic writers such as John Keats, Percy Shelley, William Wordsworth, Lord Byron, and Samuel Coleridge but also delves into ecocritical topics related to authors added to the canon more recently, such as Elizabeth Inchbald and John Clare. The essays examine geological formations, clouds, and landscapes as well as the posthuman and the monstrous. The essays are grouped into rough categories that start with inspiration and the imagination before moving to the varied types of consumption associated with human interaction with the natural world. Subsequent essays in the volume focus on environmental destruction, monstrous creations, and apocalypse. The common theme is sustainability, as each contributor examines Romantic ideas that intersect with ecocriticism and relates literary works to questions about race, gender, religion, and identity.