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Visual culture influences architecture --and vice versa. Imagine Architecture compiles contemporary perspectives on this exchange from those working in creative fields including installation, sculpture, illustration, photography, and design. Contemporary developments in the visual arts are often reflected in urban landscapes. Imagine Architecture explores the ways in which visual culture develops in public spaces and how it shapes those spaces. This book focuses on the fruitful exchange between visual culture and architecture and follows up on the themes introduced in our previous release Beyond Architecture. It compiles experimental projects and creative perspectives from the fields of illustration, painting, collage, sculpture, photography, installation, and design. A young generation of creatives sees the urban landscape as the starting point for their work. When these Illustrated bys, sculptors, or photographers engage with architecture, their art overrules conventional doctrines on the use of space. They use buildings as a medium for their ideas, breaking norms and triggering new tensions. Whether they make sculptures that are created within the context of a given structure or street art whose forms and colors impact its surrounding architecture, all of the featured projects interpret and reflect their spatial settings in compelling ways. In the process, these visionary concepts are playfully expanding the definition of architecture. Their creativity has the potential to breathe new life into public spaces and promote the evolution of our cities. Imagine Architecture showcases spirited artwork that experiments with architecture and pushes its boundaries. As a contemporary survey of visual culture, the book is not only a must-read for architects, but also for anyone who sees architecture as a source of inspiration and an opportunity to project their creativity.
Imagine Our Algae Future. Visionary Algae Architecture and Landscape Designs. How will growing algae change the world and improve our lives?Imagine our future living in cities where buildings are covered with photosynthetic skins and vertical gardens, collecting the sun's energy and producing food and energy for urban citizens. Imagine greening desert coastlines and producing food for millions of people. Imagine algae systems that recycle polluting wastes into high value animal food, fuel and biofertilizers.This book reviews algae production, products and potential today and showcases some of the amazing visions of our future from the International Algae Competition. Our future with algae offers rich and diverse opportunities that will impact every aspect of our lives.International Algae Competition is a global challenge to design our future with algae food and energy systems. As a participatory design game, Algae Competition invited global citizens from around the world to design their own future with the foods they eat, systems that grow algae, and landscapes and cityscapes they dream of living in. 140 participants responded, representing 40 countries, and they submitted some amazing designs, projects and food ideas.Growing algae offers a future beyond scarcity toward sustainability and abundance. Here's a peek into this future.Imagine Our Algae Future chapters1. Introduction2. Algae Production, Products & Potential Today3. International Algae Competition AwardsExhibits from the International Algae Competition4. Algae Production Systems5. Visionary Architecture and Landscape Designs 6. Algae Food Development and Recipes7. References and Author Biographies
- An inspiring record of many years of conversations by the author with various architects and others, with the aim being to challenge the reader through the presentation of diverse sources of inspiration - Provides a wealth of insight, opinions, and thoughts from 73 architects, 12 artists, 8 photographers, 4 critics, 2 designers, and 1 curator - Illustrated with important works deliberately selected by the author to match the vision of the architect or visionary - An important reference book containing the thoughts and visions of more than 100 architects, designers, artists, and other visionaries In this thought-provoking collection of interviews, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading architects and others, selecting one essential part to form a question-and-answer that would expose the complexity of their thinking process, while comparing and contrasting them to one another, thereby distilling more than 100 ideas. His engaging narrative captures the stories behind every project and every personality while exploring the important question -- what makes a building architecture? The selection of interviews gathers many answers but inevitably, also many more questions. This book represents people who work in diverse places culturally and climatically and came of age in very different times -- from the revolutionary 1960s to our own time, and as such forms an invaluable reference.
This book constitutes the refereed proceedings of the 11th Asia-Pacific Computer Systems Architecture Conference, ACSAC 2006. The book presents 60 revised full papers together with 3 invited lectures, addressing such issues as processor and network design, reconfigurable computing and operating systems, and low-level design issues in both hardware and systems. Coverage includes large and significant computer-based infrastructure projects, the challenges of stricter budgets in power dissipation, and more.
Media processing applications, such as three-dimensional graphics, video compression, and image processing, currently demand 10-100 billion operations per second of sustained computation. Fortunately, hundreds of arithmetic units can easily fit on a modestly sized 1cm2 chip in modern VLSI. The challenge is to provide these arithmetic units with enough data to enable them to meet the computation demands of media processing applications. Conventional storage hierarchies, which frequently include caches, are unable to bridge the data bandwidth gap between modern DRAM and tens to hundreds of arithmetic units. A data bandwidth hierarchy, however, can bridge this gap by scaling the provided bandwidth across the levels of the storage hierarchy. The stream programming model enables media processing applications to exploit a data bandwidth hierarchy effectively. Media processing applications can naturally be expressed as a sequence of computation kernels that operate on data streams. This programming model exposes the locality and concurrency inherent in these applications and enables them to be mapped efficiently to the data bandwidth hierarchy. Stream programs are able to utilize inexperience local data bandwidth when possible and consume expensive global data bandwidth only when necessary. Stream Processor Architecture presents the architecture of the Imagine streaming media processor, which delivers a peak performance of 20 billion floating-point operations per second. Imagine efficiently supports 48 arithmetic units with a three-tiered data bandwidth hierarchy. At the base of the hierarchy, the streaming memory system employs memory access scheduling to maximize the sustained bandwidth of external DRAM. At the center of the hierarchy, the global stream register file enables streams of data to be recirculated directly from one computation kernel to the next without returning data to memory. Finally, local distributed register files that directly feed the arithmetic units enable temporary data to be stored locally so that it does not need to consume costly global register bandwidth. The bandwidth hierarchy enables Imagine to achieve up to 96% of the performance of a stream processor with infinite bandwidth from memory and the global register file.
Imagine, Design, Create offers a wide-ranging look at how the creative process and the tools of design are dramatically changing--and where design is headed in the coming years. Bringing together stories of good design happening around the world, the book shows how people are using fresh design approaches and new capabilities to solve problems, create opportunities, and improve the way we live and work. From the impact of SOM's Cathedral of Christ the Light in Oakland to the spark that inspired Thomas Heatherwick's U.K. Pavilion in Shanghai; from the new processes fueling Zaha Hadid's extraordinary architecture to the digital tools Ford is using to transform car design, each of these stories explores questions that swirl around the idea of design. How does design change our lives for the better? How is our capacity to produce good design evolving? How will the next generation of designers work? What will they make? What new areas of human experience is design opening for us? Now that designers can do almost anything--what should they do? The Publisher has two cover versions for this title. The books will ship with either a black or white cover. The interior contents are the same.
Through a collection of 13 chapters, Peggy Deamer examines the profession of architecture not as an abstraction, but as an assemblage of architectural workers. What forces prevent architects from empowering ourselves to be more relevant and better rewarded? How can these forces be set aside by new narratives, new organizations and new methods of production? How can we sit at the decision-making table to combat short-term real estate interests for longer-term social and ethical value? How can we pull architecture—its conceptualization, its pedagogy, and its enactment—into the 21st century without succumbing to its neoliberal paradigm? In addressing these controversial questions, Architecture and Labor brings contemporary discourses on creative labor to architecture, a discipline devoid of labor consciousness. This book addresses how, not just what, architects produce and focuses not on the past but on the present. It is sympathetic to the particularly intimate way that architects approach their design work while contextualizing that work historically, institutionally, economically, and ideologically. Architecture and Labor is sure to be a compelling read for pre-professional students, academics, and practitioners.
The computing world is in the middle of a revolution: mobile clients and cloud computing have emerged as the dominant paradigms driving programming and hardware innovation. This book focuses on the shift, exploring the ways in which software and technology in the 'cloud' are accessed by cell phones, tablets, laptops, and more
As with so many facets of contemporary western life, architecture and space are often experienced and understood as a commodity or product. The premise of this book is to offer alternatives to the practices and values of such westernised space and Architecture (with a capital A), by exploring the participatory and grass-roots practices used in alternative development models in the Global South. This process re-contextualises the spaces, values, and relationships produced by such alternative methods of development and social agency. It asks whether such spatial practices provide concrete realisations of some key concepts of Western spatial theory, questioning whether we might challenge the space and architectures of capitalist development by learning from the places and practices of others. Exploring these themes offers a critical examination of alternative development practices methods in the Global South, re-contextualising them as architectural engagements with socio-political space. The comparison of such interdisciplinary contexts and discourses reveals the political, social, and economic resonances inherent between these previously unconnected spatial protagonists. The interdependence of spatial issues of choice, value, and identity are revealed through a comparative study of the discourses of Henri Lefebvre, John Turner, Doreen Massey, and Nabeel Hamdi. These key protagonists offer a critical framework of discourses from which further connections to socio-spatial discourses and concepts are made, including post-marxist theory, orientalism, post-structural pluralism, development anthropology, post-colonial theory, hybridity, difference and subalterneity. By looking to the spaces and practices of alternative development in the Global South this book offers a critical reflection upon the working practices of Westernised architecture and other spatial and political practices. In exploring the methodologies, implications and values of such participatory development practices this book ultimately seeks to articulate the positive potential and political of learning from the difference, multiplicity, and otherness of development practice in order to re-imagine architecture and space. .
Projecting forward in time from the processes of design and construction that are so often the focus of architectural discourse, Consuming Architecture examines the variety of ways in which buildings are consumed after they have been produced, focusing in particular on processes of occupation, appropriation and interpretation. Drawing on contributions by architects, historians, anthropologists, literary critics, artists, film-makers, photographers and journalists, it shows how the consumption of architecture is a dynamic and creative act that involves the creation and negotiation of meanings and values by different stakeholders and that can be expressed in different voices. In so doing, it challenges ideas of what constitutes architecture, architectural discourse and architectural education, how we understand and think about it, and who can claim ownership of it. Consuming Architecture is aimed at students in architectural education and will also be of interest to students and researchers from disciplines that deal with architecture in terms of consumption and material culture.