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In 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with having had sexual relations with two men before her marriage; the 1586 case of Anthony Babington and twelve confederates, accused of plotting with the Spanish to invade England and assassinate Elizabeth; and the prosecution in the same year of Mary, Queen of Scots, indicted for conspiring with Babington to engineer her own accession to the throne. Linking the inventiveness of the accusations and decisions in these cases to the production of contemporary playtexts by Udall, Shakespeare, Marlowe, and Kyd, Imaginary Betrayals demonstrates how the emerging, flexible discourses of treason participate in defining both individual subjectivity and the legitimate Tudor state. Concerned with competing representations of self and nationhood, Imaginary Betrayals explores the implications of legal and literary representations in which female sexuality, male friendship, or private letters are converted into the signs of treacherous imaginations.
Exploring connections between Cavendish's science, literature, and politics, Walters challenges the view that Cavendish's thought was characterised by conservative royalism.
Loyalty and betrayal are among key concepts of the ethic of nationalism. Marriage of state and culture, which seems the essence of the congruence between political power structure and collective identity, usually offers a simple explanation of loyalty and dissent. Loyalty is seen as once-and-for-all commitment of the individual to his or her nation, whereas betrayal is identified as a failure to commit him or herself to a common cause or as a diversion from the object of political loyalty and cultural/linguistic fidelity. For conservative or radical nationalists, even social and cultural critique of one’s people and state can be regarded as treason, whereas for their liberal counterparts it is precisely what constitutes political awareness, civic virtue, and a conscious dedication to the people and culture. "This book is the first attempt to provide a discursive map of Lithuanian liberal and conservative nationalism. Analyzing the works and views of dissenters and critics of society and culture, we can reveal a mode of being of liberal nationalism as a social and cultural criticism. This volume is of interest for intellectual historians, social theorists, students of East-Central European thought, and anyone interested in Baltic studies and the new members of the EU. Dissent: act of betrayal, or loyalty? Leonidas Donskis' new remarkable study is one consistent, thorough and dedicated effort to provide an answer to that question." – Zygmunt Bauman (from the Preface)
#1 NATIONAL BESTSELLER • A timeless, structure-bending classic that explores how actions of individual lives impact the past, present and future—from a postmodern visionary and one of the leading voices in fiction One of the New York Times’s 100 Best Books of the 21st Century • Shortlisted for the International Booker Prize Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium in 1931, to the West Coast in the 1970s, to an inglorious present-day England, to a Korean superstate of the near future where neocapitalism has run amok, and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, David Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a video game, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
The paths of a cult leader, a precognitive man with a secret, and a detective with a troubled past intersect in this dark and absorbing mystery from the creator of Luther Andrew Taylor was a typical, pleasant lower-middle-class Bristol boy, content with his dependable life and loving family . . . until the dreams started coming. He has violent, visceral, powerful visions at night, whispering about darkness, death, murdered women, nationwide grief. Even worse, the dreams appear to be coming true, and soon Taylor finds himself living in a nightmare. William Holloway is the investigator called on to examine Taylor’s unexpected disappearance. It looks like an open-and-shut case of suicide: Family man has mental breakdown, walks into sea to end pain. But strange clues nag at Holloway, especially after an old adversary rises from the grave to torment the detective. How, if at all, is this spirit connected to Taylor’s disappearance?
AVAILABLE FOR THE FIRST TIME IN A STUNNINGLY DESIGNED DELUXE HARDCOVER EDITION • Celebrate the 20th anniversary of this timeless, structure-bending classic—from a postmodern visionary and one of the leading voices in twenty-first-century fiction • With an introduction by Gabrielle Zevin (author of Tomorrow, and Tomorrow, and Tomorrow) Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. The novel careens, with dazzling virtuosity, to Belgium, 1931, to the West Coast in the 1970s, to an inglorious present-day England; to a Korean superstate in the near future where neocapitalism has run amok; and, finally, to postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn’t end even there. The novel boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky. As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon. With a stunning, unmissable new design, this Knopf Canada exclusive 20th anniversary hardcover edition is the perfect gift for fans.
In one virtuosic, mind-bending novel after another, David Mitchell continues to strengthen his reputation as “one of the more fascinating and fearless writers alive” (Dave Eggers, The New York Times Book Review) and “the novelist who’s been showing us the future of fiction” (Ron Charles, The Washington Post). Now three of his acclaimed novels—Cloud Atlas, Black Swan Green, and The Thousand Autumns of Jacob de Zoet—are collected in one extraordinary eBook bundle. Don’t miss The Bone Clocks, David Mitchell’s epic new novel about a fifteen-year-old English runaway who slams the door on her old life only to stumble into a supernatural war of good and evil on the margins of our world. CLOUD ATLAS “Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine.”—The New York Times Book Review In 1850, an American notary voyaging from the Chatham Isles to his home in California is befriended by a physician who begins to treat him for a rare species of brain parasite. In 1931 Belgium, a disinherited bisexual composer contrives his way into the household of an infirm maestro with a beguiling wife and a nubile daughter. On the West Coast in the 1970s, a troubled reporter stumbles upon a web of corporate greed and murder. The narrative jumps onward to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history—then boomerangs back through centuries and space, revealing how these disparate characters connect and how their fates intertwine. BLACK SWAN GREEN “As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time Thirteen-year-old Jason Taylor lives in the sleepiest, muddiest village in a dying Cold War England, 1982. But over the course of a single year, Jason discovers a world that is anything but sleepy: a world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the cruel, luscious Dawn Madden and her power-hungry boyfriend; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. THE THOUSAND AUTUMNS OF JACOB DE ZOET “Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe The year is 1799, the place Dejima in Nagasaki Harbor, the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay. To this place of devious merchants, deceitful interpreters, and costly courtesans comes Jacob de Zoet, a devout young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken—the consequences of which will extend beyond Jacob’s worst imaginings.
1790 saw the publication of Edmund Burke's Reflections on the Revolution in France -- the definitive tract of modern conservatism as a political philosophy. Though women of the period wrote texts that clearly responded to and reacted against Burke's conception of English history and to the contemporary political events that continued to shape it, this conversation was largely ignored or dismissed, and much of it remains to be reconsidered today. Examining the works of women writers from Jane Austen and Mary Wollstonecraft to the Strickland sisters and Mary Anne Everett Green, this book begins to recuperate that conversation and in doing so uncovers a more complete and nuanced picture of women's participation in the writing of history. Professor Mary Spongberg puts forward an alternate, feminized historiography of Britain that demonstrates how women writers' recourse to history caused them to become generically innovative and allowed them to participate in the political debates that framed the emergence of modern British historiography, and to push back against the Whig interpretation of history that predominated from 1790-1860.