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This book constitutes revised selected papers from the 9th International Conference on Analysis of Images, Social Networks and Texts, AIST 2020, held during October 15-16, 2020. The conference was planned to take place in Moscow, Russia, but changed to an online format due to the COVID-19 pandemic. The 27 full papers and 4 short papers presented in this volume were carefully reviewed and selected from a total of 108 qualified submissions. The papers are organized in topical sections as follows: invited papers; natural language processing; computer vision; social network analysis; data analysis and machine learning; theoretical machine learning and optimization; and process mining.
An illustrated selection of major Zen writings, including the Gateless gate koan collection and the Ox-herding pictures with their verses.
This book constitutes the proceedings of the Third International Conference on Analysis of Images, Social Networks and Texts, AIST 2014, held in Yekaterinburg, Russia, in April 2014. The 11 full and 10 short papers were carefully reviewed and selected from 74 submissions. They are presented together with 3 short industrial papers, 4 invited papers and tutorials. The papers deal with topics such as analysis of images and videos; natural language processing and computational linguistics; social network analysis; machine learning and data mining; recommender systems and collaborative technologies; semantic web, ontologies and their applications; analysis of socio-economic data.
This book constitutes the proceedings of the Fourth International Conference on Analysis of Images, Social Networks and Texts, AIST 2015, held in Yekaterinburg, Russia, in April 2015. The 24 full and 8 short papers were carefully reviewed and selected from 140 submissions. The papers are organized in topical sections on analysis of images and videos; pattern recognition and machine learning; social network analysis; text mining and natural language processing.
Text and image are used together in an increasingly flexible fashion and many disciplines and areas of study are now attempting to understand how these combinations work.This introductory textbook explores and analyses the various approaches to multimodality and offers a broad, interdisciplinary survey of all aspects of the text-image relation. It leads students into detailed discussion concerning a number of approaches that are used. It also brings out their strengths and weaknesses using illustrative example analyses and raises explicit research questions to reinforce learning. Throughout the book, John Bateman looks at a wide range of perspectives: socio-semiotics, visual communication, psycholinguistic approaches to discourse, rhetorical approaches to advertising and visual persuasion, and cognitive metaphor theory. Applications of the styles of analyses presented are discussed for a variety of materials, including advertisements, picture books, comics and textbooks. Requiring no prior knowledge of the area, this is an accessible text for all students studying text and image or multimodality within English Language and Linguistics, Media and Communication Studies, Visual and Design Studies.
Expanding upon longstanding concerns in cultural history about the relation of text and image, this book explores how ideas move across and between expressive forms. The contributions draw from art and architectural history, film, theater, performance studies, and social and cultural history to identify and dissect the role that the visual and performing arts can play in the experience and understanding of the past. The essays highlight the role of oral history in the documentation of the visual and performing arts. They share a common set of questions as they explore, firmly grounded in their distinctive disciplinary standpoints, the circuit of word, gesture, object in the formation and reproduction of knowledge, identity, and community. Blending theory and case study, they cover subjects such as the response of artists to the South African Truth and Reconciliation Commission; violence in Columbia and Mexico and the Balkan Wars; the circuit of sexual desire in contemporary art and photography; and sites of collective and personal memory, including the Internet, the urban landscape, family photographs, and hip hop. Stressing the relationship of media to the formation of collective memory, the volume explores how media intertextuality creates overlapping repertoires for understanding the past and the present. Scholars of art history, media and cultural studies, literature, and performance studies will all find this work a valuable resource. Richard Cndida Smith is professor of history at the University of California, Berkeley, where he is also director of the Regional Oral History Office, Bancroft Library. He is the author of Utopia and Dissent: Art, Poetry, and Politics in California and Mallarme's Children: Symbolism and the Renewal of Experience.
This is a truly interdisciplinary work. Whilst all of the contributions focus upon the central problem of the relationship between literature and the visual arts, they come from contributors working in a large number of different areas. Represented are academics from the worlds of German studies, French studies, English studies, art history and film studies. in literature, etc.
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
This book constitutes revised selected papers of the 10th International Conference on Analysis of Images, Social Networks and Texts, AIST 2021, held in Tbilisi, Georgia, in December 2021. Due to the COVID-19 pandemic the conference was held in hybrid mode. The 17 full papers were carefully reviewed and selected from 118 submissions, out of which 92 were sent to peer review. The papers are organized in topical sections on ​natural language processing; computer vision; data analysis and machine learning; social network analysis; theoretical machine learning and optimisation.
Provides an ontological characterization of texts, explores the issues raised by the identity of various texts, and presents a view of the function of authors and audiences, and of their relations to texts.