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"Local writer and historian June Morrall tells the unique story of Princeton and Miramar through vintage images culled from private collections, the Spanishtown Historical Society, and the San Mateo County History Museum"--P. [4] of cover.
A luxuriously designed photographic meditation on the infinite permutations of the sea, from the author of the acclaimed photobooks The Heavens and The Meadow Since moving to New England in 1984, Barbara Bosworth (born 1953) has been photographing the sea and its awe-inspiring ability to transform sky, water and light. The sea evokes calm introspection, romance and poetry, while remaining a deeply unknowable and overpowering natural force, a contradiction that has drawn people to the shoreline for millennia. Before she discovered photography, and for as long as she can remember, Bosworth has been looking at the sea. Many hours were spent with her father watching the light move across Cape Cod Bay. Later in life, she walked those same beaches with the wonder that had been passed down by her father, as well as generations of writers, poets and artists. This book of Bosworth's photographs of the sea, made with an 8x10 camera, follows in the tradition of The Meadow and The Heavens, serving as the third and final volume in the series, keeping the same size and design elements as the previous two publications.
This book explores the unprecedented surge or oceanic feeling in the aesthetic expression of the romantic century. As secular thought began to displace the certainties of a sacral universe, the oceans that give life to our planet offered a symbol of eternity, rooted in the experience of nature rather than Biblical tradition. Images of the sea permeated the minds of the early Romantics, became a significant ingredient of romantic expression, and continued to emerge in the language, literature, art, and music of the nineteenth century. These pages document the evidence for this oceanic consciousness in some of the most creative minds of that century.
A local poet once described Carmel-by-the-Sea, with its haunting pines, fog, and white sand, as "our inevitable place." The area had been inhabited for more than 3,000 years when Fr. Junipero Serra chose the site for his mission headquarters in 1771. The romantic name, Carmel-by-the-Sea, was the gift of a group of women real estate developers, later used in advertising lots for "brain workers at in-door employment." Many Stanford and UC Berkeley professors, artists, writers, and musicians left a lasting legacy here in their art and in their rejection of largescale commercial development. Although impoverished artists may no longer afford to live here, many residents and millions of sojourners still consider the lovely village packed with galleries and eateries their "inevitable place."
Winner of CILIP Kate Greenaway Medal Winner of the TD Canadian Children’s Literature Award A young boy wakes up to the sound of the sea, visits his grandfather’s grave after lunch and comes home to a simple family dinner with his family, but all the while his mind strays to his father digging for coal deep down under the sea. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. With curriculum connections to communities and the history of mining, this beautifully understated and haunting story brings a piece of Canadian history to life. The ever-present ocean and inevitable pattern of life in a Cape Breton mining town will enthrall children and move adult readers.
Looks at the flora and fauna that inhabit the sea.
Every Sunday, Grandpa waited for me in his room, and I took my place at the foot of the bed. There were days when Grandpa wanted to talk, and days when we sat in silence. Then one day, Grandpa began telling me stories about his life at sea—tales of love and adventure and danger on the ocean waves. And that’s when I learned who my grandpa really was . . .
Embraced by Sylvan Lake on the north, Shark River on the south, and the Atlantic Ocean on the east, Avon-by-the-Sea has always been synonymous with sandy beaches, great surfing, swimming, fishing, and panoramic views of its waters. Founded in the late nineteenth century by a tobacco industrialist, Avon-by-the-Sea became a resort by the early twentieth century. By restricting expansion early, the founders made sure that their "virtual utopia" would forever remain a small seaside community. Avon-by-the-Sea is the ideal pictorial history for this model community. With over two hundred images, primarily gathered from dozens of local residents, very little of the town's rich past escapes attention. This lively history includes a full chapter on the Avon Inn, the best-known and certainly best-loved guesthouse in the town's history. Throughout this intriguing reminiscence, Avon-by-the-Sea recaptures life on the waterfront, including the boardwalk, the Pavilion, and of course the beach.
"The Salish Sea is a feast for the eyes, a high-quality publishing effort rich in glossy colour photos and fascinating biological information that is likely to surprise even someone well-versed in our marine waters." —The Vancouver Sun In stunning color photographs, and compelling stories, this keepsake book reveals the the Salish Sea, a unique ecosystem home to thousands of different species of mammals, birds, fish, reptiles, and macro-invertebrates. The Salish Sea region is an ecological jewel straddling the western border between Canada and the United States, connected to the Pacific Ocean primarily through the Strait of Juan de Fuca. There, lush and mossy old-growth forests meet waters with dazzlingly-colored anemones and majestic orcas. This is the first book of its kind to describe the Salish Sea, whose name was not even officially recognized until 2008. One of the world’s largest inland seas, the Salish Sea contains 6,535 square miles of sea surface area and 4,642 miles of coastline. This fascinating visual journey through the Salish Sea combines a scientist’s inquiring mind, dazzling full-color photographs, and a lively narrative of fascinating stories, all of which impart a sense of connection with this intricate marine ecosystem and the life that it sustains.
"The authors write authoritatively and crisply . . . . How to use maps in teaching is spelled out carefully, but the authors also manage to sketch in the background of American mapping so the book is both a manual and a history. Commentaries are sprinkled with stimulating new ideas, for instance on how to use bird's-eye views and country atlases in the classroom, and there are didactic discussions on maps showing the walking city and the impact of the street car. "An extraordinarily wide range of maps is depicted, which makes for good browsing, pondering and close study. . . . This is a very good, highly attractive, and worthwhile book; it will have great impact on the use of old (and new!) maps in teaching. As well, this is a tantalizing survey of mapping the United States and will whet the appetites of students and encourage them to learn more about maps and their origins."—John Warketin, Cartographica