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"Few major achievements of world literature are as little known to Americans as the great ecstatic poetry of the Hindus and Sufis, as exemplified by the work of the 15th century master, Kabir. Irreverent while being intensely religious, Kabir seems incredibly playful in his taunting of the sacred dogmas of his time--to readers accustomed to the solemnity and ideological fidelity of most Western religious poems. Kabir has been translated into English only once before, by Rabindranath Tagore and Evelyn Underhill. Unfortunately, Tagore's Victorian English was simply not equal to Kabir's directness, spontaneity, and irreverent humor. Working from the Tagore-Underhill translation, Bly has done much more than retranslate into American diction. A noted poet himself, he has breathed new life into the work of a fascinating poet"--From back cover.
Kabir Is A Vital Presence In India. Of Late, Scholarship Has Especially Addressed The Question Of His Impact On Society At Large And Its Various Cultural Components. How Do People Express Their Own Conditions And Feelings Through Recourse To Kabir? How Do Contemporary Thinkers Relate To Him? How Does He Challenge Contemporary Writers? Does He Still Scandalize Us Or Has His Work Become A Purely Academic Or Aesthetic Issue? In Tackling Such Questions, The Distinction Between The Seemingly Objective Position Of Creative Writers And Social Activists Are Often Blurred, As Is Shown By Several Contributions In This Volume. Alongside These Are Papers Of Textual Scholarship Engaging In The History Of The Transmission Of Kabirs Work.
Kabir was an extraordinary oral poet whose works have been sung and recited by millions throughout North India for half a millennium. He may have been illiterate and he preached an abrasive, sometimes shocking, always uncompromising message that exhorted his audience to shed their delusions, pretentions, and empty orthodoxies in favor of an intense, direct, and personal confrontation with the truth. Thousands of poems are popularly attributed to Kabir, but only a few written collections have survived over the centuries. The Bijak is one of the most important, and is the sacred book of those who follow Kabir.
After authoring more than 30 books, Andrew Harvey, Rumi scholar, mystic, and founder of Sacred Activism, is releasing what may be his consummate work, Turn Me to Gold: 108 Poems of Kabir, embellished with extraordinary photographs of India by Brett Hurd. "Unlike Rumi," writes Harvey, "Kabir is the tough, no-nonsense peasant ... the master of laser-like clarity, simplicity, directness, passion, and strength ... exactly what spiritual seekers need amid our devastating global crisis."
From Kabir to Krishnamurti is a far cry. For, they are separated one from the other by over five centuries. But quantitative measurement of this distance has a qualitative aspect which cannot be measured in any time-scale. Two great seers lived in two completely different worlds-with no comparison between the two. And yet they expressed their thoughts and experience not only in a similar language but almost in identical terms. In these two streams of thought represented by Kabir and Krishnaji, the authors note a fascinating parallelism. These streams run parallel to each other-and yet they meet from time to time-at the intersections between the two approaches to life. J. Krishnamurti and Sant Kabir focuses on these meeting points between the two approaches to life. The book also presents the intersections between the writings and sayings of Kabir and Krishnaji.
From New York Times bestselling authors Kabir Sehgal and Surishtha Sehgal comes a charming and unique alphabet book celebrating the rich culture, delicious foods, and fascinating animals of India. From C for chai to Y for yoga, this fresh alphabet book takes young readers on a spirited journey to discover the people, places, lifestyles, and language of India. Lush illustrations from debut illustrator Hazel Ito bring to life the beauty, wonder, and diversity of this vast and vibrant country.
The book opens a new vista in the sphere of verse translation in India. In the introductory part there is a departure from a mass of Hindi criticism. The bases of selection of dohas from the Sakhi are: (1) Kabir`s proverbial and worldy wisdom, (2) analogy-finding gift, (3) richness and variety of imagery, (4) recurrent theme of death, (5) gift for satire, and (6) rhetorical powers. this introductory part primarily focusses on Kabir as poet, which is his `real estimate`. Thus, the introductory part is a piece of scholarly criticism judging and appreciating Kabir`s Sakhi on the canons of English literary criticism. The versification (four-line stanzaform in loose lambic tetrameter lines) has an easy flow and almost parallels the flow of Kabir`s dohas. With the Hindi version and notes, the book will be a valuable reading especially for the English-speaking readers.
Life and works of a Hindu saint poet.