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Big Sur is a river and a region on California's Central Coast. Extending for 75 miles along the Pacific shore, from south of Carmel to north of San Simeon, the Big Sur Coast is defined by the backdrop of the rugged Santa Lucia Mountains as they abruptly descend to meet the sea. For millennia the home of native people, Americans and Europeans began to settle Big Sur country even before California became a state. This book combines outstanding photographs from 40 collections, ranging from family albums to institutional archives.
From its origins as a Native American trail to its iconic status in global culture today, Broadway tells the story of New York as it grew from a Dutch colony into a world-class city. Broadway has been the site of many firsts and many superlatives: the first subway line in the city, the tallest buildings, and one of the longest streets in the world. Beginning along the winding streets of the original settlements amid the skyscrapers of the Financial District, Broadway heads north through the neighborhoods of SoHo and Greenwich Village. It then traverses some of the city's most famous plazas, including Flatiron, Herald Square, Times Square, and Columbus Circle, before entering Upper Manhattan and passing institutions like Lincoln Center, Columbia University, and City College. Today, Broadway continues to be at the forefront of New York City's urban developments.
"Describes and displays many aspects of the civilization that arose in southern Mexico and northern Central America (Mesoamerica) thousands of years ago" in order to "help readers envision the lives of the people in the Book of Mormon"--jacket.
Ambler, a working-class town located fifteen miles north of Philadelphia, boasts some of the grandest homes in Montgomery County. Its evolution is rooted in the mills that sprang up along the Wissahickon Creek in the 1680s. Ambler entered the industrial age when the North Penn Railway pushed through in the 1850s. In 1856, a catastrophic head-on train collision killing fifty-nine created the heroine Mary Ambler, whose generous ministrations to the wounded caused the railroad in 1869 to rename its Wissahickon station in her honor. But it was Philadelphia manufacturers Henry G. Keasbey and Richard V. Mattison who changed Ambler's character forever. When they relocated their business to Ambler in 1881, it became the asbestos capital of the world. Ambler captures the lasting legacy of Mattison's thriving company town, with its array of fanciful and simple homes, churches, shops, and cultural institutions.
Incorporated as a city in 1855, Hoboken's history as a ferry terminus dates back to the eighteenth century, with the first horse-powered ferries to lower Manhattan. The city's history is entwined with that of Col. John Stevens and his family. He was the inventor of the t-rail and a pioneer in steam-generated power and navigation. Prior to the city's growth as a transportation hub, it was a scenic locale favored by city dwellers who could arrive by ferry and enjoy a riverside promenade, partake of water drawn from a natural spring, and watch a cricket or baseball game. Hoboken eventually grew to become a bustling city, with an active waterfront as well as a home and place of work for tens of thousands of immigrants and families. In Hoboken, the pattern of early development is described, giving the reader a sense of the city in the mid-nineteenth century. Landmarks of the terminal area, downtown (Washington Street), and ferry terminals are highlighted in this photographic tour of the city. Chapters are devoted to the great rail, ferry, and trolley terminal at Hudson Place, the commercial center, the waterfront before and after industrialization (including boat and yacht clubs), and the memory of some of Hoboken's residents.
In 1835, immigrants began to arrive from New York and New England to the area first called Pennyville, later renamed Brickton to reflect its leading industry, then finally incorporated as the Village of Park Ridge in 1873. The name originates from the village's park-like setting and an erroneous belief that the ridge at Johnston's Circle--today the three-way intersection of Touhy, Prospect, and Northwest Highway--was the highest point in Cook County. Notable names associated with Park Ridge include Secretary of State Hillary Clinton and actor Harrison Ford, who both attended Maine East High School; Chicago Cubs great Ron Santo, who operated a popular pizzeria in town; and painter Grant Wood, whose American Gothic is one of the 20th century's great works of Americana. Anchored by the landmark Pickwick Theater, a fine example of art deco architecture built in 1928, downtown Park Ridge has changed much over the years, a transformation captured so well in the pages of this book.
The little town in upstate South Carolina, embraced by nearby Paris Mountain and the foothills of the Blue Ridge Mountains, is intriguing by its name alone, "Travelers Rest." It sits at the foot of the Appalachian Mountains, yet it is only a half-day's journey from the Atlantic Ocean. This village has always been a place where travelers stopped. Situated on a crossroad of Cherokee trade trails, it became a rest stop for drovers moving their livestock over the mountains. Inns and rest camps developed, and the town of Travelers Rest grew around them. Scots-Irish settled the former Cherokee lands, and patriots were ceded land for Revolutionary War service. In 1887, the new railroad afforded access to factories and markets and improved transportation for tourists. Travelers Rest is proud of its history and eagerly looks forward to a thriving future built on a solid foundation of education, commerce, and community activities.
The Santa Rosa Valley, once carpeted in wild oats and littered with acorns from ancient oaks, was home to Pomo and Miwok Indians for thousands of years. The cattle ranches and farms that displaced them in the mid-1800s had already spawned a thriving commercial town named Santa Rosa, the county seat, when the railroad arrived in 1870. That railroad, and the commerce it brought, secured the city's role as the legal and financial nexus of Sonoma County and its most populous city. When many of the downtown buildings collapsed in the famous 1906 earthquake, the community built itself back into a picture-perfect all-American city, the setting for such films as Hitchcock's Shadow of Doubt and Disney's Pollyanna. Another devastating quake in 1969 damaged many structures, but once again that destruction prompted redevelopment and renewed growth for Santa Rosa in the 21st century.
"Images of America: Through the European Looking-Glass" explores the construction, transfer, manipulation, refraction and de-construction of an array of tantalizing, sometimes troubling, but always fascinating views of those elusive United States, as seen by Europeans through the ages.
"Either America is the hope of the world, or it is nothing. Th ere are those who have begun to despair of the West. It is for them that I am writing." Bruckberger's book has been compared by many to Tocqueville's Democracy in America. In both works, Americans see themselves through the sympathetic, sometimes critical eyes of a Frenchman. Bruckberger, as chaplain general of the French Resistance during World War II, was a scholar who lived a life of action, and a priest who knew the life of the spirit. He begins with a celebration of the American past, but also off ers a clear warning for the future.The book was written after Bruckberger's eight years in the United States, during which he thought deeply about the country, and came to love and admire it. He sees what others have not, and his heroes are, in most instances, not the ones normally chosen. As seen from the perspective of the old Europe, the ideas and ideals that have shaped the history and character of America, take on a new meaning. The result is an image of America that is as enlightening as it is surprising.Bruckberger believes America brings to the Western heritage an essential spark, one vital for the angry and perilous post-World War II world, and one equally important today. That is America's regard for the individual, for the non-abstract, living human being. This theme, contrasted with what Bruckberger sees as the heresy of Europe--the subordination of human beings to abstraction? is developed with wit and insight.