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The Pyrrhic War attracted a great deal of attention in antiquity as the first contest between the burgeoning Roman Empire and the powers of the Hellenistic world. While blame for the initiation of hostilities fell squarely upon the polity of the Tarentines, scholars have long been wary of accounts relating how this conflict began. Three episodes set at Taras prove important for the construction both of Roman history and of narratives in antiquity. Approached as a case study of inventio in historiography, this monograph examines the aims and techniques of authors from Polybius to Zonaras in their depictions of the war's onset. No two of our sources offer the same version of events and new details emerge over the course of time. Analysis of the perception of injury, on the part of the Romans and the Tarentines, considers the implications of the �just' war on the writing of history.
A lively collection of sharp retorts and ripostes, pithy pot, ricocheting bombast - caustic quips, and polite, and the definitely unpolite, sort of put downs. This book can either be read for the sheer fiendish fun of it, or it can be put to work as a sourcebook for anyboday - speakers, entertainers, managers, writers - who wishes to communicate a little more forcefully. Carefully categorised according to targets, this book can be used time and time again to deflate egotists, dispose of bores and demolish dummies.
Political Insults proposes a theory of international insult that focuses on interrelations between social identity and power. The book analyses conflicts between the U.S. and North Korea, sovereignty contestations around islands in the Japanese sea, Pussy Riot in Russia, veterans in Ukraine, and Nagorno-Karabakh. It concludes with practical suggestions for conflict resolution.
Three frogs are sitting on a log. Two decide to jump. How many frogs are left? Three. Deciding to jump means nothing. Action is everything. Poignant stories, parables, and quotes can not only bring life to a sermon, speech, or presentation, they can help the hearers to take flight and go from listeners to doers.
Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration. The purpose of this richly detailed dictionary is to go beyond the surface of these words and to analyse why and how words become insults in Shakespeare's world. It's an invaluable resource and reference guide for anyone grappling with the complexities and rewards of Shakespeare's inventive use of language in the realm of insult and verbal sparring.
n A Slap in the Face, William Irvine undertakes a wide-ranging investigation of insults, their history, the role they play in social relationships, and the science behind them. He offers advice, based primarily on the writings of the Stoic philosophers, on how best to curb our own insulting tendencies and how to respond to the insults that are directed our way. A rousing follow-up to The Good Life, A Slap in the Face will interest anyone who's ever delivered an insult or felt the sting of one--in other words, everyone.
Scholarly investigations of the rich field of verbal and extraverbal Athenian insults have typically been undertaken piecemeal. Deborah Kamen provides an overview of this vast terrain and synthesizes the rules, content, functions, and consequences of insulting fellow Athenians. The result is the first volume to map out the full spectrum of insults, from obscene banter at festivals, to invective in the courtroom, to slander and even hubristic assaults on another's honor. While the classical city celebrated the democratic equality of "autochthonous" citizens, it counted a large population of noncitizens as inhabitants, so that ancient Athenians developed a preoccupation with negotiating, affirming, and restricting citizenship. Kamen raises key questions about what it meant to be a citizen in democratic Athens and demonstrates how insults were deployed to police the boundaries of acceptable behavior. In doing so, she illuminates surprising differences between antiquity and today and sheds light on the ways a democratic society valuing "free speech" can nonetheless curb language considered damaging to the community as a whole.
A bestseller in France following its publication in 1999, Insult and the Making of the Gay Self is an extraordinary set of reflections on “the gay question” by Didier Eribon, one of France’s foremost public intellectuals. Known internationally as the author of a pathbreaking biography of Michel Foucault, Eribon is a leading voice in French gay studies. In explorations of gay subjectivity as it is lived now and as it has been expressed in literary history and in the life and work of Foucault, Eribon argues that gay male politics, social life, and culture are transformative responses to an oppressive social order. Bringing together the work of Jean-Paul Sartre, Pierre Bourdieu, Judith Butler, and Erving Goffman, he contends that gay culture and political movements flow from the need to overcome a world of insult in the process of creating gay selves. Eribon describes the emergence of homosexual literature in Britain and France at the turn of the last century and traces this new gay discourse from Oscar Wilde and the literary circles of late-Victorian Oxford to André Gide and Marcel Proust. He asserts that Foucault should be placed in a long line of authors—including Wilde, Gide, and Proust—who from the nineteenth century onward have tried to create spaces in which to resist subjection and reformulate oneself. Drawing on his unrivaled knowledge of Foucault’s oeuvre, Eribon presents a masterful new interpretation of Foucault. He calls attention to a particular passage from Madness and Civilization that has never been translated into English. Written some fifteen years before The History of Sexuality, this passage seems to contradict Foucault’s famous idea that homosexuality was a late-nineteenth-century construction. Including an argument for the use of Hannah Arendt’s thought in gay rights advocacy, Insult and the Making of the Gay Self is an impassioned call for critical, active engagement with the question of how gay life is shaped both from without and within.
By the author of Things No One Will Tell Fat Girls and a heroine of the body image movement, an intimate, gutsy memoir about being a fat woman Jes Baker burst onto the body positivity scene when she created her own ads mocking Abercrombie & Fitch for discriminating against all body types -- a move that landed her on the Today Show and garnered a loyal following for her raw, honest, and attitude-filled blog missives. Building on the manifesta power of Things, this memoir goes deeply into Jes's inner life, from growing up a fat girl to dating while fat. With material that will have readers laughing and crying along with Jes's experience, this new book is a natural fit with her irreverent, open-book style. A deeply personal take, Landwhale is a glimpse at life as a fat woman today, but it's also a reflection of the unforgiving ways our culture still treats fatness, all with Jes's biting voice as the guide.