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A systematic investigation of a Greek text, employing the techniques of the "new criticism." The book is a major contribution to the study of Sophocles and of Greek drama. Originally published in 1951. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This volume of twenty-two articles includes: Charles F. Ahern, Jr., "Daedalus and Icarus in the Ars Amatoria"; T. D. Barnes, "Structure and Chronology in Ammianus, Book 14"; Daniel R. Blickman, "Lucretius, Epicurus, and Prehistory"; John Bodel, "Missing Links: Thymatulum or Tomaculum?"; Alan Cameron, "Biondo's Ammianus: Constantius and Hormisdas at Rome"; James J. Clauss, "The Episode of the Lycian Farmers in Ovid's Metamorphoses"; Gregory Crane, "Creon and the "Ode to Man" in Sophocles' Antigone"; Thomas N. Habinek, "Science and Tradition in Aeneid 6"; Edward M. Harris, "Demosthenes' Speech against Meidias"; J. M. Hunt, "Apolloniana"; Peter E. Knox, "Pyramus and Thisbe in Cyprus"; Christina S. Kraus, "Liviana Minima"; Robert Mondi, "Χαοσ and the Hesiodic Cosmogony"; Charles E. Murgia, "Propertius 4.1.87-88 and the Division of 4.1"; Hayden Pelliccia, "Pindar, Nemean 7.31-36 and the Syntax of Aetiology"; William H. Race, "Climactic Elements in Pindar's Verse"; Eckart Schütrumpf, "Traditional Elements in the Concept of Hamartia in Aristotle's Poetics"; Charles Segal, "Poetic Immortality and the Fear of Death: The Second Proem of the De Rerum Natura"; D. R. Shackleton Bailey, "Albanius or Albinius? A Palinode Resung" and "More on Quintilian's (?) Shorter Declamations"; W. S. Watt, "Notes on Seneca, Tragedies"; and Clifford Weber, "Egeria's Norman Homeland."
A systematic investigation of a Greek text, employing the techniques of the "new criticism." The book is a major contribution to the study of Sophocles and of Greek drama. Originally published in 1951. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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In this book, Wm. Blake Tyrrell and Larry J. Bennett examine Sophocles' Antigone in the context of its setting in fifth-century Athens. The authors attempt to create an interpretive environment that is true to the issues and interests of fifth-century Athenians, as opposed to those of modern scholars and philosophers. As they contextualize the play in the dynamics of ancient Athens, the authors discuss the text of the Antigone in light of recent developments in the study of Greek antiquity and tragedy, and they turn to modern Greek rituals of lamentation for suggestive analogies. The result is a compelling book which opens new insights to the text, challenges the validity of old problems, and eases difficulties in its interpretation.
Antigone is Sophocles' masterpiece, a seminal influence on a wide range of theatrical, literary, and intellectual traditions. This volume sets the play in the contexts of its mythical background, its performance, its relation to contemporary culture and thought, and its rich reception history. But its main aim is to encourage first-hand engagement with the complexities of interpretation that make the play so enduringly thought-provoking and rewarding. Though Creon's actions prove disastrous and Antigone's are vindicated, the Antigone is no simple study in the excesses of tyranny or the virtues of heroic resistance, but a more nuanced exploration of conflicting views of right and wrong and of the conditions that constrain human beings' efforts to control their destinies and secure their happiness. The book's chapters consider the extent of the original audience's acquaintance with earlier versions of the legends of Antigone's family, the structure of the plot as it unfolds in theatrical performance, the presentation of the characters and the motivations that drive them, the major political, social, and ethical themes that the play raises, and the resonance of those themes in the ways that the play has been interpreted, adapted, performed, and appropriated in later periods.
When her dead brother is decreed a traitor, his body left unburied beyond the city walls, Antigone refuses to accept this most severe of punishments. Defying her uncle who governs, she dares to say ‘No’. Forging ahead with a funeral alone, she places personal allegiance before politics, a tenacious act that will trigger a cycle of destruction. Renowned for the revelatory nature of his work, Ivo van Hove first enthralled London audiences with his ground-breaking Roman Tragediesseen at the Barbican in 2009. Drawing on his 'ability to break open texts calcified by tradition' (Guardian), the director now turns to a classic Greek masterpiece.