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Reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech.
The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Exploring the role of verbal and visual images in the War on Terror, the author finds a conflict whose shaky metaphoric and imaginary conception has created its own reality.
Since at least the Middle Ages, the laws of war have distinguished between combatants and civilians under an injunction now formally known as the principle of distinction. The principle of distinction is invoked in contemporary conflicts as if there were an unmistakable and sure distinction to be made between combatant and civilian. As is so brutally evident in armed conflicts, it is precisely the distinction between civilian and combatant, upon which the protection of civilians is founded, cannot be taken as self-evident or stable. Helen M. Kinsella documents that the history of international humanitarian law itself admits the difficulty of such a distinction. In The Image before the Weapon, Kinsella explores the evolution of the concept of the civilian and how it has been applied in warfare. A series of discourses—including gender, innocence, and civilization—have shaped the legal, military, and historical understandings of the civilian and she documents how these discourses converge at particular junctures to demarcate the difference between civilian and combatant. Engaging with works on the law of war from the earliest thinkers in the Western tradition, including St. Thomas Aquinas and Christine de Pisan, to contemporary figures such as James Turner Johnson and Michael Walzer, Kinsella identifies the foundational ambiguities and inconsistencies in the principle of distinction, as well as the significant role played by Christian concepts of mercy and charity. She then turns to the definition and treatment of civilians in specific armed conflicts: the American Civil War and the U.S.-Indian wars of the nineteenth century, and the civil wars of Guatemala and El Salvador in the 1980s. Finally, she analyzes the two modern treaties most influential for the principle of distinction: the 1949 IV Geneva Convention Relative to the Protection of Civilian Persons in Times of War and the 1977 Protocols Additional to the 1949 Conventions, which for the first time formally defined the civilian within international law. She shows how the experiences of the two world wars, but particularly World War II, and the Algerian war of independence affected these subsequent codifications of the laws of war. As recognition grows that compliance with the principle of distinction to limit violence against civilians depends on a firmer grasp of its legal, political, and historical evolution, The Image before the Weapon is a timely intervention in debates about how best to protect civilian populations.
Explore the epic Star Wars saga through incredible cross-sections More than 100 magnificent cross-section artworks bring the vehicles of Star Wars to life. New cross-sections, amazing detail, and comprehensive text make this the ultimate reference to the craft of a galaxy far, far away.... SEE - Poe Dameron's X-wing in action - The terrifying power of Darth Vader's TIE Advanced x1 - Obi-Wan Kenobi's fast and agile Jedi starfighter DISCOVER - The inner workings of Rey's speeder - The advanced technology of the Rebel Alliance's U-wing - The devastating weaponry of the Death Star EXPLORE - The famous corridors of the Millennium Falcon - The brutal design of the Knights of Ren's Night Buzzard - The mighty and fearsome Final Order Star Destroyer © & ™ 2020 Lucasfilm Ltd
Imagine: the first Star Wars book that actually moves, bringing to life the most memorable scenes from the epic: Obi-Wan battles Darth Maul The Millennium Falcon zooms away from an exploding Death Star Luke rides a galloping Tauntaun, Yoda twirls his green lightsaber, Boba Fett blasts up, up and away! And of course the most memorable scene of all—red and blue lightsabers flashing, Luke and Darth Vader fight the ultimate battle between good and evil. It’s a marriage made in a galaxy far, far away: phenomenal Scanimation meets Star Wars, the enduring epic that’s sold $42 billion in ticket sales and earned the title #1 Boys Action Toy License of all time. Created by Rufus Butler Seder, Star Wars: A Scanimation Book presents 12 of the most memorable scenes, in a landscape, i.e., movie format. It’s an homage from an artist obsessed with the earliest forms of capturing visual motion to an artist obsessed with the most advanced. But that’s not what young fans will care about—this is having pure movie magic in the palm of your hand, to replay again and again.
Presents a chronological tour of major themes in Western art as reflected by more than two dozen seminal images that use such mediums as paint, sculpture, architecture, performance art, and digital art.
Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion—the era that propelled Afghanistan into the center of global media visibility. Through an analysis of fiction, graphic novels, memoirs, drama, and film, the book demonstrates that writing and screening “Afghanistan” has become a conduit for understanding our shared post-9/11 condition. “Afghanistan” serves as a lens through which contemporary cultural producers contend with the moral ambiguities of twenty-first-century humanitarianism, interpret the legacy of the Cold War, debate the role of the U.S. in the rise of transnational terror, and grapple with the long-term impact of war on both human and nonhuman ecologies. Post-9/11 global Afghanistan literary production remains largely NATO-centric insofar as it is marked by an uncritical investment in humanitarianism as an approach to Third World suffering and in anti-communism as an unquestioned premise. The book’s first half exposes how persisting anti-socialist biases—including anti-statist bias—not only shaped recent literary and visual texts on Afghanistan, resulting in a distorted portrayal of its tragic history, but also informed these texts’ reception by critics. In the book’s second half, the author examines cultural texts that challenge this limited horizon and forge alternative ways of representing traumatic histories. Captured by the author through the concepts of deep time, nonhuman witness, and war as a multispecies ecology, these new aesthetics bring readers a sophisticated portrait of Afghanistan as a rich multispecies habitat affected in dramatic ways by decades of war but not annihilated.
A comprehensive overview of the wars that saw the United States emerge as a world power; one that had immense implications for America, especially in Latin America and Asia. ABC-CLIO, acclaimed publisher of superior references on the United States at war, revisits a pivotal moment in America's coming-of-age with The Encyclopedia of the Spanish-American and Philippine-American Wars: A Political, Social, and Military History. Again under the direction of renowned scholar Spencer Tucker, the encyclopedia covers the conflict between the United States and Spain with a depth and breadth no other reference works can match. The encyclopedia offers two complete volumes of alphabetically organized entries written by some of the world's foremost historians, covering everything from the course of the wars to relevant economic, social, and cultural matters in the United States, Spain, and other nations. Featuring a separate volume of primary-source documents and a wealth of images and maps, the encyclopedia portrays the day-to-day drama and lasting legacy of the war like never before, guiding readers through a seminal event in America's transition from the Gilded Age to the Progressive Era.
From the editor and magazine that started and named the Occupy Wall Street movement, Meme Wars: The Creative Destruction of Neoclassical Economics is an articulation of what could be the next steps in rethinking and remaking our world that challenges and debunks many of the assumptions of neoclassical economics and brings to light a more ecological model. Meme Wars aims to accelerate the shift into this new paradigm that takes into account psychonomics, bionomics, and other aspects of our physical and mental environment that are often left out in discussions of economics. Like Adbusters, the book will be image heavy and full-color throughout. Lasn calls it "a textbook for the future" that provides the building blocks, in texts and visuals, for a new way of looking at and changing our world. Through an examination of alternative economies, Lasn hopes to spur students to become "barefoot economists" and to see that a humanization of economics is possible. Meme Wars will include contributions from Nobel Prize winner Joseph Stiglitz, Paul Samuelson, George Akerlof, Lourdes Benería, Julie Matthaei, Manfred Max-Neef, David Orrell, Paul Gilding, Mathis Wackernagel and the father of ecological economics Herman Daly, among others. Based on ideas that were presented in a special issue of Adbusters entitled "Thought Control in Economics: Beyond the Growth Paradigm / An Activist Toolkit," Meme Wars will help move forward the Occupy Wall Street movement.