Download Free Image Technologies In Canadian Literature Book in PDF and EPUB Free Download. You can read online Image Technologies In Canadian Literature and write the review.

The eight essays in Image Technologies in Canadian Literature reveal the ongoing importance of film and photography in the production of Canadian literary narratives. Covering modern to cutting-edge postmodern and postcolonial authors, the role of image texts and technologies is thoroughly investigated in relation to translation, performance, history, memory, point-of-view, picture poetics, and dialectical images; authors covered include Michael Ondaatje, Daphne Marlatt, Ann-Marie MacDonald, Robert Kroetsch, Joseph Dandurand and Stan Douglas. The resulting engagement with some of the key theorists of film and photography, such as Walter Benjamin, Roland Barthes, and Susan Sontag, leads to a lively contribution to the study of hybrid forms of Canadian literature and its key theoretical/image texts.
The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.
Has Canada moved beyond the nation state into the world of the post-national? To what extent have fixed notions of Canadian nationhood been replaced by a more global, decentralized sense of identification? Is nationhood (or post-nationhood) best expressed by statelessness and exile or by belonging? Or can Canadian national identity in fact fruitfully coexist with the post-national consciousness? These are some of the issues covered by this volume, issues seen from a range of perspectives - literary, cultural, political and economic. In the literary sphere the national/post-national debate is explored both through canonical writers, such as L. M. Montgomery, Stephen Leacock, and Marie-Claire Blais, and through recent First Nations, Asian-Canadian, African-Canadian, Ukrainian-Canadian and Quebec writing. The political and economic range is equally diverse, covering such topics as immigration policy, multiculturalism, Canadian-American relations, tourist imaginings of the Canadian North, the Canadian city, and Quebec nationalism. The book brings together 27 original articles from international scholars and creative writers, offering both European and Canadian perspectives. Six articles in French focus specifically on the francophone sphere.
The first graduate conference of the Young Scholars' Network of the Association for Canadian Studies in German-speaking countries took place in Berlin in 2004. The conference has been an integral part of the academic year in Canadian Studies ever since. It offers an opportunity for young scholars to present their B.A., M.A. and Ph.D. projects and receive feedback and helpful suggestions from peers and experts. This type of academic exchange is particularly important in Canadian Studies as they often occupy a marginal position at universities. Beside graduate students from Canada, Germany and Austria, prominent Canadian scholars have also been invited to speak at the conference every year. This volume contains selected contributions (in English, German and French) presented at the first five graduate conferences and demonstrates the large scope of Canadian studies in German-speaking countries. Die erste Graduiertentagung für Kanada-Studien des Nachwuchsforums der Gesellschaft für Kanada-Studien e. V. (GKS) wurde 2004 in Berlin veranstaltet. Dieses Forum für junge KanadistInnen ist seitdem ein fixer Bestandteil des akademischen Jahres der Kanada-Studien geworden: Angehende WissenschaftlerInnen präsentieren Abschlussarbeiten und in Arbeit befindliche Dissertationen und bekommen von ExpertInnen und KollegInnen fachliche Reaktionen und Hilfestellung. Dies ist besonders für einen Bereich wie die Kanada-Studien von Bedeutung, da sie an vielen Universitäten nur marginal vertreten sind. Neben Graduierten aus Kanada, Deutschland und Österreich haben regelmäßig auch international anerkannte kanadische WissenschaftlerInnen teilgenommen. Dieser Band präsentiert eine Zusammenstellung (in englischer, deutscher und französischer Sprache) der interessantesten Vorträge der ersten fünf Jahre der Graduiertentagungen und demonstriert die Vielfalt der Projekte und der Kanada-Studien insgesamt.
Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge. Readers of this book will become familiar with some of the most challenging works of literature—and their creators—that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.
This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.
"This volume was inspired by the 48th Conference of Professors of English at the University of Orleans (May 16-18, 2008)."
This book collects the efforts of a team of scholars working at the University of Torino under the auspices of the Project WWS (World-Wide Style). Focusing on diverse areas of inquiry into the transformations of the American city, the essays in this volume provide perspectives for understanding the complexity of urban cultures in the United States in the late 19th, 20th and early 21st centuries. Organized thematically, this book includes contributions in three main areas. The first area covers studies in U.S. history and history of ideas at the turn of the 20th century, in light of its migration/immigration processes as well as in its representations of national greatness and cultural hegemony as reflected in World's Fairs. The second area covers analyses of American literature in the double perspective of the recent emergence of a new form of «global novel», as well as the developments of new subgenres of urban fiction. A third area on inquiry focuses on new practices of organized religion in North America arising from the regionalization of the American metropolis in recent decades.
Metaphors are ubiquitously used in the humanities to bring the tangibility of the concrete world to the elaboration of abstract thought. Drawing on this cognitive function of metaphors, this collection of essays focuses on the evocative figures of the ‘gateway’ and the ‘wall’ to reflect on the state of postcolonial studies. Some chapters – on such topics as maze-making in Canada and the Berlin Wall in the writings of New Zealand authors – foreground the modes of articulation between literal borders and emotional (dis)connections, while others examine how artefacts ranging from personal letters to clothes may be conceptualized as metaphorical ‘gateways’ and ‘walls’ that lead or, conversely, regulate access, to specific forms of cultural expression and knowledge. Following this line of metaphorical thought, postcolonial studies itself may be said to function as either barrier or pathway to further modes of enquiry. This much is suggested by two complementary sets of contributions: on the one hand, those that contend that the canonical centre-periphery paradigm and the related ‘writing back’ model have prevented scholars from recognizing the depth and magnitude of cross-cultural influences between civilizations; on the other, those that argue that the scope of traditional postcolonial models may be fruitfully widened to include territories such as post-imperial Turkey, a geographical and cultural gateway between East and West that features in several of the essays included in this collection. Ultimately, all of the contributions testify to the fact that postcolonial studies is a field whose borders must be constantly redrawn, and whose paradigms need to be continually reshaped and rebuilt to remain relevant in the contemporary world – in other words, the collection’s varied approaches suggest that the discipline itself is permanently ‘under construction’. Readers are, therefore, invited to perform a critical inspection of the postcolonial construction site. CONTRIBUTORS Vera Alexander - Elisabeth Bekers - Devon Campbell–Hall - Simran Chadha - Carmen Concilio - Margaret Daymond - Marta Dvořák - Claudia Duppé - Elena Furlanetto - Gareth Griffiths - John C. Hawley - Sissy Helff - Marie Herbillon - Deepika Marya - Bronwyn Mills - Padmini Mongia - Golnar Nabizadeh - Gerhard Stilz
In this volume, Boldrini examines "heterobiography"—the first-person fictional account of a historic life. Boldrini shows that this mode is widely employed to reflect critically on the historical and philosophical understanding of the human; on individual identity; and on the power relationships that define the subject. In such texts, the grammatical first person becomes the site of an encounter, a stage where the relationships between historical, fictional and authorial subjectivities are played out and explored in the ‘double I’ of author and narrating historical character, of fictional narrator and historical person. Boldrini considers the ethical implications of assuming another’s first-person voice, and the fraught issue of authorial responsibility. Constructions of the body are examined in relation to the material evidence of the subject’s existence. Texts studied include Malouf’s An Imaginary Life, Carey’s True History of the Kelly Gang, Ondaatje’s The Collected Works of Billy the Kid, Adair’s The Death of the Author, Banti’s Artemisia, Vázquez Montalbán’s Autobiografía del general Franco. Also discussed, among others: Yourcenar’s Memoirs of Hadrian, Tabucchi’s The Last Three Days of Fernando Pessoa, Giménez-Bartlett’s Una habitación ajena (A Room of Someone Else’s).