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The doctrine of the Incarnation was wellspring and catalyst for theories of images verbal, material, and spiritual. Section I, “Representing the Mystery of the Incarnation”, takes up questions about the representability of the mystery. Section II, “Imago Dei and the Incarnate Word”, investigates how Christ’s status as the image of God was seen to license images material and spiritual. Section III, “Literary Figurations of the Incarnation”, considers the verbal production of images contemplating the divine and human nature of Christ. Section IV, “Tranformative Analogies of Matter and Spirit”, delves into ways that material properties and processes, in their effects on the beholder, were analogized to Christ’s hypostasis. Section V, “Visualizing the Flesh of Christ”, considers the relation between the Incarnation and the Passion.
Be Transformed this Advent Season! His parents gave him the name Jesus. But the prophets, the shepherds, the wise men, and the angels addressed him by other names. They called him Lord, Messiah, Savior, Emmanuel, Light of the World, and Word Made Flesh. In Incarnation: Rediscovering the Significance of Christmas, best-selling author Adam Hamilton examines the names of Christ used by the gospel writers, exploring the historical and personal significance of his birth. This Advent season church families will come together to remember what’s important. In the face of uncertainty and conflict, Christians reclaim the Christ Child who brings us together, heals our hearts, and calls us to bring light into the darkness. Now more than ever, we invite you to reflect upon the significance of the Christ-child for our lives and world today! Incarnation is a standalone book, but works beautifully as a four-week Bible study experience perfect for all age groups during the Advent season. Additional components include a comprehensive Leader Guide, a DVD with short teaching videos featuring Adam Hamilton, as well as resources for children and youth.
What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person.
I am the way, the truth, and the life, says Jesus. Yet the kingdom of heaven consists of all tribes, races, and peoples. How do people of tribes who've never heard the word of Christ enter the kingdom of God? A strictly exclusivist account of the gospel seems to keep many people out of the kingdom of heaven. An inclusivist approach is more consonant with Scripture and the love of God. Yet standard models of inclusivism are problematic. In this book McLeod-Harrison--a Christian philosopher--considers what's wrong with both narrow exclusivist and narrow inclusivist accounts of the gospel and proposes a broad inclusivism called "expansivism." An expansive account of the gospel helps us understand the uniqueness and the openness of the gospel together. Narrow exclusivism can lead to existential crises. Narrow inclusivism appears to make not preaching the gospel better for those who've never heard it. Expansivism makes human access to the gospel unique to the individual person and enables Christian theologians to provide lots of different, potentially conflicting and yet true accounts of the theological underpinnings of the salvation provided by Christ.
The Art of God Incarnate proposes that visual art is a good way to think of how the incarnation--the central truth-claim of Christianity--can be said to reveal the divine. In the book of Genesis, the human being, fresh from the hands of the Creator, is the image of God in the temple of the world. In an environment of distorted images the prophets sought to make visible by symbolic gestures the divine attitude toward Israel, as well as looking forward to a new divine intervention to redeem history and transfigure human lives. For the New Testament faith, this transforming intervention has come about through the restoration of the divine image in man. Jesus Christ is the true and living icon of the Father and the model from whose radiance human beings generally can be re-fashioned. Despite the anti-iconic legislation of the Hebrew Bible, it was inevitable, therefore, that under the New Covenant a visual art would make its appearance, since God had now made himself visible in his humanized Son. During the iconoclast crisis which shook the Eastern Roman Empire, it was the achievement of the later Greek fathers to spell out this claim doctrinally. Modern aesthetics can throw further light, especially by way of phenomenology and semiotics, on how an artwork can be a communicator of meaning and truth. Finally, there is the question of how human beings are to make their own this revelation of God in the visual realm. In the Latin tradition, especially among the monastic teachers of the twelfth century, the biblical theme of man made in the divine image and likeness was used to speak of how people can be changed by the fresh resources that revelation provides. Through growth in charity they themselves can become saints, "images" of God.
This two-part text for introductory theology courses at the undergraduate level explores foundational concepts dealing with revelation and various christological themes. +
In this lucid and entertaining book, Max Harris offers both a lively introduction to the theater and a sustained meditation on the theatricality of the Incarnation. Arguing that both biblical and dramatic texts should be approached with a theatrical rather than a literary imagination, he offers fresh and scholarly insights into plays as diverse as the medieval "Ordinalia" and Edmond Rostandbs romantic masterpiece "Cyrano de Bergerac," while also probing theatrical theory from Aristotle to Grotowski. At the same time, he renders vividly the comic potential of the gospel narratives and the affirmation of humanity entailed in the Christian doctrine of the Incarnation. "Theater and Incarnation" moves provocatively and mischievously between the flesh and blood world of the theater and the Word become flesh in Jesus of Nazareth.
Why are human embryos so important to many Christians? What does theology say concerning the moral status of these embryos? Answers to these questions can only be obtained by considering the manner in which Christian theology understands the great theme of the image of God. This book examines the most important aspects in which this image, and the related Christian notion of personhood, can be used in the context of theological arguments relating to the moral status of the human embryo. Thoughtful in approach and ecumenical in perspective, the author combines a thorough knowledge of the science of embryology with a broad knowledge of the theological implications. Part I Historical and Contemporary Christian Perspectives 1 The Moral Status of the Embryo 2 The Image of God 3 Being a Person from a Christian Perspective Part II The Image of God, Personhood and the Embryo 4 Creation and the Embryo 5 Incarnation and the Embryo 6 Substantive Aspects and the Embryo 7 Relational Aspects and the Embryo 8 Functional Aspects and the Embryo Conclusion Appendix: The Moral Status of New Kinds of Embryo
Answer to Job, dealing with the transformation of God through human consciousness, contains the essence of the Jungian myth. This down-to-earth study evokes that essence with unequaled clarity. Originally seminars given at the Jung Institute of Los Angeles.