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One wealthy businessman, a trio of unsuspecting wives, and an explosive turn of events. In this scandalous, twist-filled new series from Shelly Ellis, will too many secrets and one devastating bond unite three women—or destroy them? Noelle. Diamond. Vanessa. Each woman believes she is Cyrus Grey’s only wife—until he’s nearly shot to death. Now, as he lies in a coma, the deceptions keep coming, unraveling everything they thought they knew . . . Gorgeous model Noelle’s marriage to Cyrus anchored her—though she couldn’t understand why he wouldn’t have a baby with her. They certainly had the money. But she’s learning fast just how Cyrus became so rich—thanks to his fatally attractive business partner . . . For Diamond, marrying Cyrus saved her from the streets—and being a pimp’s punching bag. But her past makes her the police’s prime suspect in Cyrus’s shooting. She’s determined to get to the truth—if she can survive long enough to tell it . . . Even with her beautiful house, three kids, and elegant lifestyle, Vanessa sensed something was wrong in her marriage. But she never expected this—or that taking a lover for comfort would change the game completely. With danger closing in, Cyrus’s life hanging in the balance, and collateral damage threatening to take them all down, how far will each woman go to be the real Mrs. Grey?
"Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous." —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne.
Asad and Zoya are hurtling toward happiness. And a world of hurt. Love, and hope, and joy's in the air. But so is hate. Revenge. Ransom too. As the families unite and celebrate, a fiend waits to rain doom and tear them apart. Promises to stand by each other will be tested. An inescapable climax unleashed eighteen years ago awaits resolution. Its trigger-happy catalyst, Tanveer, looms larger than life. And she will have her day. A place to call home, a family to love and cherish, a future to plan and weave—everything is at stake. Lives rock on a razor’s edge. What price will Zoya and Asad pay to snatch their happily-ever-after from fiery endings?
NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.
.Be in an attitude of gratitude with this gratitude journal for black queens only! Self care is so important, especially when the world is full of foolishness. Focusing on what you're thankful for can lift your vibration and get you back into the happy place. Writing self love affirmations daily will also build self esteem and confidence so this also makes a great gift for younger sisters, daughters, nieces, etc.. Treat yourself or someone you love and BUY NOW! Features of this journal include: Welcome page Soft matte cover 8.5 x 11 inches 120 pages "Self Love Affirmations" section "I Am Grateful For" Section
"One day a writer becomes convinced that the artistic avantgardes of the last five decades present a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's Parables than Vasari's Lives of the Artists, he composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call "contemporary art."-- Back cover.
Hi, I'm Keshav, and my life is screwed. I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that. Zara and I broke up four years ago. She moved on in life. I didn't. I drank every night to forget her. I called, messaged, and stalked her on social media. She just ignored me. However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105. I shouldn't have gone, but I did... and my life changed forever. This is not a love story. It is an unlove story. From the author of Five Point Someone and 2 States, comes a fast-paced, funny and unputdownable thriller about obsessive love and finding purpose in life against the backdrop of contemporary India.
To be a writer, Amitava Kumar says, is to be an observer. The twenty-six essays in Lunch with a Bigot are Kumar's observations of the world put into words. A mix of memoir, reportage, and criticism, the essays include encounters with writers Salman Rushdie and Arundhati Roy, discussions on the craft of writing, and a portrait of the struggles of a Bollywood actor. The title essay is Kumar's account of his visit to a member of an ultra-right Hindu organization who put him on a hit-list. In these and other essays, Kumar tells a broader story of immigration, change, and a shift to a more globalized existence, all the while demonstrating how he practices being a writer in the world.
For the past twenty-five years, Henry Rollins has searched out the most desolate corners of the Earth--from Iraq to Afghanistan, Thailand to Mali, and beyond--articulating his observations through music and words, on radio and television, and in magazines and books. Though he's known for the raw power of his expression, Rollins has shown that the greatest statements can be made with the simplest of acts: to just bear witness, to be present. In Occupants, Rollins invites us to do the same. The book pairs Rollins's visceral full-color photographs--taken in Bangladesh, Burma, Cambodia, India, Indonesia, Northern Ireland, Saudi Arabia, South Africa, and elsewhere over the last few years--with writings that not only provide context and magnify the impact of the images but also lift them to the level of political commentary. Simply put, this book is a visual testimony of anger, suffering, and resilience. Occupants will help us realize what is so easy to miss when tragedy and terror become numbing, constant forces--the quieter, stronger forces of healing, solidarity, faith, and even joy.
“Emotional, thoughtful, and a true testament to the power of friendship”—Locus Magazine Teen Wolf meets Emergency Contact in this sharply observed, hilarious, and heartwarming debut young adult novel about friendship, chronic illness, and . . . werewolves. Priya worked hard to pursue her premed dreams at Stanford, but the fallout from undiagnosed Lyme disease sends her back to her childhood home in New Jersey during her sophomore year—and leaves her wondering if she’ll ever be able to return to the way things were. Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses. When Brigid suddenly goes offline, Priya does something out of character: she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the horrifying creature that's shut in the basement. With Brigid nowhere to be found, Priya begins to puzzle together an impossible but obvious truth: the creature might be a werewolf—and the werewolf might be Brigid. As Brigid's unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.