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New York Times bestselling author Cheyenne McCray sets the night on fire in her blazing-hot Night Tracker series—where the fangs come out when the sun goes down... Vampire attacks are on the rise in the city that never sleeps. So why is half-human, half-Drow private eye Nyx tracking down Sprites? Sure, these "young bloods" are causing mischief all over town—like painting the Statue of Liberty's toenails neon pink. But it's not until Nyx finds herself at the Pit, Manhattan's hottest nightclub for paranorms, that she understands what she's really up against... Seems Master Vampire Volod has a plan—and the Sprites are in on it. By targeting the weaknesses of every paranorm in the city, from Elves to Shifters to Zombies, Volod and his fang gang aim to rule the night once and for all. Over Nyx's dead body. She loves a good challenge—and she will seduce danger at every turn to throw Volod off course. It's time for Nyx to enter the beating heart of this dark conspiracy...before driving a stake through it.
A story of love and...death. "Wow, she's gorgeous!" "Mmm, Gilly, I love your kisses." "Happy birthday, Grampa!" "Are you here to kill us?" "Mommy, is it the end of the world? Dell says that, he says that." "Trixi will save us," Becky says. "This brave little dog is my best friend. Do I save her, or does she save me?" "You know you're going to have to have to kill. Can you kill when you don't want to?" "Mommy, Daddy, are we going to be dead?"
Not Invited to the Party demonstrates how the dominant political parties--the Democrats and Republicans--have co-opted the system to their advantage. James Bennett examines the history and array of laws, regulations, subsidies and programs that benefit the two major parties and discourage even the possibility of a serious challenge to the Democrat-Republican duopoly. The American Founders, as it has been generally forgotten, distrusted political parties. Nowhere in the U.S. Constitution are parties mentioned, much less given legal protection or privilege. This provocative book traces how by the end of the Civil War the Republicans and Democrats had guaranteed their dominance and subsequently influenced a range of policies developed to protect the duopoly. For example, Bennett examines how the Federal Election Campaign Act of 1971 (as amended in 1974 and 1976), which was sold to the public as a nonpartisan act of good government reformism actually reinforced the dominance of the two parties. While focused primarily on the American experience, the book also considers the prevalence of two-party systems around the world (especially in emerging democracies) and the widespread contempt with which they are often viewed. Featuring incisive commentary on the 2008 election, and a foreword by third-party iconoclast, Ralph Nader, the book considers the potential of truly radical reform toward opening the field to vigorous, lively, contentious independent candidacies that might finally offer alienated voters a choice, not an echo.
Now a hit Netflix film! Stacy Friedman is getting ready for one of the most important events of her young life — her bat mitzvah. All she wants is the perfect dress to wear, her friends by her side, and her biggest crush ever, Andy Goldfarb, to dance with her (and maybe even make out with her on the dance floor). But Stacy's well-laid plans quickly start to fall apart... Her stressed-out mother forces her to buy a hideous sequined dress that makes her look like the bride of Frankenstein. Her mitzvahs are not going well at all. And then the worst thing in the entire world happens causing Stacy to utter the words that will wreak complete havoc on her social life: You are SO not invited to my bat mitzvah!
As jazz enters its second century it is reasserting itself as dynamic and relevant. Boston Globe jazz writer and Emerson College professor Bill Beuttler reveals new ways in which jazz is engaging with society through the vivid biographies and music of Jason Moran, Vijay Iyer, Rudresh Mahanthappa, The Bad Plus, Miguel Zenón, Anat Cohen, Robert Glasper, and Esperanza Spalding. These musicians are freely incorporating other genres of music into jazz—from classical (both western and Indian) to popular (hip-hop, R&B, rock, bluegrass, klezmer, Brazilian choro)—and other art forms as well (literature, film, photography, and other visual arts). This new generation of jazz is increasingly more international and is becoming more open to women as instrumentalists and bandleaders. Contemporary jazz is reasserting itself as a force for social change, prompted by developments such as the Black Lives Matter, #MeToo movements, and the election of Donald Trump.
Alzheimer’s – just a word, but one which conjures a whole range of emotions and thoughts – none of them positive. But how do we know? We are easily fooled. When you look in a mirror you do not see reality. For some, Alzheimer’s disease is a subject only mentioned in passing; for others, experiencing the profound effects it can have becomes a devastating reality. All are aware of its devastating outcome, but this is a novel about life, not death. Or rather, two lives: Beth is based on fact – only the names have been changed to protect the guilty. Betsy’s story is a mixture of imagination and wishful thinking. “Just its name brings anxiety and alarm: Alzheimer’s. Sometimes, in my darker moods, I consider the future heredity possibilities: even going so far as to estimate the time I have left. A countdown to slow oblivion.” I Am Not There broadens the concept of near death, out-of-body experiences, providing a different, positive perspective on illness, life and death, and what may occur afterwards. It will appeal to anyone dealing with terminal illness or questioning the meaning of death. “The last week of my grandmother’s life gave me absolute belief in an afterlife. There were moments when I knew that she was not there and I took this one step further, to look at what happens to spirits in between life and death,” says Ginny, who was adopted by her grandmother, and who she cared for during the last ten years of her life after a diagnosis of Alzheimer’s disease. Ginny is determined that her grandmother’s achievements should not be overshadowed by her disease.
Best Friends provides the missing link to understanding and recognizing the impact of some of the most important relationships in girls' and women's lives. Every woman remembers the sting of betrayal of a girlfriend, and every parent of a daughter has seen her come home from school in tears because a girl she thought was her best friend suddenly and inexplicably became her enemy. While boys hash out differences with fists and kicks, girls' societies are marked by secrets and whispers and shifting affection. The lessons learned as an adolescent girl are often carried into adulthood, making women fear confrontation--especially with other women. But the intensity of the struggles reflects the support and healing to be found within these friendships. Girls find themselves in the mirror of other girls, hence the power each has to influence the other. Ruthellen Josselson and Terri Apter's many years of working with hundreds of girls and women have given them insight into the emotionally important relationships that are integral to a girl's self-image. Best Friends explores the bonds of friendship between girls and between women and the sorrows and joys they experience together, from early adolescence and throughout their lives.
Who Knew? is a continuation of Romy Shiller's book You Never Know: A Memoir. Romy is considered a medical mystery and applies her previous interest and scholarly work on the body to her new physical reality. Romy's intense belief that we can meet and overcome challenges prompted her to write this book. People expect distress when faced with a life-altering situation. Who Knew? proves that there are options available to everyone when it comes to facing challenges. Romy looks at internalized ideas about the body. She provides a new approach to physicality (how we utilize the body) and image (how we perceive the body). Our culture is obsessed with looking a certain way. Opting out of conventional modes of appearance is liberating. This book and Romy's attitude are not about denial; they are about acceptance. Acceptance for Romy does not preclude change. It is more about blending realities, weaving the idea of identity. Fluctuation and adaptation are important qualities. Romy's non-malignant brain tumour operation and subsequent five-month coma have left her in a wheelchair, with a voice/speech impediment called dysarthria. Romy Shiller is proof we can overcome our challenges.