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The first mystery book in a rollicking new historical cozy series! When Lady Adelaide's dinner party is visited by lady death, she'll have to partner with the irksome spirit of her dead husband to crack the case... "A lively debut filled with local color, red herrings, both sprightly and spritely characters, a smidgen of social commentary, and a climactic surprise."—Kirkus Reviews A delightful English cozy series begins in August 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell. Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself. Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying. The Lady Adelaide Mysteries: Nobody's Sweetheart Now (Book 1) Who's Sorry Now? (Book 2) Just Make Believe (Book 3)
Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Representing the first attempt to compile a complete catalog of the entertainers who appeared on film in Great Britain from the invention of the cinema in the mid-1890s to the present, this innovative book covers more than 2,000 entertainers. Each entry gives the entertainer's specialty, a chronological listing of his/her films, and the titles of the songs sung, played, or danced to. Uniquely, the catalog lists appearances in shorts and especially series of shorts, such as Ace Cinemagazine, Eve's Film Review, and Pathe Pictorial, as well as other prewar series of cinemags. Newsreel performances are also included. Attempting to compile the first complete catalog of the entertainers who appeared on film in Great Britain from the invention of cinema in the mid-1890s to the present, this innovative reference book covers more than 2,000 entertainers including: comedians, singers, musicians, impressionists, dancers and dance bands, contortionists, acrobats, pop groups and pop stars, and more. Listed here are the complete filmographies for bygone entertainers such as Max Miller, and Tommy Trinder; music-hall artists, including Marie Lloyd and Harry Champion; radio stars such as Richard Murdoch and Norman Long; crooners from Al Bowlly to Donald Peers; and a supporting cast of many more. Each entry gives the entertainer's speciality, a chronological listing of his/her films, and the titles of the songs sung, played, or danced to. Uniquely, the catalog lists appearances in shorts, especially series of shorts, such as Ace Cinemagazine, Eve's Film Review, and Pathe Pictorial, as well as other prewar series of cinemags. Newsreel performances are also included. Based on more than 30 years research by the man dubbed custodian of the nation's nostalgia (The Sunday Times, London), this is a unique and comprehensive guide for all researchers concerned with the history of British film.
Kenney offers a wide-ranging look at jazz in the Windy City revealing how Chicago became the major centre of jazz in the 1920s, one of the most vital periods in the history of the music.
This unique reference covers every aspect of the literature of popular songs from the 16th century to 1987. Compiling 11,000 songs from the English-Speaking world, The Great Song Thesaurus, Second Edition, Updated and Expanded provides pertinent information about each entry - including year of popularity, the composer, lyricist, record sales, Hit Parade and air ranking, and the names of artists who recorded the 'Top Hit' songs since 1940 - and indexes these song titles by subject, key word, key lyric line and category. Completely cross-referenced throughout, information associated with each song is easily accessible in any of the book's ten parts.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars – Chaplin, Pickford, Fairbanks – to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions – good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1 000 photos!