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The Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
The New Penguin Dictionary of Modern Quotations contains over 8,000 quotations from 1914 to the present. As much a companion to the modern age as it is an entertaining and useful reference tool, it takes the reader on a tour of the wit and wisdom of the great and the good, from Margot Asquith to Monica Lewinsky, from George V to Boutros Boutros-Galli and Jonathan Aitken to Frank Zappa.
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
This scientific detective story is the first book which explains clearly the science used by paleontologists, and the new, cutting-edge techniques that led to the discovery of Seismosaurus, the longest dinosaur yet known--and possibly the largest land animal to have ever lived. Gillette's first-person account of the project answers the most frequently asked questions about Seismosaurus: How was it discovered? How do we know it is a new species? How did it die? Part catalogue of the workings of paleontological science in the 1990s, the book also illustrates the exciting collaboration between Gillette, the chemists and physicists who helped to reconstruct Seismosaurus.
Say the right thing at the right time. This essential reference brings together well-known (and not-so-well-known!) speakers- including those from the Bible, actors, poets, humorists, scientists, and literary and political figures-whose ideas, activism, services, talent, and labor have influenced society. Perfect for speeches for every occasion, including graduations, weddings, retirement parties, anniversaries, public speaking engagements, and so on. * Presented in an intuitive, cross-referenced organization * Includes hilarious anecdotes and a short bio of each author, a brief contextual note for each quote, and an index of keywords to help you find the appropriate words for any occasion quickly
This book introduces the concepts, theory and experimental knowledge concerning solvent effects on the rate and equilibrium of chemical reactions of all kinds. It begins with basic thermodynamics and kinetics, building on this foundation to demonstrate how a more detailed understanding of these effects may be used to aid in determination of reaction mechanisms, and to aid in planning syntheses. Consideration is given to theoretical calculations (quantum chemistry, molecular dynamics, etc.), to statistical methods (chemometrics), and to modern day concerns such as "green" chemistry, where utilization and disposal of chemical waste or by-products in an environmentally safe way is as important as achieving the desired end products by all chemists nowadays. The treatment progresses from elementary to advanced material in straightforward fashion. The more advanced topics are not developed in an overly rigorous way so that upper-level undergraduates, graduates, and newcomers to the field can grasp the concepts easily.
Ogden Nash was a rare poet. He celebrated the ordinary with delight and curiosity: husbands and wives at work, children at play, a society in motion. He studied popular culture with a penetrating eye and wrote about America, its icons, habits, and affectations with humor and levity. He struggled with comparisons to “serious” poets, those heroes of the canon who abandoned the rhyme and meter that Nash found crucial to his style of writing. His witty, insightful, and graceful vignettes captured those moments in life that defy heavy-handed treatment. Nash did not live out the stereotype of the aloof poet-recluse. In addition to his writing, Nash pursued publishing, screenwriting, and a rigorous lecture circuit. This self-styled [pet of wide appeal appeared in newspapers and magazines found in homes across the country, accessible publications such as Life, New Yorker, Cosmopolitan, SportsIllustrated, Reader’sDigest, and McCall’s. At a time when children’s literature meant Winnie-the-Pooh, Nash produced verses for and about young people that amused, educated, and more importantly, didn’t pander or lecture. These poems and collections, including Custard the Dragon, The New Nutcracker Suite and Other Innocent Verses, A Boy Is a Boy, and Girls Are Silly, were classics of the genre. Nash left behind an invaluable body of work: charming, clever, and utterly unique.
Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally, Oh Kay!, Anything Goes, Show Boat, Oklahoma!, Follies, Chicago, and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was. The volume includes an extensive discography--the first of its kind--which offers a virtually self-contained history of recorded show music.